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Rhythmic Ritual: Hand Papermaking as...
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McKeever, Keatan T.
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Rhythmic Ritual: Hand Papermaking as a Transformative Process.
Record Type:
Electronic resources : Monograph/item
Title/Author:
Rhythmic Ritual: Hand Papermaking as a Transformative Process./
Author:
McKeever, Keatan T.
Published:
Ann Arbor : ProQuest Dissertations & Theses, : 2023,
Description:
47 p.
Notes:
Source: Masters Abstracts International, Volume: 85-08.
Contained By:
Masters Abstracts International85-08.
Subject:
Fine arts. -
Online resource:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30686703
ISBN:
9798381706239
Rhythmic Ritual: Hand Papermaking as a Transformative Process.
McKeever, Keatan T.
Rhythmic Ritual: Hand Papermaking as a Transformative Process.
- Ann Arbor : ProQuest Dissertations & Theses, 2023 - 47 p.
Source: Masters Abstracts International, Volume: 85-08.
Thesis (M.A.)--The University of Texas Rio Grande Valley, 2023.
This thesis is an exploration of the transformative processes of hand papermaking, both personally and materially, through various artworks situated between two- and three-dimensional forms. The conceptual motivations supporting my practice are informed by intuition, locally sourced materials, human connection, material structure, and low-tech approaches to the papermaking process. In the first portion of this thesis, I discuss how I chose paper as my artistic medium, and the transformational process of hand papermaking through a historical lens. The second half follows the experimentation and limitations that informed my practice, the content of my work regarding material and structural qualities, and how my work fits into the contemporary practices of artists working in handmade paper today.
ISBN: 9798381706239Subjects--Topical Terms:
2122690
Fine arts.
Subjects--Index Terms:
Hand papermaking
Rhythmic Ritual: Hand Papermaking as a Transformative Process.
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This thesis is an exploration of the transformative processes of hand papermaking, both personally and materially, through various artworks situated between two- and three-dimensional forms. The conceptual motivations supporting my practice are informed by intuition, locally sourced materials, human connection, material structure, and low-tech approaches to the papermaking process. In the first portion of this thesis, I discuss how I chose paper as my artistic medium, and the transformational process of hand papermaking through a historical lens. The second half follows the experimentation and limitations that informed my practice, the content of my work regarding material and structural qualities, and how my work fits into the contemporary practices of artists working in handmade paper today.
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https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30686703
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