東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Performing disfiguration = pain, aff...

Akhila Vimal C.

Linked to FindBook

Google Book

Amazon

博客來

Performing disfiguration = pain, affect and staging of relationalities in performances /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Performing disfiguration/ by Akhila Vimal C.
Reminder of title:	pain, affect and staging of relationalities in performances /
Author:	Akhila Vimal C.
Published:	Singapore :Springer Nature Singapore : : 2025.,
Description:	lxvii, 279 p. :ill., digital ;24 cm.
[NT 15003449]:	A Prologue to Performing Disfiguration: Framing Contexts and Cultural Echoes -- Segment I: Bleeding Bodies on Stage: Punishment, Aesthetic and the Divine -- Introduction -- Chapter 1: Ambiguities of the Classical: Blood, Mutilation, and Performance -- Chapter 2: Ritual: Problematizing Real Blood -- Chapter 3: Performing Pain: Correlating Marma and Performance -- Conclusion -- Segment II: Performing Madness: Codified, Divine, Gendered, and Caste-bound Relations -- Introduction -- Chapter 4: Beyond Normal: Performance of Madness and its Ambivalence -- Chapter 5: Madness: Narratives of Chaatthan and Parava -- Chapter 6: Trance and Possession: Ritual Madness and Choreographed Alterations -- Conclusion -- Segment III: Laughter: Performance and Reception -- Introduction -- Chapter 7: Laughter in Classical Performance: Classification and Characterization -- Chapter 8: Laughing Teyyam: Caste, Disability and Gender -- Chapter 9: The Laughing Spectator: A Brief Analysis on Reception -- Conclusion -- An Epilogue Rooted in Cultural Memory: The Ongoing Journey of Disfiguration.
Contained By:	Springer Nature eBook
Subject:	Performing arts - India. -
Online resource:	https://doi.org/10.1007/978-981-96-2448-5
ISBN:	9789819624485

Performing disfiguration = pain, affect and staging of relationalities in performances /
Akhila Vimal C.

Performing disfigurationpain, affect and staging of relationalities in performances /[electronic resource] :by Akhila Vimal C. - Singapore :Springer Nature Singapore :2025. - lxvii, 279 p. :ill., digital ;24 cm. - Performance studies & cultural discourse in South Asia,v. 32731-5096 ;. - Performance studies & cultural discourse in South Asia ;v. 3..

A Prologue to Performing Disfiguration: Framing Contexts and Cultural Echoes -- Segment I: Bleeding Bodies on Stage: Punishment, Aesthetic and the Divine -- Introduction -- Chapter 1: Ambiguities of the Classical: Blood, Mutilation, and Performance -- Chapter 2: Ritual: Problematizing Real Blood -- Chapter 3: Performing Pain: Correlating Marma and Performance -- Conclusion -- Segment II: Performing Madness: Codified, Divine, Gendered, and Caste-bound Relations -- Introduction -- Chapter 4: Beyond Normal: Performance of Madness and its Ambivalence -- Chapter 5: Madness: Narratives of Chaatthan and Parava -- Chapter 6: Trance and Possession: Ritual Madness and Choreographed Alterations -- Conclusion -- Segment III: Laughter: Performance and Reception -- Introduction -- Chapter 7: Laughter in Classical Performance: Classification and Characterization -- Chapter 8: Laughing Teyyam: Caste, Disability and Gender -- Chapter 9: The Laughing Spectator: A Brief Analysis on Reception -- Conclusion -- An Epilogue Rooted in Cultural Memory: The Ongoing Journey of Disfiguration.

This book explores the processes of disfiguration in the 'classical' and 'ritual-healing' performances of India, with a particular focus on the rich and diverse performance traditions of Kerala. It examines three modes of disfiguration-'blood,' 'madness,' and 'laughter'-to offer unique insights into how these elements shape the performative body. By drawing on Kerala's distinctive cultural and ritual contexts, this work provides a deep understanding of the region's embodied practices. Written from an interdisciplinary perspective, the book blends performance studies with detailed ethnographic descriptions to capture the nuances of 'pain' and 'affect.' It challenges and subverts normative notions of performance, offering a fresh lens through which to view these dynamic traditions. This book serves as an invaluable resource for scholars of dance, performance studies, and practitioners seeking to explore the interplay between region, ritual, and disfiguration in Indian performance forms.

