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Musicals at the margins = genre, boundaries, canons /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Musicals at the margins/ [edited by] Julie Lobalzo Wright and Martha Shearer.
Reminder of title:	genre, boundaries, canons /
other author:	Shearer, Martha.
Published:	London [England] :Bloomsbury Academic, : 2021.,
Description:	1 online resource (viii, 254 p.) :ill.
[NT 15003449]:	List of Figures -- Acknowledgements -- 1. Introduction: Genre Panic at the Margins / Julie Lobalzo Wright and Martha Shearer Generic boundaries -- 2. Danceploitation, Musical Disruption, and Synergy in Saturday Night Fever, Flashdance, and Breakin' / Jenny Oyallon-Koloski -- 3. Pitching Utopia: Popular Music, Community, and Neoliberalism in the Choir Film / Eleonora Sammartino -- 4. E-Q-U-I-T-Y: Generic Boundaries, Gender, and Real Estate in the Magic Mike Films / Martha Shearer -- 5. Saint-Louis Blues: From Oral Storytelling to Aural Filmmaking / Estrella Sendra Fernández Musicals of the margins -- 6. The Marseille Film Operetta / Marie Cadalanu and Phil Powrie -- 7. Heteroglossia in the Musical Number: Song, Music Performance, and Marginalised Identity in Tony Gatlif's Swing (2002) / Tamsin Graves -- 8. Sexsationalist Feminism in The Devil's Carnival Project (2012, 2015) / Joana Rita Ramalho Musical sequences -- 9. The On- and Off-Screen Politics of Sophia Loren's Musical Performances in Houseboat (1958) and It Started in Naples (1960) / Sarah Culhane -- 10. 'Just a Little Warm-Up for the Job': Harold Nicholas, the Specialty Act, and the Hollywood Song-and-Dance Man / Kate Saccone -- 11. A Language of its Own: Mani Ratnam's Experiments with the Song Scene Aakshi Magazine Music -- 12. Pianos, Affect and Memory Paul Mazey and Sarah Street -- 13. Everybody Wants to Be a Cat: Jazz Culture and Disney Animation in the 1960s / Landon Palmer -- 14. Short-Form Pop Music Films in 1960s Britain / Richard Farmer -- 15. 'Good Evening Pasadena!': Fantastical Performance Spaces in the Rock Documentary / Richard Wallace Musicals across media -- 16. Live Musical Spectaculars: Eventizing Network Television in the Post-Network Age / Anthony Enns -- 17. Camp and the Celebration of the Popular Song in RuPaul's Drag Race 'Lip Sync for Your Life' / Julie Lobalzo Wright -- List of Contributors -- Index.
Subject:	Musicals - History and criticism. -
Online resource:	https://doi.org/10.5040/9781501357084?locatt=label:secondary_bloomsburyCollections
ISBN:	9781501357084

Musicals at the margins = genre, boundaries, canons /
Musicals at the marginsgenre, boundaries, canons /[electronic resource] :[edited by] Julie Lobalzo Wright and Martha Shearer. - First edition. - London [England] :Bloomsbury Academic,2021. - 1 online resource (viii, 254 p.) :ill.

Includes bibliographical references and index.

List of Figures -- Acknowledgements -- 1. Introduction: Genre Panic at the Margins / Julie Lobalzo Wright and Martha Shearer Generic boundaries -- 2. Danceploitation, Musical Disruption, and Synergy in Saturday Night Fever, Flashdance, and Breakin' / Jenny Oyallon-Koloski -- 3. Pitching Utopia: Popular Music, Community, and Neoliberalism in the Choir Film / Eleonora Sammartino -- 4. E-Q-U-I-T-Y: Generic Boundaries, Gender, and Real Estate in the Magic Mike Films / Martha Shearer -- 5. Saint-Louis Blues: From Oral Storytelling to Aural Filmmaking / Estrella Sendra Fernández Musicals of the margins -- 6. The Marseille Film Operetta / Marie Cadalanu and Phil Powrie -- 7. Heteroglossia in the Musical Number: Song, Music Performance, and Marginalised Identity in Tony Gatlif's Swing (2002) / Tamsin Graves -- 8. Sexsationalist Feminism in The Devil's Carnival Project (2012, 2015) / Joana Rita Ramalho Musical sequences -- 9. The On- and Off-Screen Politics of Sophia Loren's Musical Performances in Houseboat (1958) and It Started in Naples (1960) / Sarah Culhane -- 10. 'Just a Little Warm-Up for the Job': Harold Nicholas, the Specialty Act, and the Hollywood Song-and-Dance Man / Kate Saccone -- 11. A Language of its Own: Mani Ratnam's Experiments with the Song Scene Aakshi Magazine Music -- 12. Pianos, Affect and Memory Paul Mazey and Sarah Street -- 13. Everybody Wants to Be a Cat: Jazz Culture and Disney Animation in the 1960s / Landon Palmer -- 14. Short-Form Pop Music Films in 1960s Britain / Richard Farmer -- 15. 'Good Evening Pasadena!': Fantastical Performance Spaces in the Rock Documentary / Richard Wallace Musicals across media -- 16. Live Musical Spectaculars: Eventizing Network Television in the Post-Network Age / Anthony Enns -- 17. Camp and the Celebration of the Popular Song in RuPaul's Drag Race 'Lip Sync for Your Life' / Julie Lobalzo Wright -- List of Contributors -- Index.

"But is it a musical? This question is regularly asked of films, television shows and other media objects that sit uncomfortably in the category despite evident musical connections. Musicals at the Margins argues that instead of seeking to resolve such questions, we should leave them unanswered and unsettled, proposing that there is value in examining the unstable edges of genre. This collection explores the marginal musical in a diverse range of historical and globalcontexts. It encompasses a range of different forms of marginality including boundary texts (films/media that are sort of/not quite musicals), musical sequences (marginalized sequences in musicals; musical sequences in non-musicals), musicfilms, musicals of the margins (musicals produced from social, cultural, geographical, and geopolitical margins), and musicals across media (television and new media). Ultimately these essays argue that marginal genre texts tell us a greatdeal about the musical specifically and genre more broadly."--

Mode of access: World Wide Web.

ISBN: 9781501357084Subjects--Topical Terms:

547960
Musicals
--History and criticism.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: ML2075 / .M883 2021eb

Dewey Class. No.: 782.81

Musicals at the margins = genre, boundaries, canons /
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520 $a "But is it a musical? This question is regularly asked of films, television shows and other media objects that sit uncomfortably in the category despite evident musical connections. Musicals at the Margins argues that instead of seeking to resolve such questions, we should leave them unanswered and unsettled, proposing that there is value in examining the unstable edges of genre. This collection explores the marginal musical in a diverse range of historical and globalcontexts. It encompasses a range of different forms of marginality including boundary texts (films/media that are sort of/not quite musicals), musical sequences (marginalized sequences in musicals; musical sequences in non-musicals), musicfilms, musicals of the margins (musicals produced from social, cultural, geographical, and geopolitical margins), and musicals across media (television and new media). Ultimately these essays argue that marginal genre texts tell us a greatdeal about the musical specifically and genre more broadly."-- $c Provided by publisher.
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