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From metaphysics to culture = music ...

Klempe, Sven Hroar.

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From metaphysics to culture = music as a factor in the emergence of modern psychology, 1750-1900 /

Record Type:	Electronic resources : Monograph/item
Title/Author:	From metaphysics to culture/ by Sven Hroar Klempe.
Reminder of title:	music as a factor in the emergence of modern psychology, 1750-1900 /
Author:	Klempe, Sven Hroar.
Published:	Cham :Springer Nature Switzerland : : 2025.,
Description:	xv, 209 p. :ill. (some col.), digital ;24 cm.
[NT 15003449]:	Chapter 1. Introduction -- Chapter 2. From Numbers to Sensation -- Chapter 3. Psychology Consolidates Itself in Metaphysics -- Chapter 4. Empirical Psychology is Banned from Metaphysics -Immanuel Kant -- Chapter 5. Mathematics and Music as Fundamental Processes of the Mind - Johann Friedrich Herbart -- Chapter 6. Psychology at the Core of Existence - Søren Kierkegaard -- Chapter 7. Music as the Direct Factor - Gustav Theodor Fechner -- Chapter 8. Wilhelm Wundt and Experimental Psychology -- Chapter 9. The Cultural Psychology of Wilhelm Wundt.
Contained By:	Springer Nature eBook
Subject:	Psychology - History - 18th century. -
Online resource:	https://doi.org/10.1007/978-3-031-89595-1
ISBN:	9783031895951

From metaphysics to culture = music as a factor in the emergence of modern psychology, 1750-1900 /
Klempe, Sven Hroar.

From metaphysics to culturemusic as a factor in the emergence of modern psychology, 1750-1900 /[electronic resource] :by Sven Hroar Klempe. - Cham :Springer Nature Switzerland :2025. - xv, 209 p. :ill. (some col.), digital ;24 cm. - Theory and history in the human and social sciences,2523-8671. - Theory and history in the human and social sciences..

Chapter 1. Introduction -- Chapter 2. From Numbers to Sensation -- Chapter 3. Psychology Consolidates Itself in Metaphysics -- Chapter 4. Empirical Psychology is Banned from Metaphysics -Immanuel Kant -- Chapter 5. Mathematics and Music as Fundamental Processes of the Mind - Johann Friedrich Herbart -- Chapter 6. Psychology at the Core of Existence - Søren Kierkegaard -- Chapter 7. Music as the Direct Factor - Gustav Theodor Fechner -- Chapter 8. Wilhelm Wundt and Experimental Psychology -- Chapter 9. The Cultural Psychology of Wilhelm Wundt.

This book is a follow-up to the book Tracing the Emergence of Psychology, 1520-1750: A Sophisticated Intruder to Philosophy (Springer 2020). In contrast, this new book covers the period 1750-1900. Whereas the previous book focused on how psychology intervened in philosophy and theology, the perspective now is how philosophy and psychology tried to free themselves from each other. Kant's critical project formed an important start on this. Nevertheless, this was a struggle during the whole period, with a culmination at the end of the 19th century. When experimental psychology was established in Leipzig, psychology became regarded as an independent science. Another aspect of this new project is to pursue how experimental psychology ended up with music and culture as important factors. These are highly related to the role of sensation in psychology, which influenced how Baumgarten turned the psychological project into aesthetics in 1750. Thus, psychology in dialogue with music and aesthetics forms the red thread in this book. This book targets all interested in the history of psychology.

ISBN: 9783031895951

Standard No.: 10.1007/978-3-031-89595-1doiSubjects--Topical Terms:

3785786
Psychology
--History--18th century.

LC Class. No.: BF101

Dewey Class. No.: 150.9

From metaphysics to culture = music as a factor in the emergence of modern psychology, 1750-1900 /
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520 $a This book is a follow-up to the book Tracing the Emergence of Psychology, 1520-1750: A Sophisticated Intruder to Philosophy (Springer 2020). In contrast, this new book covers the period 1750-1900. Whereas the previous book focused on how psychology intervened in philosophy and theology, the perspective now is how philosophy and psychology tried to free themselves from each other. Kant's critical project formed an important start on this. Nevertheless, this was a struggle during the whole period, with a culmination at the end of the 19th century. When experimental psychology was established in Leipzig, psychology became regarded as an independent science. Another aspect of this new project is to pursue how experimental psychology ended up with music and culture as important factors. These are highly related to the role of sensation in psychology, which influenced how Baumgarten turned the psychological project into aesthetics in 1750. Thus, psychology in dialogue with music and aesthetics forms the red thread in this book. This book targets all interested in the history of psychology.
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