東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

FindBook

Google Book

Amazon

博客來

Popular music and culture in austin, texas = talking with the Blues /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Popular music and culture in austin, texas/ by Josep Pedro.
其他題名:	talking with the Blues /
作者:	Pedro, Josep.
出版者:	Cham :Springer Nature Switzerland : : 2025.,
面頁冊數:	xvi, 328 p. :ill. (some col.), digital ;24 cm.
內容註:	Introduction -- The Austin blues scene: An intercultural history -- W.C. Clark -- Blues Boy Hubbard -- Dr. James Polk -- Matthew Robinson -- Mel Davis -- Miss Lavelle White -- Harold McMillan -- Oscar Ornelas -- Eddie Stout -- Nick Connolly -- Birdlegg -- Soul Man Sam -- Michael Milligan -- Greg Izor -- Paul Oscher -- Afterword.
Contained By:	Springer Nature eBook
標題:	Blues (Music) - Social aspects - Texas -
電子資源:	https://doi.org/10.1007/978-3-031-88657-7
ISBN:	9783031886577

Popular music and culture in austin, texas = talking with the Blues /
Pedro, Josep.

Popular music and culture in austin, texastalking with the Blues /[electronic resource] :by Josep Pedro. - Cham :Springer Nature Switzerland :2025. - xvi, 328 p. :ill. (some col.), digital ;24 cm. - Palgrave studies in the history of subcultures and popular music,2730-9525. - Palgrave studies in the history of subcultures and popular music..

Introduction -- The Austin blues scene: An intercultural history -- W.C. Clark -- Blues Boy Hubbard -- Dr. James Polk -- Matthew Robinson -- Mel Davis -- Miss Lavelle White -- Harold McMillan -- Oscar Ornelas -- Eddie Stout -- Nick Connolly -- Birdlegg -- Soul Man Sam -- Michael Milligan -- Greg Izor -- Paul Oscher -- Afterword.

This book explores the blues tradition through a collective dialogue with significant musicians and producers of the Austin blues scene. Based on an ethnography in the singular capital of Texas, the self-proclaimed live music capital of the world, it explores the local blues scene through in-depth interviews that reveal intimate bonds between popular music, culture, identity, race, politics, the city and the music industry. Through the voices and experiences of 15 protagonists, readers are introduced to multiple aspects of blues lives, including music-making, style, identity, and the changing landscape of the Austin scene. While this oral history informs about particular biographies, it also delves into larger processes around popular music, culture and race, such as Jim Crow segregation, the Civil Rights era, international touring and gentrification. The book's subtitle assumes an important metaphor in regards to blues artists and the blues: that talking with blues artists is like talking with the blues; that meeting them is a way of meeting the blues. The implication is that blues artists not only form part of the tradition but they also embody the blues tradition with their lives and works, with their music, style, bodies, language, stories, and fashion. Thus, in this scene and book, the interviewees are the blues. Representatives of a contemporary music scene, these musicians and producers generally reveal an eclectic understanding of blues music, with connections to gospel, jazz, rhythm & blues, rock, soul-funk, and hip-hop. The conversations took place between 2010 and 2023, mostly face-to-face in Austin but also online and face-to-face in Madrid (Spain), where some of the musicians have performed. All of the protagonists were followed and observed closely within the everyday reality of the Austin music scene, yet the book also shows how the scene connects with many other places, including Mississippi, Houston, Memphis, New York or Madrid, through the biographies, tours and migrations of the protagonists.

ISBN: 9783031886577

Standard No.: 10.1007/978-3-031-88657-7doiSubjects--Topical Terms:

3786262
Blues (Music)
--Social aspects--Texas

LC Class. No.: ML3521

Dewey Class. No.: 781.6430976431

Popular music and culture in austin, texas = talking with the Blues /
LDR:03450nmm a2200337 a 4500 001 2411648
003 DE-He213
005 20250519131150.0
006 m d
007 cr nn 008maaau
008 260204s2025 sz s 0 eng d
020 $a 9783031886577 $q (electronic bk.)
020 $a 9783031886560 $q (paper)
024 7 $a 10.1007/978-3-031-88657-7 $2 doi
035 $a 978-3-031-88657-7
040 $a GP $c GP
041 0 $a eng
050 4 $a ML3521
072 7 $a HBL $2 bicssc
072 7 $a HIS037030 $2 bisacsh
072 7 $a NH $2 thema
082 0 4 $a 781.6430976431 $2 23
090 $a ML3521 $b .P372 2025
100 1 $a Pedro, Josep. $3 3786261
245 1 0 $a Popular music and culture in austin, texas $h [electronic resource] : $b talking with the Blues / $c by Josep Pedro.
260 $a Cham : $b Springer Nature Switzerland : $b Imprint: Palgrave Macmillan, $c 2025.
300 $a xvi, 328 p. : $b ill. (some col.), digital ; $c 24 cm.
490 1 $a Palgrave studies in the history of subcultures and popular music, $x 2730-9525
505 0 $a Introduction -- The Austin blues scene: An intercultural history -- W.C. Clark -- Blues Boy Hubbard -- Dr. James Polk -- Matthew Robinson -- Mel Davis -- Miss Lavelle White -- Harold McMillan -- Oscar Ornelas -- Eddie Stout -- Nick Connolly -- Birdlegg -- Soul Man Sam -- Michael Milligan -- Greg Izor -- Paul Oscher -- Afterword.
520 $a This book explores the blues tradition through a collective dialogue with significant musicians and producers of the Austin blues scene. Based on an ethnography in the singular capital of Texas, the self-proclaimed live music capital of the world, it explores the local blues scene through in-depth interviews that reveal intimate bonds between popular music, culture, identity, race, politics, the city and the music industry. Through the voices and experiences of 15 protagonists, readers are introduced to multiple aspects of blues lives, including music-making, style, identity, and the changing landscape of the Austin scene. While this oral history informs about particular biographies, it also delves into larger processes around popular music, culture and race, such as Jim Crow segregation, the Civil Rights era, international touring and gentrification. The book's subtitle assumes an important metaphor in regards to blues artists and the blues: that talking with blues artists is like talking with the blues; that meeting them is a way of meeting the blues. The implication is that blues artists not only form part of the tradition but they also embody the blues tradition with their lives and works, with their music, style, bodies, language, stories, and fashion. Thus, in this scene and book, the interviewees are the blues. Representatives of a contemporary music scene, these musicians and producers generally reveal an eclectic understanding of blues music, with connections to gospel, jazz, rhythm & blues, rock, soul-funk, and hip-hop. The conversations took place between 2010 and 2023, mostly face-to-face in Austin but also online and face-to-face in Madrid (Spain), where some of the musicians have performed. All of the protagonists were followed and observed closely within the everyday reality of the Austin music scene, yet the book also shows how the scene connects with many other places, including Mississippi, Houston, Memphis, New York or Madrid, through the biographies, tours and migrations of the protagonists.
650 0 $a Blues (Music) $x Social aspects $z Texas $z Austin. $3 3786262
650 0 $a Blues (Music) $z Texas $z Austin $x History and criticism. $3 3786263
650 0 $a Blues musicians $z Texas $z Austin $v Interviews. $3 3786264
650 1 4 $a Modern History. $3 2181941
650 2 4 $a US History. $3 2182301
650 2 4 $a Cultural History. $3 2186830
650 2 4 $a Oral History. $3 3166716
650 2 4 $a History of Music. $3 3538599
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
830 0 $a Palgrave studies in the history of subcultures and popular music. $3 2210184
856 4 0 $u https://doi.org/10.1007/978-3-031-88657-7
950 $a History (SpringerNature-41172)