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Essentials of chinese literature and art criticism.. Volume I

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Essentials of chinese literature and art criticism./ edited by Xu Yuechun, Wang Ning.
其他作者:	Yuechun, Xu.
出版者:	Singapore :Springer Nature Singapore : : 2025.,
面頁冊數:	xxi, 378 p. :ill. (some col.), digital ;24 cm.
內容註:	1. An Overview of China's Recent Developments in Art and Literature -- 2. The Chinese Turn in Modern Art -- 3. The Model and Path of Constructing a Chinese School of Critical Discourse -- 4. Live Streaming and the Circulation of Traditional Culture and Art -- 5. "Who Is the Judge of Poetry?" Exploring the Role of Ancient Literary and Art Critics -- 6. "The Breaking Down" and "Establishment" in "Guochao" Dancing -- 7. The Reception and Circulation of Contemporary Art and Literary Criticism in the English Speaking World -- 8. Image Composition and the Construction of Artistic Conception -- 9. Design 2022: The Continuous Construction of Design Capability and Design Spirit -- 10. On the Transformation of Aesthetic Studies from "Literary and Art Aesthetics" to "Art Aesthetics" -- 11. Literary and Art Aesthetics-The Unique Terminologies and Complex Relations in China's Interaction with the World -- 12.Internet Literature and Art in 2022-Building the Path and Lighting the Sky -- 13. The Path to Building Modern Literature and Art on the Basis of Chinese Tradition -- 14. "Imagined Folk": On the Story World and Cultural Implications of Chinese Network Costume Drama -- 15. On The Discourse Practice of Localizing Photography and Its Displaced Relations with Art Revolution.
Contained By:	Springer Nature eBook
標題:	Chinese literature - History and criticism -
電子資源:	https://doi.org/10.1007/978-981-97-7648-1
ISBN:	9789819776481

Essentials of chinese literature and art criticism.. Volume I
Essentials of chinese literature and art criticism.Volume I[electronic resource] /edited by Xu Yuechun, Wang Ning. - Singapore :Springer Nature Singapore :2025. - xxi, 378 p. :ill. (some col.), digital ;24 cm.

1. An Overview of China's Recent Developments in Art and Literature -- 2. The Chinese Turn in Modern Art -- 3. The Model and Path of Constructing a Chinese School of Critical Discourse -- 4. Live Streaming and the Circulation of Traditional Culture and Art -- 5. "Who Is the Judge of Poetry?" Exploring the Role of Ancient Literary and Art Critics -- 6. "The Breaking Down" and "Establishment" in "Guochao" Dancing -- 7. The Reception and Circulation of Contemporary Art and Literary Criticism in the English Speaking World -- 8. Image Composition and the Construction of Artistic Conception -- 9. Design 2022: The Continuous Construction of Design Capability and Design Spirit -- 10. On the Transformation of Aesthetic Studies from "Literary and Art Aesthetics" to "Art Aesthetics" -- 11. Literary and Art Aesthetics-The Unique Terminologies and Complex Relations in China's Interaction with the World -- 12.Internet Literature and Art in 2022-Building the Path and Lighting the Sky -- 13. The Path to Building Modern Literature and Art on the Basis of Chinese Tradition -- 14. "Imagined Folk": On the Story World and Cultural Implications of Chinese Network Costume Drama -- 15. On The Discourse Practice of Localizing Photography and Its Displaced Relations with Art Revolution.

This book offers a detailed analysis of China's original view of literature and art theory and critical practice from the ancient to the modern period, providing views on dancing, image making, the circulation of artifacts, critical theory, creative writing, art design, aesthetic, cyber arts, photography, etc. This book makes visible the traditional Chinese ideas, philosophy and practices on literature and art in the world and contributes to the diversity of current international literary and art studies. All 15 chapters are translations of selected high-quality original theoretical contributions on Chinese literary and art theory published in prestigious peer-reviewed Chinese journals, whose authors are established scholars in Chinese academia. Xu Yuechun is at China Federation of Literary and Art Circles, Center for Literature and Art Criticism, Beijing, China. Wang Ning is at Shanghai Jiao Tong University, School of Humanities, Shanghai, China.

Translated from Chinese.

ISBN: 9789819776481

Standard No.: 10.1007/978-981-97-7648-1doiSubjects--Topical Terms:

736968
Chinese literature
--History and criticism

LC Class. No.: PL2262

Dewey Class. No.: 801.950951

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505 0 $a 1. An Overview of China's Recent Developments in Art and Literature -- 2. The Chinese Turn in Modern Art -- 3. The Model and Path of Constructing a Chinese School of Critical Discourse -- 4. Live Streaming and the Circulation of Traditional Culture and Art -- 5. "Who Is the Judge of Poetry?" Exploring the Role of Ancient Literary and Art Critics -- 6. "The Breaking Down" and "Establishment" in "Guochao" Dancing -- 7. The Reception and Circulation of Contemporary Art and Literary Criticism in the English Speaking World -- 8. Image Composition and the Construction of Artistic Conception -- 9. Design 2022: The Continuous Construction of Design Capability and Design Spirit -- 10. On the Transformation of Aesthetic Studies from "Literary and Art Aesthetics" to "Art Aesthetics" -- 11. Literary and Art Aesthetics-The Unique Terminologies and Complex Relations in China's Interaction with the World -- 12.Internet Literature and Art in 2022-Building the Path and Lighting the Sky -- 13. The Path to Building Modern Literature and Art on the Basis of Chinese Tradition -- 14. "Imagined Folk": On the Story World and Cultural Implications of Chinese Network Costume Drama -- 15. On The Discourse Practice of Localizing Photography and Its Displaced Relations with Art Revolution.
520 $a This book offers a detailed analysis of China's original view of literature and art theory and critical practice from the ancient to the modern period, providing views on dancing, image making, the circulation of artifacts, critical theory, creative writing, art design, aesthetic, cyber arts, photography, etc. This book makes visible the traditional Chinese ideas, philosophy and practices on literature and art in the world and contributes to the diversity of current international literary and art studies. All 15 chapters are translations of selected high-quality original theoretical contributions on Chinese literary and art theory published in prestigious peer-reviewed Chinese journals, whose authors are established scholars in Chinese academia. Xu Yuechun is at China Federation of Literary and Art Circles, Center for Literature and Art Criticism, Beijing, China. Wang Ning is at Shanghai Jiao Tong University, School of Humanities, Shanghai, China.
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