東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Artists at war = narratives, visual ...

Kumelowski, Ewa Anna.

FindBook

Google Book

Amazon

博客來

Artists at war = narratives, visual arts and the Siege of Sarajevo /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Artists at war/ by Ewa Anna Kumelowski.
其他題名:	narratives, visual arts and the Siege of Sarajevo /
作者:	Kumelowski, Ewa Anna.
出版者:	Cham :Springer Nature Switzerland : : 2025.,
面頁冊數:	xix, 276 p. :ill. (some col.), digital ;24 cm.
內容註:	Chapter 1: A creative community in war: introducing the visual arts scene of besieged -- Chapter 2: Stateless and supranational: tracing the dissolution of a Yugoslav cultural community (1987-1992) -- Chapter 3: We must create as they destroy: usage and adaptation of narratives of civilization by Sarajevan visual artists -- Chapter 4: Artistic defense and responses to the militarization of everyday life -- Chapter 5: Creating in destruction. Artists as agents in besieged Sarajevo.
Contained By:	Springer Nature eBook
標題:	Art - Bosnia and Herzegovina -
標題:	Sarajevo (Bosnia and Herzegovina) - History - Siege, 1992-1996. -
電子資源:	https://doi.org/10.1007/978-3-031-87320-1
ISBN:	9783031873201

Artists at war = narratives, visual arts and the Siege of Sarajevo /
Kumelowski, Ewa Anna.

Artists at warnarratives, visual arts and the Siege of Sarajevo /[electronic resource] :by Ewa Anna Kumelowski. - Cham :Springer Nature Switzerland :2025. - xix, 276 p. :ill. (some col.), digital ;24 cm. - Palgrave studies in cultural heritage and conflict,2634-6427. - Palgrave studies in cultural heritage and conflict..

Chapter 1: A creative community in war: introducing the visual arts scene of besieged -- Chapter 2: Stateless and supranational: tracing the dissolution of a Yugoslav cultural community (1987-1992) -- Chapter 3: We must create as they destroy: usage and adaptation of narratives of civilization by Sarajevan visual artists -- Chapter 4: Artistic defense and responses to the militarization of everyday life -- Chapter 5: Creating in destruction. Artists as agents in besieged Sarajevo.

In Artists at War Ewa Kumelowski gives us a thorough and well-grounded insight into the specificities of artistic life in Sarajevo before and during the 1992 - 1996 siege. The book is a fascinating and thoughtful exploration of the nexus of art, resistance and place. It offers a unique look at how artists shaped and reshaped mechanisms of survival against mechanisms of destruction, highly recommended --Sabina Tanovic, Delft University of Technology, Netherlands This book follows the lives of Sarajevan visual artists as they responded to the rising instability and political fragmentation that defined the last days of Yugoslavia's existence. Exploring how these artists understood and spoke about the onset of war, it places a focus on a series of recognizable discourses, touching upon notions of Yugoslav common culture, civilization and cultural resistance, which have since become synonymous with the memory of the siege of Sarajevo. This book hinges its central arguments on a microhistorical reading of this unique cultural community that existed simultaneously on the practical periphery of Yugoslav cultural developments and within the center of the state's fragmentation. In doing so, it offers a novel approach towards understanding the experiences of everyday life in besieged Sarajevo Ewa Anna Kumelowski is a historian of 20th Century Yugoslav cultural history, with a focus on expressions of everyday experiences in war, particularly amongst marginalized or otherwise overlooked populations. She holds a joint PhD from the Humboldt University of Berlin and the EHESS in Paris.

ISBN: 9783031873201

Standard No.: 10.1007/978-3-031-87320-1doiSubjects--Topical Terms:

3786470
Art
--Bosnia and HerzegovinaSubjects--Geographical Terms:

3786469
Sarajevo (Bosnia and Herzegovina)
--History--Siege, 1992-1996.

LC Class. No.: N7153.H6

Dewey Class. No.: 709.49742

Artists at war = narratives, visual arts and the Siege of Sarajevo /
LDR:03232nmm a2200361 a 4500 001 2411756
003 DE-He213
005 20250528130258.0
006 m d
007 cr nn 008maaau
008 260204s2025 sz s 0 eng d
020 $a 9783031873201 $q (electronic bk.)
020 $a 9783031873195 $q (paper)
024 7 $a 10.1007/978-3-031-87320-1 $2 doi
035 $a 978-3-031-87320-1
040 $a GP $c GP
041 0 $a eng
050 4 $a N7153.H6
072 7 $a JFC $2 bicssc
072 7 $a GM $2 bicssc
072 7 $a SOC002010 $2 bisacsh
072 7 $a JBCC $2 thema
072 7 $a GLZ $2 thema
082 0 4 $a 709.49742 $2 23
090 $a N7153.H6 $b K96 2025
100 1 $a Kumelowski, Ewa Anna. $3 3786468
245 1 0 $a Artists at war $h [electronic resource] : $b narratives, visual arts and the Siege of Sarajevo / $c by Ewa Anna Kumelowski.
260 $a Cham : $b Springer Nature Switzerland : $b Imprint: Palgrave Macmillan, $c 2025.
300 $a xix, 276 p. : $b ill. (some col.), digital ; $c 24 cm.
490 1 $a Palgrave studies in cultural heritage and conflict, $x 2634-6427
505 0 $a Chapter 1: A creative community in war: introducing the visual arts scene of besieged -- Chapter 2: Stateless and supranational: tracing the dissolution of a Yugoslav cultural community (1987-1992) -- Chapter 3: We must create as they destroy: usage and adaptation of narratives of civilization by Sarajevan visual artists -- Chapter 4: Artistic defense and responses to the militarization of everyday life -- Chapter 5: Creating in destruction. Artists as agents in besieged Sarajevo.
520 $a In Artists at War Ewa Kumelowski gives us a thorough and well-grounded insight into the specificities of artistic life in Sarajevo before and during the 1992 - 1996 siege. The book is a fascinating and thoughtful exploration of the nexus of art, resistance and place. It offers a unique look at how artists shaped and reshaped mechanisms of survival against mechanisms of destruction, highly recommended --Sabina Tanovic, Delft University of Technology, Netherlands This book follows the lives of Sarajevan visual artists as they responded to the rising instability and political fragmentation that defined the last days of Yugoslavia's existence. Exploring how these artists understood and spoke about the onset of war, it places a focus on a series of recognizable discourses, touching upon notions of Yugoslav common culture, civilization and cultural resistance, which have since become synonymous with the memory of the siege of Sarajevo. This book hinges its central arguments on a microhistorical reading of this unique cultural community that existed simultaneously on the practical periphery of Yugoslav cultural developments and within the center of the state's fragmentation. In doing so, it offers a novel approach towards understanding the experiences of everyday life in besieged Sarajevo Ewa Anna Kumelowski is a historian of 20th Century Yugoslav cultural history, with a focus on expressions of everyday experiences in war, particularly amongst marginalized or otherwise overlooked populations. She holds a joint PhD from the Humboldt University of Berlin and the EHESS in Paris.
650 0 $a Art $z Bosnia and Herzegovina $z Sarajevo. $3 3786470
650 1 4 $a Cultural Heritage. $3 898146
650 2 4 $a Arts. $3 561632
650 2 4 $a Visual Culture. $3 3593302
650 2 4 $a European Culture. $3 2191600
651 0 $a Sarajevo (Bosnia and Herzegovina) $x History $y Siege, 1992-1996. $3 3786469
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
830 0 $a Palgrave studies in cultural heritage and conflict. $3 2182343
856 4 0 $u https://doi.org/10.1007/978-3-031-87320-1
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)