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That Bears Repeating: Linguistic and...
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Michael, Gregory Carl.
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That Bears Repeating: Linguistic and Literary Patterns as Key to Understanding the Theme and Structure of Ancient Mediterranean Documents.
Record Type:
Electronic resources : Monograph/item
Title/Author:
That Bears Repeating: Linguistic and Literary Patterns as Key to Understanding the Theme and Structure of Ancient Mediterranean Documents./
Author:
Michael, Gregory Carl.
Published:
Ann Arbor : ProQuest Dissertations & Theses, : 2024,
Description:
307 p.
Notes:
Source: Dissertations Abstracts International, Volume: 86-02, Section: A.
Contained By:
Dissertations Abstracts International86-02A.
Subject:
Biblical studies. -
Online resource:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31301874
ISBN:
9798384009955
That Bears Repeating: Linguistic and Literary Patterns as Key to Understanding the Theme and Structure of Ancient Mediterranean Documents.
Michael, Gregory Carl.
That Bears Repeating: Linguistic and Literary Patterns as Key to Understanding the Theme and Structure of Ancient Mediterranean Documents.
- Ann Arbor : ProQuest Dissertations & Theses, 2024 - 307 p.
Source: Dissertations Abstracts International, Volume: 86-02, Section: A.
Thesis (Ph.D.)--University of Georgia, 2024.
Literary and linguistic patterns delineate structure and theme in many documents of the ancient Mediterranean world. In this dissertation, I utilize the Aeschylean tragedies of the Persians and the Oresteia, the narratives of Genesis and Judges from the Hebrew Bible, and the New Testament narratives of the Gospel of Mark and the Acts of the Apostles to illustrate this point. I highlight key patterns of language recognizing such elements as repeated words, phrases, and forms; I also note key patterns created by the literary dynamics of repeated categories or characters, similar narrative units, and thematic elements. These elements combine to organize the work and facilitate the understanding of it. I communicate this practice of patterning: in the Persians, with the themes of 'plenty' and 'violation of boundaries'; in the Oresteia, with the themes of 'dike', 'animals', and 'men and women'; in Genesis, with the patterned use of the toledot sequences outlining the text with the support of narrative patterns such as the 'chaos/creation/fall' sequence, four 'sister stories', and the use of characters and geography; in Judges, with the central unit's cycle, the shape of the double prologues and epilogues, along with the development of the theme 'the downward spiral of leadership' using leaders, tribes, and women all supporting the text's question of Who is the leader?; in Mark, with various words, phrases, and forms, character categories, and the narrative and thematic elements of hearing and seeing, geography, the Twelve, the temple, following, and the feeding/boat sequences illustrating a four-part outline that communicates the life of discipleship; and in Acts, with the patterned uses of 'the Logos increased', the death and resurrection motif, the general life and ministry of Jesus motif, sharing and abundance, the Spirit and baptism, geopolitical indicators, and 'witness' highlighting that the church is the body of Christ and brings the kingdom of God. In each, the use of patterns helps towards understanding the work as a whole. These samples of ancient Mediterranean literature encourage the recognition of linguistic and literary patterns as a key for understanding similar works.
ISBN: 9798384009955Subjects--Topical Terms:
2122820
Biblical studies.
Subjects--Index Terms:
Linguistic patterns
That Bears Repeating: Linguistic and Literary Patterns as Key to Understanding the Theme and Structure of Ancient Mediterranean Documents.
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Literary and linguistic patterns delineate structure and theme in many documents of the ancient Mediterranean world. In this dissertation, I utilize the Aeschylean tragedies of the Persians and the Oresteia, the narratives of Genesis and Judges from the Hebrew Bible, and the New Testament narratives of the Gospel of Mark and the Acts of the Apostles to illustrate this point. I highlight key patterns of language recognizing such elements as repeated words, phrases, and forms; I also note key patterns created by the literary dynamics of repeated categories or characters, similar narrative units, and thematic elements. These elements combine to organize the work and facilitate the understanding of it. I communicate this practice of patterning: in the Persians, with the themes of 'plenty' and 'violation of boundaries'; in the Oresteia, with the themes of 'dike', 'animals', and 'men and women'; in Genesis, with the patterned use of the toledot sequences outlining the text with the support of narrative patterns such as the 'chaos/creation/fall' sequence, four 'sister stories', and the use of characters and geography; in Judges, with the central unit's cycle, the shape of the double prologues and epilogues, along with the development of the theme 'the downward spiral of leadership' using leaders, tribes, and women all supporting the text's question of Who is the leader?; in Mark, with various words, phrases, and forms, character categories, and the narrative and thematic elements of hearing and seeing, geography, the Twelve, the temple, following, and the feeding/boat sequences illustrating a four-part outline that communicates the life of discipleship; and in Acts, with the patterned uses of 'the Logos increased', the death and resurrection motif, the general life and ministry of Jesus motif, sharing and abundance, the Spirit and baptism, geopolitical indicators, and 'witness' highlighting that the church is the body of Christ and brings the kingdom of God. In each, the use of patterns helps towards understanding the work as a whole. These samples of ancient Mediterranean literature encourage the recognition of linguistic and literary patterns as a key for understanding similar works.
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https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31301874
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