ISBN: 9789819624485

Standard No.: 10.1007/978-981-96-2448-5doiSubjects--Topical Terms:

1012650
Performing arts
--India.

LC Class. No.: PN2881

Dewey Class. No.: 792.0954

Performing disfiguration = pain, affect and staging of relationalities in performances /
LDR:03193nmm a2200337 a 4500 001 2412936
003 DE-He213
005 20250809130203.0
006 m d
007 cr nn 008maaau
008 260204s2025 si s 0 eng d
020 $a 9789819624485 $q (electronic bk.)
020 $a 9789819624478 $q (paper)
024 7 $a 10.1007/978-981-96-2448-5 $2 doi
035 $a 978-981-96-2448-5
040 $a GP $c GP
041 0 $a eng
050 4 $a PN2881
072 7 $a AN $2 bicssc
072 7 $a PER000000 $2 bisacsh
072 7 $a AT $2 thema
082 0 4 $a 792.0954 $2 23
090 $a PN2881 $b .A315 2025
100 1 $a Akhila Vimal C. $3 3788655
245 1 0 $a Performing disfiguration $h [electronic resource] : $b pain, affect and staging of relationalities in performances / $c by Akhila Vimal C.
260 $a Singapore : $b Springer Nature Singapore : $b Imprint: Springer, $c 2025.
300 $a lxvii, 279 p. : $b ill., digital ; $c 24 cm.
490 1 $a Performance studies & cultural discourse in South Asia, $x 2731-5096 ; $v v. 3
505 0 $a A Prologue to Performing Disfiguration: Framing Contexts and Cultural Echoes -- Segment I: Bleeding Bodies on Stage: Punishment, Aesthetic and the Divine -- Introduction -- Chapter 1: Ambiguities of the Classical: Blood, Mutilation, and Performance -- Chapter 2: Ritual: Problematizing Real Blood -- Chapter 3: Performing Pain: Correlating Marma and Performance -- Conclusion -- Segment II: Performing Madness: Codified, Divine, Gendered, and Caste-bound Relations -- Introduction -- Chapter 4: Beyond Normal: Performance of Madness and its Ambivalence -- Chapter 5: Madness: Narratives of Chaatthan and Parava -- Chapter 6: Trance and Possession: Ritual Madness and Choreographed Alterations -- Conclusion -- Segment III: Laughter: Performance and Reception -- Introduction -- Chapter 7: Laughter in Classical Performance: Classification and Characterization -- Chapter 8: Laughing Teyyam: Caste, Disability and Gender -- Chapter 9: The Laughing Spectator: A Brief Analysis on Reception -- Conclusion -- An Epilogue Rooted in Cultural Memory: The Ongoing Journey of Disfiguration.
520 $a This book explores the processes of disfiguration in the 'classical' and 'ritual-healing' performances of India, with a particular focus on the rich and diverse performance traditions of Kerala. It examines three modes of disfiguration-'blood,' 'madness,' and 'laughter'-to offer unique insights into how these elements shape the performative body. By drawing on Kerala's distinctive cultural and ritual contexts, this work provides a deep understanding of the region's embodied practices. Written from an interdisciplinary perspective, the book blends performance studies with detailed ethnographic descriptions to capture the nuances of 'pain' and 'affect.' It challenges and subverts normative notions of performance, offering a fresh lens through which to view these dynamic traditions. This book serves as an invaluable resource for scholars of dance, performance studies, and practitioners seeking to explore the interplay between region, ritual, and disfiguration in Indian performance forms.
650 0 $a Performing arts $z India. $3 1012650
650 1 4 $a Theatre and Performance Arts. $3 3538692
650 2 4 $a Aesthetics. $3 523036
650 2 4 $a Cultural Theory. $3 2191713
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
830 0 $a Performance studies & cultural discourse in South Asia ; $v v. 3. $3 3788656
856 4 0 $u https://doi.org/10.1007/978-981-96-2448-5
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)