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Witnessing change = applied theatre ...

Abraham, Nicola.

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Witnessing change = applied theatre and youth agency /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Witnessing change/ edited by Nicola Abraham, Sylvan Baker.
Reminder of title:	applied theatre and youth agency /
other author:	Abraham, Nicola.
Published:	Cham :Springer Nature Switzerland : : 2025.,
Description:	xvii, 217 p. :ill., digital ;24 cm.
[NT 15003449]:	Chapter 1: Introduction -- Chapter 2: Change -- Chapter 3: Witnessing Change and Youth Agency -- Chapter 4: The Verbatim Formula: Incentivising Change in the Twenty-first Century Care System? -- Chapter 5: Now we are warriors: Young Pasifika leaders reframing South Auckland through performance -- Chapter 6: Trusting the Process: Risky devising and mapping radical change -- Chapter 7: Recovery or Regeneration? Reconceptualising the impact of the creative arts in mental health contexts -- Chapter 8: 'Without Limits' - Witnessing Change in Young Women in an Inner-City Secondary School -- Chapter 9: Is This the Change that Matters? -- Chapter 10: Conclusion.
Contained By:	Springer Nature eBook
Subject:	Theater and society. -
Online resource:	https://doi.org/10.1007/978-3-031-83291-8
ISBN:	9783031832918

Witnessing change = applied theatre and youth agency /
Witnessing changeapplied theatre and youth agency /[electronic resource] :edited by Nicola Abraham, Sylvan Baker. - Cham :Springer Nature Switzerland :2025. - xvii, 217 p. :ill., digital ;24 cm. - Palgrave studies in play, performance, learning, and development,2946-2649. - Palgrave studies in play, performance, learning, and development..

Chapter 1: Introduction -- Chapter 2: Change -- Chapter 3: Witnessing Change and Youth Agency -- Chapter 4: The Verbatim Formula: Incentivising Change in the Twenty-first Century Care System? -- Chapter 5: Now we are warriors: Young Pasifika leaders reframing South Auckland through performance -- Chapter 6: Trusting the Process: Risky devising and mapping radical change -- Chapter 7: Recovery or Regeneration? Reconceptualising the impact of the creative arts in mental health contexts -- Chapter 8: 'Without Limits' - Witnessing Change in Young Women in an Inner-City Secondary School -- Chapter 9: Is This the Change that Matters? -- Chapter 10: Conclusion.

This book theorises and articulates new models of understanding 'change' in current applied theatre practice with young people. It extends and amplifies current discourses in the discipline of applied theatre, challenging and rethinking some of its tensions, particularly in relation to the concept of impact and what this means in practice. Applied theatre projects can struggle to attain evidence and sustain change beyond an initial intervention, this is arguably because what is valued and 'witnessed' as change for communities can often feel overlooked if they do not meet impact agendas or indicators. It is a key issue that, critically, needs further attention as our field develops and with increasing global pressure on the practitioner to account for and justify the 'impact' of their work. This book explores current models of practice and related theoretical concerns that will enable students and practitioners to gain insights into innovative practices that aim for change from applied theatre practitioners in the UK, Singapore, and New Zealand. The book thereby intends to focus on different models of practice happening in geographically urban contexts with young people to provide readers with a rich array of projects to engage with detailed case studies of current thinking around what change means in applied theatre practice. To understand how change manifests and make a case for nuancing the way we might articulate and value change, this book offers a conceptual framework around the role of witnessing and change to consider new ways to argue for the worth of practice that may challenge current impact agendas, but importantly locates the lived experience of participants and practitioners directly engaged in practice at the heart of this articulation of conversation about what counts.

ISBN: 9783031832918

Standard No.: 10.1007/978-3-031-83291-8doiSubjects--Topical Terms:

619070
Theater and society.

LC Class. No.: PN2051

Dewey Class. No.: 792.0835091732

Witnessing change = applied theatre and youth agency /
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505 0 $a Chapter 1: Introduction -- Chapter 2: Change -- Chapter 3: Witnessing Change and Youth Agency -- Chapter 4: The Verbatim Formula: Incentivising Change in the Twenty-first Century Care System? -- Chapter 5: Now we are warriors: Young Pasifika leaders reframing South Auckland through performance -- Chapter 6: Trusting the Process: Risky devising and mapping radical change -- Chapter 7: Recovery or Regeneration? Reconceptualising the impact of the creative arts in mental health contexts -- Chapter 8: 'Without Limits' - Witnessing Change in Young Women in an Inner-City Secondary School -- Chapter 9: Is This the Change that Matters? -- Chapter 10: Conclusion.
520 $a This book theorises and articulates new models of understanding 'change' in current applied theatre practice with young people. It extends and amplifies current discourses in the discipline of applied theatre, challenging and rethinking some of its tensions, particularly in relation to the concept of impact and what this means in practice. Applied theatre projects can struggle to attain evidence and sustain change beyond an initial intervention, this is arguably because what is valued and 'witnessed' as change for communities can often feel overlooked if they do not meet impact agendas or indicators. It is a key issue that, critically, needs further attention as our field develops and with increasing global pressure on the practitioner to account for and justify the 'impact' of their work. This book explores current models of practice and related theoretical concerns that will enable students and practitioners to gain insights into innovative practices that aim for change from applied theatre practitioners in the UK, Singapore, and New Zealand. The book thereby intends to focus on different models of practice happening in geographically urban contexts with young people to provide readers with a rich array of projects to engage with detailed case studies of current thinking around what change means in applied theatre practice. To understand how change manifests and make a case for nuancing the way we might articulate and value change, this book offers a conceptual framework around the role of witnessing and change to consider new ways to argue for the worth of practice that may challenge current impact agendas, but importantly locates the lived experience of participants and practitioners directly engaged in practice at the heart of this articulation of conversation about what counts.
650 0 $a Theater and society. $3 619070
650 0 $a Theater and youth. $3 1246704
650 1 4 $a Applied Theatre. $3 3414378
650 2 4 $a Contemporary Theatre and Performance. $3 3599286
650 2 4 $a Theatre and Performance Arts. $3 3538692
650 2 4 $a Performers and Practitioners. $3 3264621
700 1 $a Abraham, Nicola. $3 3788638
700 1 $a Baker, Sylvan. $3 3788639
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
830 0 $a Palgrave studies in play, performance, learning, and development. $3 3205690
856 4 0 $u https://doi.org/10.1007/978-3-031-83291-8
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)