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Gerhard Richter and the technologica...

Guillermet, Aline.

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Gerhard Richter and the technological condition of painting

Record Type:	Electronic resources : Monograph/item
Title/Author:	Gerhard Richter and the technological condition of painting/ Aline Guillermet.
Author:	Guillermet, Aline.
other author:	Richter, Gerhard,
Published:	Edinburgh :Edinburgh University Press, : c2024.,
Description:	1 online resource (257 p.) :ill. (some col.)
[NT 15003449]:	Intro -- Half-title -- Refractions series information -- Title -- Copyright information -- Contents -- Figures -- Acknowledgements -- Introduction: Looking at Art through the Lens of Science and Technology -- Art, Science and Technology -- Photographic Objectivity: From Representation to Visualisation -- Methodological Approach and Challenges -- Outline of Chapters -- 1. Scientific Realism and Portraiture -- Solvent Transfer in the Photo-Paintings: Richter and Rauschenberg -- Silkscreening and Blurring: Richter and Warhol -- The Pop Portrait -- Gerhard Richter's 'Ema (Nude on a Staircase)' -- 2. Photography and History Painting -- Painting History from Photographs -- The 'October' Cycle as History Painting? -- The Photograph as 'Tear-Image' -- 3. Biological Chanceand Landscape Painting -- 'Painting Like Nature': The Artistic Value of Biological Chance -- From Photo-Paintings of Landscapes to Overpainted Landscapes -- The Politics of the Landscape -- 4. Electron Microscopy and the Ornament -- The 'Silicate' Paintings -- The Politics and Aesthetics of the Ornament -- The Digital Ornament -- Coda: Towards Digital Painting -- Programming Painting -- Colour Charts -- '4900 Colours' and the Cologne Cathedral Window -- Notes -- Bibliography -- Index.
Subject:	Painting - Technique. -
Online resource:	https://portal.igpublish.com/iglibrary/search/EUPB0004385.html
ISBN:	9781399525237

Gerhard Richter and the technological condition of painting
Guillermet, Aline.

Gerhard Richter and the technological condition of painting[electronic resource] /Aline Guillermet. - 1st ed. - Edinburgh :Edinburgh University Press,c2024. - 1 online resource (257 p.) :ill. (some col.) - Refractions series. - Refractions..

Includes bibliographical references and index.

Intro -- Half-title -- Refractions series information -- Title -- Copyright information -- Contents -- Figures -- Acknowledgements -- Introduction: Looking at Art through the Lens of Science and Technology -- Art, Science and Technology -- Photographic Objectivity: From Representation to Visualisation -- Methodological Approach and Challenges -- Outline of Chapters -- 1. Scientific Realism and Portraiture -- Solvent Transfer in the Photo-Paintings: Richter and Rauschenberg -- Silkscreening and Blurring: Richter and Warhol -- The Pop Portrait -- Gerhard Richter's 'Ema (Nude on a Staircase)' -- 2. Photography and History Painting -- Painting History from Photographs -- The 'October' Cycle as History Painting? -- The Photograph as 'Tear-Image' -- 3. Biological Chanceand Landscape Painting -- 'Painting Like Nature': The Artistic Value of Biological Chance -- From Photo-Paintings of Landscapes to Overpainted Landscapes -- The Politics of the Landscape -- 4. Electron Microscopy and the Ornament -- The 'Silicate' Paintings -- The Politics and Aesthetics of the Ornament -- The Digital Ornament -- Coda: Towards Digital Painting -- Programming Painting -- Colour Charts -- '4900 Colours' and the Cologne Cathedral Window -- Notes -- Bibliography -- Index.

Access restricted to authorized users and institutions.

Aline Guillermet uncovers Richter's appropriation of science and technology from 1960 to the present and shows how this has shaped the artist's well-documented engagement with the canon of Western painting. Through a study of Richter's portraits, history paintings, landscapes and ornamental abstractions, Guillermet reveals the artist's role in affirming the technological condition of painting in the second half of the twentieth century: a historical situation in which the medium and its conventions have become shaped, and to some extent transformed, by technological innovations.

Mode of access: World Wide Web.

ISBN: 9781399525237Subjects--Personal Names:

1042969
Richter, Gerhard,
1932---Criticism and interpretation.Subjects--Topical Terms:

526689
Painting
--Technique.

LC Class. No.: ND588.R48

Dewey Class. No.: 759.3

Gerhard Richter and the technological condition of painting
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100 1 $a Guillermet, Aline. $3 3792607
245 1 0 $a Gerhard Richter and the technological condition of painting $h [electronic resource] / $c Aline Guillermet.
250 $a 1st ed.
260 $a Edinburgh : $b Edinburgh University Press, $c c2024.
300 $a 1 online resource (257 p.) : $b ill. (some col.)
490 1 $a Refractions series
504 $a Includes bibliographical references and index.
505 0 $a Intro -- Half-title -- Refractions series information -- Title -- Copyright information -- Contents -- Figures -- Acknowledgements -- Introduction: Looking at Art through the Lens of Science and Technology -- Art, Science and Technology -- Photographic Objectivity: From Representation to Visualisation -- Methodological Approach and Challenges -- Outline of Chapters -- 1. Scientific Realism and Portraiture -- Solvent Transfer in the Photo-Paintings: Richter and Rauschenberg -- Silkscreening and Blurring: Richter and Warhol -- The Pop Portrait -- Gerhard Richter's 'Ema (Nude on a Staircase)' -- 2. Photography and History Painting -- Painting History from Photographs -- The 'October' Cycle as History Painting? -- The Photograph as 'Tear-Image' -- 3. Biological Chanceand Landscape Painting -- 'Painting Like Nature': The Artistic Value of Biological Chance -- From Photo-Paintings of Landscapes to Overpainted Landscapes -- The Politics of the Landscape -- 4. Electron Microscopy and the Ornament -- The 'Silicate' Paintings -- The Politics and Aesthetics of the Ornament -- The Digital Ornament -- Coda: Towards Digital Painting -- Programming Painting -- Colour Charts -- '4900 Colours' and the Cologne Cathedral Window -- Notes -- Bibliography -- Index.
506 $a Access restricted to authorized users and institutions.
520 $a Aline Guillermet uncovers Richter's appropriation of science and technology from 1960 to the present and shows how this has shaped the artist's well-documented engagement with the canon of Western painting. Through a study of Richter's portraits, history paintings, landscapes and ornamental abstractions, Guillermet reveals the artist's role in affirming the technological condition of painting in the second half of the twentieth century: a historical situation in which the medium and its conventions have become shaped, and to some extent transformed, by technological innovations.
538 $a Mode of access: World Wide Web.
588 $a Description based on print version record.
600 1 0 $a Richter, Gerhard, $d 1932- $x Criticism and interpretation. $3 1042969
650 0 $a Painting $x Technique. $3 526689
700 1 $a Richter, Gerhard, $d 1932- $3 567726
830 0 $a Refractions. $3 3792608
856 4 0 $u https://portal.igpublish.com/iglibrary/search/EUPB0004385.html