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The werewolf in Medieval romance
~
Ward, Renée.
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The werewolf in Medieval romance
Record Type:
Electronic resources : Monograph/item
Title/Author:
The werewolf in Medieval romance / by Renée Ward.
Author:
Ward, Renée.
Published:
New York :Palgrave Macmillan US : : 2025.,
Description:
xv, 264 p. :ill., digital ;24 cm.
[NT 15003449]:
1. Introduction -- Part I: Knightly Assemblages -- 2. Guillaume de Palerne -- 3. Bisclavret -- Part II: Arthur and the Werewolf -- 4. Arthur and Gorlagon -- 5. Melion -- Part III: Adapting and Politicizing the Werewolf -- 6. William of Palerne -- 7. Biclarel.
Contained By:
Springer Nature eBook
Subject:
Fiction, Medieval - History and criticism. -
Online resource:
https://link.springer.com/openurl.asp?genre=book&isbn=978-1-137-49624-9
ISBN:
9781137496249
The werewolf in Medieval romance
Ward, Renée.
The werewolf in Medieval romance
[electronic resource] /by Renée Ward. - New York :Palgrave Macmillan US :2025. - xv, 264 p. :ill., digital ;24 cm. - New Middle Ages,2945-5944. - New Middle Ages..
1. Introduction -- Part I: Knightly Assemblages -- 2. Guillaume de Palerne -- 3. Bisclavret -- Part II: Arthur and the Werewolf -- 4. Arthur and Gorlagon -- 5. Melion -- Part III: Adapting and Politicizing the Werewolf -- 6. William of Palerne -- 7. Biclarel.
The Werewolf in Medieval Romance argues that in Guillaume de Palerne, Bisclavret, Arthur and Gorlagon, Melion, William of Palerne, and Biclarel the werewolf's identity incorporates a variety of assemblages, including human and animal bodies, and physical spaces and the animate and inanimate beings or objects therein. Whether in lupine or human form, the werewolf's identity is a perpetual becoming, one with extensive queer, and thus disruptive, potential. Additionally, the werewolf's identity incorporates political systems and violence, specifically through his status as a knight, prince, and/or king. He is an expression of sovereign power and an extension of the identity the sovereign presents, often functioning as a blunt instrument of the crown. Renée Ward is a Senior Lecturer of Medieval Literature in the School of Humanities and Heritage at the University of Lincoln, UK. She co-edited The Arthurian World (Routledge) and also co-edits The Year's Work in Medievalism, the journal of the International Society for the Study of Medievalism.
ISBN: 9781137496249
Standard No.: 10.1057/978-1-137-49624-9doiSubjects--Topical Terms:
3791843
Fiction, Medieval
--History and criticism.
LC Class. No.: PN692
Dewey Class. No.: 809.3
The werewolf in Medieval romance
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1. Introduction -- Part I: Knightly Assemblages -- 2. Guillaume de Palerne -- 3. Bisclavret -- Part II: Arthur and the Werewolf -- 4. Arthur and Gorlagon -- 5. Melion -- Part III: Adapting and Politicizing the Werewolf -- 6. William of Palerne -- 7. Biclarel.
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The Werewolf in Medieval Romance argues that in Guillaume de Palerne, Bisclavret, Arthur and Gorlagon, Melion, William of Palerne, and Biclarel the werewolf's identity incorporates a variety of assemblages, including human and animal bodies, and physical spaces and the animate and inanimate beings or objects therein. Whether in lupine or human form, the werewolf's identity is a perpetual becoming, one with extensive queer, and thus disruptive, potential. Additionally, the werewolf's identity incorporates political systems and violence, specifically through his status as a knight, prince, and/or king. He is an expression of sovereign power and an extension of the identity the sovereign presents, often functioning as a blunt instrument of the crown. Renée Ward is a Senior Lecturer of Medieval Literature in the School of Humanities and Heritage at the University of Lincoln, UK. She co-edited The Arthurian World (Routledge) and also co-edits The Year's Work in Medievalism, the journal of the International Society for the Study of Medievalism.
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Literature, Cultural and Media Studies (SpringerNature-41173)
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W9520334
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11.線上閱覽_V
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EB PN692
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