東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Linked to FindBook

Google Book

Amazon

博客來

Screenwriting the contemporary biopic = a reflexive case study /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Screenwriting the contemporary biopic/ by Michael Bentham.
Reminder of title:	a reflexive case study /
Author:	Bentham, Michael.
Published:	Cham :Springer Nature Switzerland : : 2025.,
Description:	xv, 128 p. :ill. (some col.), digital ;24 cm.
[NT 15003449]:	Chapter 1: Prologue -- Chapter 2: Screenwriting the Contemporary Biopic: an introduction -- Chapter 3: 'Writing to right'? How does the screenwriter reconcile ethical tensions between fact and fiction in the authorship of a biopic -- Chapter 4: Sensing the Dead: exploring the tensions between fiction and historical fidelity -- Chapter 5: Screenwriting the past: re-framing the conversation -- Chapter 6: Coda: some concluding texts.
Contained By:	Springer Nature eBook
Subject:	Biographical films - Authorship. -
Online resource:	https://doi.org/10.1007/978-3-031-97892-0
ISBN:	9783031978920

Screenwriting the contemporary biopic = a reflexive case study /
Bentham, Michael.

Screenwriting the contemporary biopica reflexive case study /[electronic resource] :by Michael Bentham. - Cham :Springer Nature Switzerland :2025. - xv, 128 p. :ill. (some col.), digital ;24 cm.

Chapter 1: Prologue -- Chapter 2: Screenwriting the Contemporary Biopic: an introduction -- Chapter 3: 'Writing to right'? How does the screenwriter reconcile ethical tensions between fact and fiction in the authorship of a biopic -- Chapter 4: Sensing the Dead: exploring the tensions between fiction and historical fidelity -- Chapter 5: Screenwriting the past: re-framing the conversation -- Chapter 6: Coda: some concluding texts.

This book explores the intricate challenges screenwriters face when balancing fact and fiction in biopics. As biopics have become synonymous with prestige and award-worthiness in contemporary cinema, they also attract intense scrutiny for their handling of historical facts. The allure of the biopic lies in its ability to use fiction to delve into the interiority of its subjects, yet this raises ethical questions about historical fidelity and narrative truth. What obligations does the phrase "based on a true story" impose on screenwriters? Can a biopic truly capture the essence of its subject, or does it inherently distort reality? Through a self-reflexive case study of a screenplay about British boxer Randolph Turpin, this book seeks to answer these pressing questions. It examines the process of transforming extensive research into a compelling narrative, offering insights into the delicate balance between truth and fiction. By bridging the gap between theory and practice, this work provides a fresh perspective on the biopic genre. Ideal for scholars in screenwriting and film studies, industry professionals, and students of screen production, this book offers a deeper understanding of how biopics reveal truths about historical figures and events. Dr Michael Bentham is an award-winning filmmaker, researcher and educator. A graduate of the UK's National Film and Television School, his feature drama Disclosure (2020) was nominated for an Australian Academy Award (Best Indie Film) and an Australian Directors' Guild Award (Best Direction in a Feature Film). Michael holds a Doctorate from the University of Melbourne, where he received the Margaret Lawrence Social Justice Award in recognition of the social impact of his films.

ISBN: 9783031978920

Standard No.: 10.1007/978-3-031-97892-0doiSubjects--Topical Terms:

3803111
Biographical films
--Authorship.

LC Class. No.: PN1995.9.B55 / B46 2025

Dewey Class. No.: 808.23

Screenwriting the contemporary biopic = a reflexive case study /
LDR:03266nmm a2200349 a 4500 001 2421784
003 DE-He213
005 20251029120422.0
006 m d
007 cr nn 008maaau
008 260505s2025 sz s 0 eng d
020 $a 9783031978920 $q (electronic bk.)
020 $a 9783031978913 $q (paper)
024 7 $a 10.1007/978-3-031-97892-0 $2 doi
035 $a 978-3-031-97892-0
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1995.9.B55 $b B46 2025
072 7 $a APFD $2 bicssc
072 7 $a CBVS $2 bicssc
072 7 $a PER004050 $2 bisacsh
072 7 $a ATFD $2 thema
072 7 $a CBVS $2 thema
082 0 4 $a 808.23 $2 23
090 $a PN1995.9.B55 $b B476 2025
100 1 $a Bentham, Michael. $3 3803110
245 1 0 $a Screenwriting the contemporary biopic $h [electronic resource] : $b a reflexive case study / $c by Michael Bentham.
260 $a Cham : $b Springer Nature Switzerland : $b Imprint: Palgrave Macmillan, $c 2025.
300 $a xv, 128 p. : $b ill. (some col.), digital ; $c 24 cm.
505 0 $a Chapter 1: Prologue -- Chapter 2: Screenwriting the Contemporary Biopic: an introduction -- Chapter 3: 'Writing to right'? How does the screenwriter reconcile ethical tensions between fact and fiction in the authorship of a biopic -- Chapter 4: Sensing the Dead: exploring the tensions between fiction and historical fidelity -- Chapter 5: Screenwriting the past: re-framing the conversation -- Chapter 6: Coda: some concluding texts.
520 $a This book explores the intricate challenges screenwriters face when balancing fact and fiction in biopics. As biopics have become synonymous with prestige and award-worthiness in contemporary cinema, they also attract intense scrutiny for their handling of historical facts. The allure of the biopic lies in its ability to use fiction to delve into the interiority of its subjects, yet this raises ethical questions about historical fidelity and narrative truth. What obligations does the phrase "based on a true story" impose on screenwriters? Can a biopic truly capture the essence of its subject, or does it inherently distort reality? Through a self-reflexive case study of a screenplay about British boxer Randolph Turpin, this book seeks to answer these pressing questions. It examines the process of transforming extensive research into a compelling narrative, offering insights into the delicate balance between truth and fiction. By bridging the gap between theory and practice, this work provides a fresh perspective on the biopic genre. Ideal for scholars in screenwriting and film studies, industry professionals, and students of screen production, this book offers a deeper understanding of how biopics reveal truths about historical figures and events. Dr Michael Bentham is an award-winning filmmaker, researcher and educator. A graduate of the UK's National Film and Television School, his feature drama Disclosure (2020) was nominated for an Australian Academy Award (Best Indie Film) and an Australian Directors' Guild Award (Best Direction in a Feature Film). Michael holds a Doctorate from the University of Melbourne, where he received the Margaret Lawrence Social Justice Award in recognition of the social impact of his films.
650 0 $a Biographical films $x Authorship. $3 3803111
650 0 $a Motion picture authorship. $3 607579
650 0 $a Truthfulness and falsehood in motion pictures. $3 3803112
650 1 4 $a Screenwriting. $3 3201014
650 2 4 $a Film Theory. $3 2191773
650 2 4 $a Media Ethics. $3 3602469
650 2 4 $a Documentary Studies. $3 3606854
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-3-031-97892-0
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)