東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

FindBook

Google Book

Amazon

博客來

Disorder, affect, and modernist literature = empathy after entropy /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Disorder, affect, and modernist literature/ by Matthew Phillips.
其他題名:	empathy after entropy /
作者:	Phillips, M.
出版者:	Cham :Springer Nature Switzerland : : 2025.,
面頁冊數:	v, 78 p. :ill., digital ;24 cm.
內容註:	Introduction -- Chapter I "Lower and Lower, and Down": Entropy, Empathy, and Art in Stephen Crane's "The Open Boat" -- Chapter 2 "Dreams of Leaves Decaying for a Vernal Stalk": Entropy and Empathy in Jean Toomer's "Withered Skin of Berries" -- Chapter 3 "Things Must Spoil": Necessary Entropy in Virginia Woolf's To The Lighthouse -- Chapter 4 Darkening Entropy and Empathy in Eugene O'Neill's Long Day's Journey into Night -- Chapter 5 Epilogue.
Contained By:	Springer Nature eBook
標題:	Modernism (Literature) -
電子資源:	https://doi.org/10.1007/978-3-031-92463-7
ISBN:	9783031924637

Disorder, affect, and modernist literature = empathy after entropy /
Phillips, M.

Disorder, affect, and modernist literatureempathy after entropy /[electronic resource] :by Matthew Phillips. - Cham :Springer Nature Switzerland :2025. - v, 78 p. :ill., digital ;24 cm. - Palgrave studies in affect theory and literary criticism,2634-632X. - Palgrave studies in affect theory and literary criticism..

Introduction -- Chapter I "Lower and Lower, and Down": Entropy, Empathy, and Art in Stephen Crane's "The Open Boat" -- Chapter 2 "Dreams of Leaves Decaying for a Vernal Stalk": Entropy and Empathy in Jean Toomer's "Withered Skin of Berries" -- Chapter 3 "Things Must Spoil": Necessary Entropy in Virginia Woolf's To The Lighthouse -- Chapter 4 Darkening Entropy and Empathy in Eugene O'Neill's Long Day's Journey into Night -- Chapter 5 Epilogue.

Modernist literature is defined by entropic characteristics. Its common themes include fragmentation, uncertainty, distrust, and misunderstanding. Alongside these themes, however, exists a desire to rebuild, to distill elements of past constructs into something that can provide stability in the chaotic present. Historically, modernist studies has focused on the former, without ample attention given to how entropic circumstances alter human emotion and affect. This book offers a new way of conceptualizing the modernist experience of alienation, disorder, and system deterioration as not merely negative, but productive in facilitating new structures of feeling and social adhesion. It pushes extant literary evaluations of entropy into a new realm by interrogating the human cost of entropic circumstances, and shows that we can use the process of entropy as a metaphorical lens through which to further understand the human connections and shared experiences reflected in modernist literature. Matthew Phillips is a Lecturer at UNC Greensboro, USA, where he has designed and taught courses on "Empathy and Imagination" and "Quarantine Literature". Matthew's existing and forthcoming publications exhibit a wide-ranging research portfolio. Most recently, he has used the scientific principal of entropy as a metaphorical lens to study the phenomenon of the entropy/empathy paradigm, arguing that in works by Jean Toomer and Virginia Woolf, as well as in those temporally bookending modernism by Stephen Crane and Eugene O'Neill, an accumulation of entropy unpredictably results in an increase in empathic potential. Matthew has also published on Evelyn Waugh and Richard Hakluyt in an article that interrogates divergent depictions of empathy and religion in their respective work.

ISBN: 9783031924637

Standard No.: 10.1007/978-3-031-92463-7doiSubjects--Topical Terms:

580419
Modernism (Literature)

LC Class. No.: PN56.M54

Dewey Class. No.: 809.9112

Disorder, affect, and modernist literature = empathy after entropy /
LDR:03366nmm a2200349 a 4500 001 2412223
003 DE-He213
005 20250701130236.0
006 m d
007 cr nn 008maaau
008 260204s2025 sz s 0 eng d
020 $a 9783031924637 $q (electronic bk.)
020 $a 9783031924620 $q (paper)
024 7 $a 10.1007/978-3-031-92463-7 $2 doi
035 $a 978-3-031-92463-7
040 $a GP $c GP
041 0 $a eng
050 4 $a PN56.M54
072 7 $a DSBH $2 bicssc
072 7 $a LIT024050 $2 bisacsh
072 7 $a DSBH $2 thema
082 0 4 $a 809.9112 $2 23
090 $a PN56.M54 $b P562 2025
100 1 $a Phillips, M. $3 3787334
245 1 0 $a Disorder, affect, and modernist literature $h [electronic resource] : $b empathy after entropy / $c by Matthew Phillips.
260 $a Cham : $b Springer Nature Switzerland : $b Imprint: Palgrave Macmillan, $c 2025.
300 $a v, 78 p. : $b ill., digital ; $c 24 cm.
338 $a online resource $b cr $2 rdacarrier
490 1 $a Palgrave studies in affect theory and literary criticism, $x 2634-632X
505 0 $a Introduction -- Chapter I "Lower and Lower, and Down": Entropy, Empathy, and Art in Stephen Crane's "The Open Boat" -- Chapter 2 "Dreams of Leaves Decaying for a Vernal Stalk": Entropy and Empathy in Jean Toomer's "Withered Skin of Berries" -- Chapter 3 "Things Must Spoil": Necessary Entropy in Virginia Woolf's To The Lighthouse -- Chapter 4 Darkening Entropy and Empathy in Eugene O'Neill's Long Day's Journey into Night -- Chapter 5 Epilogue.
520 $a Modernist literature is defined by entropic characteristics. Its common themes include fragmentation, uncertainty, distrust, and misunderstanding. Alongside these themes, however, exists a desire to rebuild, to distill elements of past constructs into something that can provide stability in the chaotic present. Historically, modernist studies has focused on the former, without ample attention given to how entropic circumstances alter human emotion and affect. This book offers a new way of conceptualizing the modernist experience of alienation, disorder, and system deterioration as not merely negative, but productive in facilitating new structures of feeling and social adhesion. It pushes extant literary evaluations of entropy into a new realm by interrogating the human cost of entropic circumstances, and shows that we can use the process of entropy as a metaphorical lens through which to further understand the human connections and shared experiences reflected in modernist literature. Matthew Phillips is a Lecturer at UNC Greensboro, USA, where he has designed and taught courses on "Empathy and Imagination" and "Quarantine Literature". Matthew's existing and forthcoming publications exhibit a wide-ranging research portfolio. Most recently, he has used the scientific principal of entropy as a metaphorical lens to study the phenomenon of the entropy/empathy paradigm, arguing that in works by Jean Toomer and Virginia Woolf, as well as in those temporally bookending modernism by Stephen Crane and Eugene O'Neill, an accumulation of entropy unpredictably results in an increase in empathic potential. Matthew has also published on Evelyn Waugh and Richard Hakluyt in an article that interrogates divergent depictions of empathy and religion in their respective work.
650 0 $a Modernism (Literature) $3 580419
650 0 $a Literature, Modern $y 20th century $x History and criticism. $3 541488
650 0 $a Empathy in literature. $3 770374
650 1 4 $a Twentieth-Century Literature. $3 2182347
650 2 4 $a Literary Criticism. $3 3538733
650 2 4 $a Literary Theory. $3 2182071
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
830 0 $a Palgrave studies in affect theory and literary criticism. $3 2210337
856 4 0 $u https://doi.org/10.1007/978-3-031-92463-7
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)