Language:
English
繁體中文
Help
回圖書館首頁
手機版館藏查詢
Login
Back
Switch To:
Labeled
|
MARC Mode
|
ISBD
Transatlantic Connections: Reconside...
~
Beasley, Tiffany B.
Linked to FindBook
Google Book
Amazon
博客來
Transatlantic Connections: Reconsidering the Outcomes of the Arts and Crafts Movement Through the Women's Experience, Britain and the United States, 1860-1920.
Record Type:
Electronic resources : Monograph/item
Title/Author:
Transatlantic Connections: Reconsidering the Outcomes of the Arts and Crafts Movement Through the Women's Experience, Britain and the United States, 1860-1920./
Author:
Beasley, Tiffany B.
Published:
Ann Arbor : ProQuest Dissertations & Theses, : 2024,
Description:
152 p.
Notes:
Source: Masters Abstracts International, Volume: 85-12.
Contained By:
Masters Abstracts International85-12.
Subject:
History. -
Online resource:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31331901
ISBN:
9798382843575
Transatlantic Connections: Reconsidering the Outcomes of the Arts and Crafts Movement Through the Women's Experience, Britain and the United States, 1860-1920.
Beasley, Tiffany B.
Transatlantic Connections: Reconsidering the Outcomes of the Arts and Crafts Movement Through the Women's Experience, Britain and the United States, 1860-1920.
- Ann Arbor : ProQuest Dissertations & Theses, 2024 - 152 p.
Source: Masters Abstracts International, Volume: 85-12.
Thesis (M.A.)--University of South Alabama, 2024.
The British Arts and Crafts movement (1860-1914) was a call for the return to artisan craftsmanship as a response to mass-production driven by the Industrial Revolution (1760-1830.) Historically, the movement has been viewed as a socialist concept developed by men. However, in 1979, a feminist intervention in women's history challenged this masculinist perspective. As the movement spread to the United States (1870-1920), first to New England and then to the South in New Orleans, it also expanded into concepts that moved beyond craftsmanship and into women's issues, such as education, suffrage, and professional work opportunities. It is now evident that women played an important role in the establishment of the movement's principles and the dissemination of its techniques. Through the lens of transatlantic networking, the women's middle-class labor experience, and material culture analysis, this project will argue that through the opportunities provided by female-managed workshops, industrial art schools, and transatlantic discourse, women found the first legitimate space for professional work in the design and textile field, allowing them to earn an income while also satisfying artistic ambitions.
ISBN: 9798382843575Subjects--Topical Terms:
516518
History.
Subjects--Index Terms:
Cultural history
Transatlantic Connections: Reconsidering the Outcomes of the Arts and Crafts Movement Through the Women's Experience, Britain and the United States, 1860-1920.
LDR
:02409nmm a2200385 4500
001
2403180
005
20241104085630.5
006
m o d
007
cr#unu||||||||
008
251215s2024 ||||||||||||||||| ||eng d
020
$a
9798382843575
035
$a
(MiAaPQ)AAI31331901
035
$a
AAI31331901
040
$a
MiAaPQ
$c
MiAaPQ
100
1
$a
Beasley, Tiffany B.
$3
3773444
245
1 0
$a
Transatlantic Connections: Reconsidering the Outcomes of the Arts and Crafts Movement Through the Women's Experience, Britain and the United States, 1860-1920.
260
1
$a
Ann Arbor :
$b
ProQuest Dissertations & Theses,
$c
2024
300
$a
152 p.
500
$a
Source: Masters Abstracts International, Volume: 85-12.
500
$a
Advisor: Strong, Michele.
502
$a
Thesis (M.A.)--University of South Alabama, 2024.
520
$a
The British Arts and Crafts movement (1860-1914) was a call for the return to artisan craftsmanship as a response to mass-production driven by the Industrial Revolution (1760-1830.) Historically, the movement has been viewed as a socialist concept developed by men. However, in 1979, a feminist intervention in women's history challenged this masculinist perspective. As the movement spread to the United States (1870-1920), first to New England and then to the South in New Orleans, it also expanded into concepts that moved beyond craftsmanship and into women's issues, such as education, suffrage, and professional work opportunities. It is now evident that women played an important role in the establishment of the movement's principles and the dissemination of its techniques. Through the lens of transatlantic networking, the women's middle-class labor experience, and material culture analysis, this project will argue that through the opportunities provided by female-managed workshops, industrial art schools, and transatlantic discourse, women found the first legitimate space for professional work in the design and textile field, allowing them to earn an income while also satisfying artistic ambitions.
590
$a
School code: 0491.
650
4
$a
History.
$3
516518
650
4
$a
Art history.
$3
2122701
650
4
$a
Art education.
$3
547650
653
$a
Cultural history
653
$a
Gender
653
$a
Women
653
$a
Industrial Revolution
653
$a
Textile field
690
$a
0578
690
$a
0377
690
$a
0273
710
2
$a
University of South Alabama.
$b
College of Arts and Sciences.
$3
2095478
773
0
$t
Masters Abstracts International
$g
85-12.
790
$a
0491
791
$a
M.A.
792
$a
2024
793
$a
English
856
4 0
$u
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31331901
based on 0 review(s)
Location:
全部
電子資源
Year:
Volume Number:
Items
1 records • Pages 1 •
1
Inventory Number
Location Name
Item Class
Material type
Call number
Usage Class
Loan Status
No. of reservations
Opac note
Attachments
W9511500
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
On shelf
0
1 records • Pages 1 •
1
Multimedia
Reviews
Add a review
and share your thoughts with other readers
Export
pickup library
Processing
...
Change password
Login