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The AI revolution = what creativity ...

Vargas-Gomez, Daniel.

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The AI revolution = what creativity could look like in 2035 /

Record Type:	Electronic resources : Monograph/item
Title/Author:	The AI revolution/ by Daniel Vargas-Gomez.
Reminder of title:	what creativity could look like in 2035 /
Author:	Vargas-Gomez, Daniel.
Published:	Cham :Springer Nature Switzerland : : 2025.,
Description:	xxvi, 138 p. :ill., digital ;24 cm.
[NT 15003449]:	PART 1: COMPUTERS AS CREATIVE TOOLS -- 1. Digital creativity and the dawn of AI Art -- Technology and creativity : a short take on computational creativity -- PART 2: CREATIVITY AS A UNIVERSAL ASPIRATION -- Rethinking creativity : a systems approach to imagination and novelty -- The economy at the dawn of AI: concentration, financialization and wage stagnation -- Neoliberalism 's political economy and the dawn of the Creative Class -- The unexpected rise of the Creative Class -- PART 3: CREATIVITY IN THE YEAR 2035 -- Social futurology: transhumanism, dystopia and utopia on the singularity -- Pandora's Box and the fear of the future -- Conclusion: what AI tells us about ourselves.
Contained By:	Springer Nature eBook
Subject:	Artificial intelligence - Social aspects. -
Online resource:	https://doi.org/10.1007/978-3-032-01172-5
ISBN:	9783032011725

The AI revolution = what creativity could look like in 2035 /
Vargas-Gomez, Daniel.

The AI revolutionwhat creativity could look like in 2035 /[electronic resource] :by Daniel Vargas-Gomez. - Cham :Springer Nature Switzerland :2025. - xxvi, 138 p. :ill., digital ;24 cm.

PART 1: COMPUTERS AS CREATIVE TOOLS -- 1. Digital creativity and the dawn of AI Art -- Technology and creativity : a short take on computational creativity -- PART 2: CREATIVITY AS A UNIVERSAL ASPIRATION -- Rethinking creativity : a systems approach to imagination and novelty -- The economy at the dawn of AI: concentration, financialization and wage stagnation -- Neoliberalism 's political economy and the dawn of the Creative Class -- The unexpected rise of the Creative Class -- PART 3: CREATIVITY IN THE YEAR 2035 -- Social futurology: transhumanism, dystopia and utopia on the singularity -- Pandora's Box and the fear of the future -- Conclusion: what AI tells us about ourselves.

This book examines AI's transformative impact on creativity, blending insights from economics, media studies, and technology to analyze its role in the arts and the broader creative industries.Structured in three parts, the book first rethinks creativity through theories like Actor-Network-Theory, arguing AI is a form of agency within creative networks. It explores AI's economic drivers, citing industry forecasts and the rise of the "Creative Class," while advocating for "Augmented Creativity" as the right approach to balance human-AI collaboration. The book studies pragmatic scenarios for 2035, focusing on job shifts, AI-generated content, and artistic experimentation-avoiding speculative AI hype. By grounding debates in real-world impacts, the book urges a critical, yet nuanced view of AI that ensures it remains a potential agent for collaboration rather than a replacement of human skill and imagination. Daniel Vargas Gómez works in the advertising industry as a Global Strategy Director and has a PhD in Philosophy from Erasmus University Rotterdam.

ISBN: 9783032011725

Standard No.: 10.1007/978-3-032-01172-5doiSubjects--Topical Terms:

549635
Artificial intelligence
--Social aspects.

LC Class. No.: Q335

Dewey Class. No.: 006.3

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520 $a This book examines AI's transformative impact on creativity, blending insights from economics, media studies, and technology to analyze its role in the arts and the broader creative industries.Structured in three parts, the book first rethinks creativity through theories like Actor-Network-Theory, arguing AI is a form of agency within creative networks. It explores AI's economic drivers, citing industry forecasts and the rise of the "Creative Class," while advocating for "Augmented Creativity" as the right approach to balance human-AI collaboration. The book studies pragmatic scenarios for 2035, focusing on job shifts, AI-generated content, and artistic experimentation-avoiding speculative AI hype. By grounding debates in real-world impacts, the book urges a critical, yet nuanced view of AI that ensures it remains a potential agent for collaboration rather than a replacement of human skill and imagination. Daniel Vargas Gómez works in the advertising industry as a Global Strategy Director and has a PhD in Philosophy from Erasmus University Rotterdam.
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