| 內容註: |
1. Introduction: Poe's Spaces and Poetic Places -- Part 1: Temporal and Atemporal Spaces -- 2. Pathoregimes: Poe, Pestilence, Space and Time -- 3. The Spaces of Temporal Deviance in Poe's Fiction -- 4. Etna's Observatory: Poe's Eureka and Spaces of Literary and Scientific Recombination -- 5. When Worlds Collide: The Convergence of Science and Faith in Eureka -- Part 2: Social and Political Spaces -- 6. Poe's Two Tales of Bostonian Transcendentalism -- 7. Helen of Boston: Frogpondian Shadows in the Romance of Edgar A. Poe and Sarah Helen Whitman -- 8. Spaces of Courtship: Poe's Love Poems and the Language of Flowers -- 9. The Menace of the Mob: Poe and Jacksonian Populism -- 10. Purloined Voices, Paranoid Spaces: Poe, de Man, and Nixon -- Part 3: Imaginative and Psychological Spaces -- 11. Apocalypses of the Mind: De Quinceyan Models, Altered Consciousness, and Imagined Spaces in Poe's Poems (1831) -- 12. Acoustic Effects in the Mesmeric Space of Poe's "The Facts in the Case of M. Valdemar" -- 13. Poe's Arabesque Manner; Making Space for Satirical Reflection -- 14. Poe's "The Pit and the Pendulum" as Prison of the Mind: A Claustrophobic Space Imagined by Illustrators -- Part 4: Transnational and Translated Spaces -- 15. Poe, Benson, and the Development of New Aesthetic Space in Post-Bellum America -- 16. "Indestructible Fragments": Reevaluating Borges's Thoughts on Poe's Poetry -- 17. Placing J. de Granada's Neglected Translation of Poe's "The Murders in the Rue Morgue" -- 18. Poe Among the Spanish Fascist Writers: An Intellectual Space -- 19. From "Out of Space" to the Expanded Page: Poe and Brazilian Concrete Poetry. |