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Breaking Bread: Piety, Poverty, and ...
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Staley, Nicolas.
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Breaking Bread: Piety, Poverty, and Praxis in Tintoretto's Last Suppers.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Breaking Bread: Piety, Poverty, and Praxis in Tintoretto's Last Suppers./
作者:
Staley, Nicolas.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2023,
面頁冊數:
67 p.
附註:
Source: Masters Abstracts International, Volume: 84-10.
Contained By:
Masters Abstracts International84-10.
標題:
Art history. -
電子資源:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30312836
ISBN:
9798379410674
Breaking Bread: Piety, Poverty, and Praxis in Tintoretto's Last Suppers.
Staley, Nicolas.
Breaking Bread: Piety, Poverty, and Praxis in Tintoretto's Last Suppers.
- Ann Arbor : ProQuest Dissertations & Theses, 2023 - 67 p.
Source: Masters Abstracts International, Volume: 84-10.
Thesis (M.A.)--University of Washington, 2023.
Jacopo Robusti, known as Tintoretto, completed nine paintings of the Last Supper during his lifetime. These works exhibit a stylistic and iconographic evolution that showcases a deep preoccupation with the impoverished, while versions completed after the Council of Trent also center the Eucharist as their primary subject. Concurrently, careful analysis of Tintoretto's career during and after the 1570s reveals a developing pattern of gift giving and generosity that becomes counterproductive to maintaining a successful business and undermines the traditional view of Tintoretto's business-driven character and artistic persona. These factors, coupled with the stylistic developments found in the post-Tridentine Last Suppers, emphasize that Tintoretto's primary motive in his late career was the acquisition of piety through the act of painting.
ISBN: 9798379410674Subjects--Topical Terms:
2122701
Art history.
Subjects--Index Terms:
Business
Breaking Bread: Piety, Poverty, and Praxis in Tintoretto's Last Suppers.
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Jacopo Robusti, known as Tintoretto, completed nine paintings of the Last Supper during his lifetime. These works exhibit a stylistic and iconographic evolution that showcases a deep preoccupation with the impoverished, while versions completed after the Council of Trent also center the Eucharist as their primary subject. Concurrently, careful analysis of Tintoretto's career during and after the 1570s reveals a developing pattern of gift giving and generosity that becomes counterproductive to maintaining a successful business and undermines the traditional view of Tintoretto's business-driven character and artistic persona. These factors, coupled with the stylistic developments found in the post-Tridentine Last Suppers, emphasize that Tintoretto's primary motive in his late career was the acquisition of piety through the act of painting.
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