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Expanded nature = ecologies of experimental cinema /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Expanded nature/ edited by Elio Della Noce, Lucas Murari.
Reminder of title:	ecologies of experimental cinema /
other author:	Della Noce, Elio.
Published:	Cham :Springer Nature Switzerland : : 2025.,
Description:	xvii, 334 p. :ill. (chiefly color), digital ;24 cm.
[NT 15003449]:	1. INTRODUCTION -- 2. Nature Films / Film Natures -- 3. COOPERATING WITH THE LIVING -- 4. A DECENTRED CINEMA -- 5. EXPANDING THE EXPERIMENTAL FIELD.
Contained By:	Springer Nature eBook
Subject:	Experimental films. -
Online resource:	https://doi.org/10.1007/978-3-031-70729-2
ISBN:	9783031707292

Expanded nature = ecologies of experimental cinema /
Écologies du cinéma expérimental.English

Expanded natureecologies of experimental cinema /[electronic resource] :edited by Elio Della Noce, Lucas Murari. - Cham :Springer Nature Switzerland :2025. - xvii, 334 p. :ill. (chiefly color), digital ;24 cm. - Experimental film and artists' moving image,2523-7535. - Experimental film and artists' moving image..

1. INTRODUCTION -- 2. Nature Films / Film Natures -- 3. COOPERATING WITH THE LIVING -- 4. A DECENTRED CINEMA -- 5. EXPANDING THE EXPERIMENTAL FIELD.

This book explores the emergence of ecological consciousness in the work of contemporary experimental filmmakers. If it can be said that experimental filmmakers are "expanding" the artistic field through an exploration of the potencies, modes of dissemination and performance of the moving image, in the Anthropocene these practices strive for another kind of expansion: to expand our experience of nature. Appending flowers to the film strip or burying it in the ground, inventing observational devices, allowing the camera to be affected by natural forces, engaging one's own filming body in a symbiotic relationship with the environment, reconstituting ecosystems at the moment of projection: the ecologies of experimental cinema presented in this book constitute forms of practice and engagement that awaken a heightened sensibility towards the living world through cooperative links, casting other beings as subjects and agents of filmic processes, and, finally, reshaping the economy of filmmaking. Thus, ecologies of perception, medium, production, and multinaturalism are deployed, contributing to the restoration of our sensory bond with the natural world. Several chapters were translated with the help of artificial intelligence. In each case, the text has subsequently been revised further by the author as well as the translator Charlie Hewison and a professional copy editor.

ISBN: 9783031707292

Standard No.: 10.1007/978-3-031-70729-2doiSubjects--Topical Terms:

727424
Experimental films.

LC Class. No.: PN1995.9.E96

Dewey Class. No.: 791.43611

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520 $a This book explores the emergence of ecological consciousness in the work of contemporary experimental filmmakers. If it can be said that experimental filmmakers are "expanding" the artistic field through an exploration of the potencies, modes of dissemination and performance of the moving image, in the Anthropocene these practices strive for another kind of expansion: to expand our experience of nature. Appending flowers to the film strip or burying it in the ground, inventing observational devices, allowing the camera to be affected by natural forces, engaging one's own filming body in a symbiotic relationship with the environment, reconstituting ecosystems at the moment of projection: the ecologies of experimental cinema presented in this book constitute forms of practice and engagement that awaken a heightened sensibility towards the living world through cooperative links, casting other beings as subjects and agents of filmic processes, and, finally, reshaping the economy of filmmaking. Thus, ecologies of perception, medium, production, and multinaturalism are deployed, contributing to the restoration of our sensory bond with the natural world. Several chapters were translated with the help of artificial intelligence. In each case, the text has subsequently been revised further by the author as well as the translator Charlie Hewison and a professional copy editor.
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