東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Linked to FindBook

Google Book

Amazon

博客來

Video art in China 1985-2020

Record Type:	Electronic resources : Monograph/item
Title/Author:	Video art in China 1985-2020/ by Qian Yang, Adam Geczy.
Author:	Yang, Qian.
other author:	Geczy, Adam.
Published:	Cham :Springer Nature Switzerland : : 2025.,
Description:	xiii, 252 p. :ill. (chiefly col.), digital ;24 cm.
[NT 15003449]:	Introduction -- Part 1. Reference and Implementation: A Discussion of Video Art Between China and America -- Chapter 1.Video Art Between China and America -- Chapter 2.Space-Time Duality in Video Art -- Part 2. Accumulation and Progress: Interlinked Historical Processes and Video Art -- Chapter 3. The Emerging Stage: Video Art after the Cultural Revolution China -- Chapter 4. The Development Stage: Video Art After Deepening the Reform and Opening-up Policy -- Chapter 5. The Rapid Growth Stage: Video Art under the Adjustment of the Art Education System -- Chapter 6. The Stable Development Stage: Video Art as China Gains Global Influences -- Chapter 7. A Window Opens: Video Art Exhibitions in China -- Conclusion.
Contained By:	Springer Nature eBook
Subject:	Art, Modern - 20th century. -
Online resource:	https://doi.org/10.1007/978-3-031-80279-9
ISBN:	9783031802799

Video art in China 1985-2020
Yang, Qian.

Video art in China 1985-2020[electronic resource] /by Qian Yang, Adam Geczy. - Cham :Springer Nature Switzerland :2025. - xiii, 252 p. :ill. (chiefly col.), digital ;24 cm.

Introduction -- Part 1. Reference and Implementation: A Discussion of Video Art Between China and America -- Chapter 1.Video Art Between China and America -- Chapter 2.Space-Time Duality in Video Art -- Part 2. Accumulation and Progress: Interlinked Historical Processes and Video Art -- Chapter 3. The Emerging Stage: Video Art after the Cultural Revolution China -- Chapter 4. The Development Stage: Video Art After Deepening the Reform and Opening-up Policy -- Chapter 5. The Rapid Growth Stage: Video Art under the Adjustment of the Art Education System -- Chapter 6. The Stable Development Stage: Video Art as China Gains Global Influences -- Chapter 7. A Window Opens: Video Art Exhibitions in China -- Conclusion.

This is the first book that offers a comprehensive account of video art after the Cultural Revolution in China with a special emphasis on the way it progressed together with phenomenal socio-economic transformations that began in the 1980s. It examines its development against social changes and pressures, looking at such aspects as the growth of artistic and cultural groups, exhibition spaces and art schools. Charting these changes, it prizes out the many zones of influence by the dominant United States while also marking out the many independent features of Chinese video art and the conditions that shaped them. Adam Geczy, PhD, is an artist and writer who teaches at the University of Sydney. His exhibitions have been throughout Europe, Asia and Australia where his work is held in several national collections. As a writer he has published over 20 books (contemporary art, fashion, cultural studies and aesthetics), and is the author of numerous critical articles and book chapters. Qian Yang is a doctoral candidate in the School of Art, Communication and Media, at the University of Sydney. She graduated from Tiangong University in 2017 with a bachelor's degree and from the University of the Arts London in 2019 with a master's degree in graphic media design.

ISBN: 9783031802799

Standard No.: 10.1007/978-3-031-80279-9doiSubjects--Topical Terms:

522959
Art, Modern
--20th century.

LC Class. No.: N6494.V53

Dewey Class. No.: 777

Video art in China 1985-2020
LDR:02980nmm a2200325 a 4500 001 2412532
003 DE-He213
005 20250717130344.0
006 m d
007 cr nn 008maaau
008 260204s2025 sz s 0 eng d
020 $a 9783031802799 $q (electronic bk.)
020 $a 9783031802782 $q (paper)
024 7 $a 10.1007/978-3-031-80279-9 $2 doi
035 $a 978-3-031-80279-9
040 $a GP $c GP
041 0 $a eng
050 4 $a N6494.V53
072 7 $a ACXJ $2 bicssc
072 7 $a ART015110 $2 bisacsh
072 7 $a AGA $x 3MR $2 thema
082 0 4 $a 777 $2 23
090 $a N6494.V53 $b Y22 2025
100 1 $a Yang, Qian. $3 1684219
245 1 0 $a Video art in China 1985-2020 $h [electronic resource] / $c by Qian Yang, Adam Geczy.
260 $a Cham : $b Springer Nature Switzerland : $b Imprint: Palgrave Macmillan, $c 2025.
300 $a xiii, 252 p. : $b ill. (chiefly col.), digital ; $c 24 cm.
505 0 $a Introduction -- Part 1. Reference and Implementation: A Discussion of Video Art Between China and America -- Chapter 1.Video Art Between China and America -- Chapter 2.Space-Time Duality in Video Art -- Part 2. Accumulation and Progress: Interlinked Historical Processes and Video Art -- Chapter 3. The Emerging Stage: Video Art after the Cultural Revolution China -- Chapter 4. The Development Stage: Video Art After Deepening the Reform and Opening-up Policy -- Chapter 5. The Rapid Growth Stage: Video Art under the Adjustment of the Art Education System -- Chapter 6. The Stable Development Stage: Video Art as China Gains Global Influences -- Chapter 7. A Window Opens: Video Art Exhibitions in China -- Conclusion.
520 $a This is the first book that offers a comprehensive account of video art after the Cultural Revolution in China with a special emphasis on the way it progressed together with phenomenal socio-economic transformations that began in the 1980s. It examines its development against social changes and pressures, looking at such aspects as the growth of artistic and cultural groups, exhibition spaces and art schools. Charting these changes, it prizes out the many zones of influence by the dominant United States while also marking out the many independent features of Chinese video art and the conditions that shaped them. Adam Geczy, PhD, is an artist and writer who teaches at the University of Sydney. His exhibitions have been throughout Europe, Asia and Australia where his work is held in several national collections. As a writer he has published over 20 books (contemporary art, fashion, cultural studies and aesthetics), and is the author of numerous critical articles and book chapters. Qian Yang is a doctoral candidate in the School of Art, Communication and Media, at the University of Sydney. She graduated from Tiangong University in 2017 with a bachelor's degree and from the University of the Arts London in 2019 with a master's degree in graphic media design.
650 0 $a Art, Modern $y 20th century. $3 522959
650 0 $a Video art $z China. $3 1052258
650 1 4 $a Contemporary Art. $3 3607680
650 2 4 $a Popular Culture. $3 3201027
650 2 4 $a Asian Culture. $3 2191596
650 2 4 $a Regional Cultural Studies. $3 3593325
700 1 $a Geczy, Adam. $3 776142
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-3-031-80279-9
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)