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Emergent poetics = ecological sites ...
~
Matteson, Travis W.
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Emergent poetics = ecological sites in contemporary poetry /
Record Type:
Electronic resources : Monograph/item
Title/Author:
Emergent poetics/ by Travis W. Matteson.
Reminder of title:
ecological sites in contemporary poetry /
Author:
Matteson, Travis W.
Published:
Cham :Springer Nature Switzerland : : 2025.,
Description:
viii, 116 p. :ill., digital ;24 cm.
[NT 15003449]:
1. Introduction -- 2. Photogram as Poetic Method: Susan Howe's Materialist Telepathy -- 3. Deep Erasure: Bewilderment in Yedda Morrison's Darkness -- 4. Network//ed Neutrality: Environmental Textuality in the Ambient Web -- 5. Conclusion.
Contained By:
Springer Nature eBook
Subject:
Poetics. -
Online resource:
https://doi.org/10.1007/978-3-031-70737-7
ISBN:
9783031707377
Emergent poetics = ecological sites in contemporary poetry /
Matteson, Travis W.
Emergent poetics
ecological sites in contemporary poetry /[electronic resource] :by Travis W. Matteson. - Cham :Springer Nature Switzerland :2025. - viii, 116 p. :ill., digital ;24 cm. - Modern and contemporary poetry and poetics,2634-6060. - Modern and contemporary poetry and poetics..
1. Introduction -- 2. Photogram as Poetic Method: Susan Howe's Materialist Telepathy -- 3. Deep Erasure: Bewilderment in Yedda Morrison's Darkness -- 4. Network//ed Neutrality: Environmental Textuality in the Ambient Web -- 5. Conclusion.
This book proposes the term 'emergent poetics' to synthesize two divergent strands in contemporary literary media theory - the media archaeology of material inscriptions and the systems view of media ecology, which considers media as complex nodes of exchange. Emergent poetics emphasizes the speculative, non-prosthetic quality of media: the anthrodecentric perspective that media do not simply extend human senses, but instead consist of properties that exceed human apprehension. This study builds on Eve Kosofky Sedgwick's theory of reparative reading, contemporary media theory, and Bruno Latour's Actor-Network Theory, which are united in their skepticism regarding the paranoid "unveiling" gesture of institutional critique, their emphasis on methodology rather than theoretical ideology, and their insistence on assembling rather than deconstructing. In response to these three trends, this project begins by attending to what Jerome McGann calls the bibliographic code (material forms), while simultaneously expanding this medium specific perspective by situating written works within their broader media ecosystems, tracing interactions among media, humans, and nonhumans. Travis W. Matteson, Ph.D., is an Associate Professor and Chair of the Department of English and Humanities at SUNY Alfred State College. He has published in the Environmental Humanities journal and the forthcoming book Constructing the Threshold: An Encyclopedia of Concepts at the intersection of Cognition and Writing.
ISBN: 9783031707377
Standard No.: 10.1007/978-3-031-70737-7doiSubjects--Topical Terms:
518655
Poetics.
LC Class. No.: PN1042
Dewey Class. No.: 808.1
Emergent poetics = ecological sites in contemporary poetry /
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1. Introduction -- 2. Photogram as Poetic Method: Susan Howe's Materialist Telepathy -- 3. Deep Erasure: Bewilderment in Yedda Morrison's Darkness -- 4. Network//ed Neutrality: Environmental Textuality in the Ambient Web -- 5. Conclusion.
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This book proposes the term 'emergent poetics' to synthesize two divergent strands in contemporary literary media theory - the media archaeology of material inscriptions and the systems view of media ecology, which considers media as complex nodes of exchange. Emergent poetics emphasizes the speculative, non-prosthetic quality of media: the anthrodecentric perspective that media do not simply extend human senses, but instead consist of properties that exceed human apprehension. This study builds on Eve Kosofky Sedgwick's theory of reparative reading, contemporary media theory, and Bruno Latour's Actor-Network Theory, which are united in their skepticism regarding the paranoid "unveiling" gesture of institutional critique, their emphasis on methodology rather than theoretical ideology, and their insistence on assembling rather than deconstructing. In response to these three trends, this project begins by attending to what Jerome McGann calls the bibliographic code (material forms), while simultaneously expanding this medium specific perspective by situating written works within their broader media ecosystems, tracing interactions among media, humans, and nonhumans. Travis W. Matteson, Ph.D., is an Associate Professor and Chair of the Department of English and Humanities at SUNY Alfred State College. He has published in the Environmental Humanities journal and the forthcoming book Constructing the Threshold: An Encyclopedia of Concepts at the intersection of Cognition and Writing.
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Literature, Cultural and Media Studies (SpringerNature-41173)
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