東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Dark romanticism = literature, art, ...

Riccardi, Silvia.

FindBook

Google Book

Amazon

博客來

Dark romanticism = literature, art, and the body /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Dark romanticism/ by Silvia Riccardi.
其他題名:	literature, art, and the body /
作者:	Riccardi, Silvia.
出版者:	Cham :Springer Nature Switzerland : : 2025.,
面頁冊數:	xx, 242 p. :ill. (some col.), digital ;24 cm.
內容註:	Chapter 1: Darkness Visible -- Chapter 2: Fuseli's Bodies in Agony -- Chapter 3: Blake's Biomorphism -- Chapter 4: The Body in the Line: Blake's Dante -- Chapter 5: In the Eye of the Monster: Shelley's Frankenstein -- Chapter 6: Broken Beauties.
Contained By:	Springer Nature eBook
標題:	Romanticism. -
電子資源:	https://doi.org/10.1007/978-3-031-64365-1
ISBN:	9783031643651

Dark romanticism = literature, art, and the body /
Riccardi, Silvia.

Dark romanticismliterature, art, and the body /[electronic resource] :by Silvia Riccardi. - Cham :Springer Nature Switzerland :2025. - xx, 242 p. :ill. (some col.), digital ;24 cm. - Palgrave studies in the Enlightenment, romanticism and cultures of print,2634-6524. - Palgrave studies in the Enlightenment, romanticism and cultures of print..

Chapter 1: Darkness Visible -- Chapter 2: Fuseli's Bodies in Agony -- Chapter 3: Blake's Biomorphism -- Chapter 4: The Body in the Line: Blake's Dante -- Chapter 5: In the Eye of the Monster: Shelley's Frankenstein -- Chapter 6: Broken Beauties.

"This admirable study takes up an unsettling aspect of Romanticism, appropriately termed 'dark,' in works by Henry Fuseli, William Blake, and Mary Shelley. The numerous well-chosen images are not so much supplementary to the text as embedded in it, establishing a visual message concurrent with the verbal one. In all, this is one of the most stimulating books in one of the most energetically discussed areas of Romantic scholarship." -Morton D. Paley, Professor Emeritus of English, University of California, Berkeley, USA "With over 50 stunning color images, this lucidly written study examines the liminal states of life and beauty, offering fresh insights into Frankenstein and the dark sensibilities that destabilize traditional notions of taste and genre. A masterful blend of art and literature, this book is as enlightening as it is captivating." -Sharon Ruston, Professor of English and Creative Writing, Lancaster University, UK This book explores the dark regions of Romantic imagination in late eighteenth- and early nineteenth-century literature and art. It uncovers the palpable and pleasing anxiety about the human body in the works of Henry Fuseli, William Blake, and Mary Shelley, focusing on the negotiations of pleasure and pain, life and death, beauty and monstrosity. Each of the works examined revolves in some manner around the breakdown of an idealized body in order to illuminate the transition from organic to fragmented form. This approach involves reorienting conventional accounts of Romanticism around the emergence of a visual paradigm. Engaging with cultures of print, aesthetic discourse, anatomical art, as well as natural historical knowledge circulating in England at the turn of the century, Dark Romanticism cultivates visual literacy and argues that literary and pictorial elements are inseparable when imagination is at work. Silvia Riccardi is a postdoctoral researcher at Umeå University, Sweden, specializing in eighteenth- and nineteenth-century literature and visual culture. She has previously held positions at the University of Freiburg and Uppsala University.

ISBN: 9783031643651

Standard No.: 10.1007/978-3-031-64365-1doiSubjects--Topical Terms:

517609
Romanticism.

LC Class. No.: PN603

Dewey Class. No.: 809.9145

Dark romanticism = literature, art, and the body /
LDR:03453nmm a2200337 a 4500 001 2412523
003 DE-He213
005 20250711104753.0
006 m d
007 cr nn 008maaau
008 260204s2025 sz s 0 eng d
020 $a 9783031643651 $q (electronic bk.)
020 $a 9783031643644 $q (paper)
024 7 $a 10.1007/978-3-031-64365-1 $2 doi
035 $a 978-3-031-64365-1
040 $a GP $c GP
041 0 $a eng
050 4 $a PN603
072 7 $a DSBD $2 bicssc
072 7 $a LIT024030 $2 bisacsh
072 7 $a DSBD $x 3ML $2 thema
082 0 4 $a 809.9145 $2 23
090 $a PN603 $b .R489 2025
100 1 $a Riccardi, Silvia. $3 3787902
245 1 0 $a Dark romanticism $h [electronic resource] : $b literature, art, and the body / $c by Silvia Riccardi.
260 $a Cham : $b Springer Nature Switzerland : $b Imprint: Palgrave Macmillan, $c 2025.
300 $a xx, 242 p. : $b ill. (some col.), digital ; $c 24 cm.
490 1 $a Palgrave studies in the Enlightenment, romanticism and cultures of print, $x 2634-6524
505 0 $a Chapter 1: Darkness Visible -- Chapter 2: Fuseli's Bodies in Agony -- Chapter 3: Blake's Biomorphism -- Chapter 4: The Body in the Line: Blake's Dante -- Chapter 5: In the Eye of the Monster: Shelley's Frankenstein -- Chapter 6: Broken Beauties.
520 $a "This admirable study takes up an unsettling aspect of Romanticism, appropriately termed 'dark,' in works by Henry Fuseli, William Blake, and Mary Shelley. The numerous well-chosen images are not so much supplementary to the text as embedded in it, establishing a visual message concurrent with the verbal one. In all, this is one of the most stimulating books in one of the most energetically discussed areas of Romantic scholarship." -Morton D. Paley, Professor Emeritus of English, University of California, Berkeley, USA "With over 50 stunning color images, this lucidly written study examines the liminal states of life and beauty, offering fresh insights into Frankenstein and the dark sensibilities that destabilize traditional notions of taste and genre. A masterful blend of art and literature, this book is as enlightening as it is captivating." -Sharon Ruston, Professor of English and Creative Writing, Lancaster University, UK This book explores the dark regions of Romantic imagination in late eighteenth- and early nineteenth-century literature and art. It uncovers the palpable and pleasing anxiety about the human body in the works of Henry Fuseli, William Blake, and Mary Shelley, focusing on the negotiations of pleasure and pain, life and death, beauty and monstrosity. Each of the works examined revolves in some manner around the breakdown of an idealized body in order to illuminate the transition from organic to fragmented form. This approach involves reorienting conventional accounts of Romanticism around the emergence of a visual paradigm. Engaging with cultures of print, aesthetic discourse, anatomical art, as well as natural historical knowledge circulating in England at the turn of the century, Dark Romanticism cultivates visual literacy and argues that literary and pictorial elements are inseparable when imagination is at work. Silvia Riccardi is a postdoctoral researcher at Umeå University, Sweden, specializing in eighteenth- and nineteenth-century literature and visual culture. She has previously held positions at the University of Freiburg and Uppsala University.
650 0 $a Romanticism. $3 517609
650 0 $a Romanticism in art. $3 519774
650 0 $a Human body in literature. $3 928655
650 0 $a Human figure in art. $3 527062
650 1 4 $a Eighteenth-Century Literature. $3 2181927
650 2 4 $a Nineteenth-Century Literature. $3 2182369
650 2 4 $a Visual Culture. $3 3593302
650 2 4 $a Medical Humanities. $3 3538719
650 2 4 $a Art History. $3 635474
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
830 0 $a Palgrave studies in the Enlightenment, romanticism and cultures of print. $3 1083576
856 4 0 $u https://doi.org/10.1007/978-3-031-64365-1
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)