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Thoughts of Spirits in Madness: Virt...

Doroski, Jonathan Forrest Montagu.

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Thoughts of Spirits in Madness: Virtual Production Animation and Digital Technologies for the Expansion of Independent Storytelling.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Thoughts of Spirits in Madness: Virtual Production Animation and Digital Technologies for the Expansion of Independent Storytelling./
Author:	Doroski, Jonathan Forrest Montagu.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2023,
Description:	106 p.
Notes:	Source: Masters Abstracts International, Volume: 84-08.
Contained By:	Masters Abstracts International84-08.
Subject:	Cinematography. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29991673
ISBN:	9798371975928

Thoughts of Spirits in Madness: Virtual Production Animation and Digital Technologies for the Expansion of Independent Storytelling.
Doroski, Jonathan Forrest Montagu.

Thoughts of Spirits in Madness: Virtual Production Animation and Digital Technologies for the Expansion of Independent Storytelling. - Ann Arbor : ProQuest Dissertations & Theses, 2023 - 106 p.

Source: Masters Abstracts International, Volume: 84-08.

Thesis (M.F.A.)--State University of New York at Buffalo, 2023.

The end goal of my research was to come up with and test out a workflow that leverages as much technology as possible in order to make the storytelling creation process as a solo independent filmmaker as time-efficient and affordable as possible. Essentially I wanted to gain the skills necessary to become a one-person animation storyteller for online platforms such as YouTube. Even though technology is always changing I still needed this method of storytelling to be easily and quickly repeatable, and any substantial financial investments into this project to be highly beneficial towards my future animation storytelling projects. I went through the painstaking process of researching the tools and workflows utilized by the highest quality independent animation studios and independent animators. To achieve this, I researched and tested many methodologies that could be used to develop comparable results. I settled on using 3D characters that were controlled by a motion-capture animation suit. My character creation process went through many iterations. I had to frequently abandon most of the methodologies that I had refined in favor of instituting more time-effective methods of character creation. Eventually, I met the primary goals I set out to achieve through the use of a high-quality procedural character generator, a video game engine, and a multipass motion capture animation workflow.

ISBN: 9798371975928Subjects--Topical Terms:

546522
Cinematography.
Subjects--Index Terms:

Animation

Thoughts of Spirits in Madness: Virtual Production Animation and Digital Technologies for the Expansion of Independent Storytelling.
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260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2023
300 $a 106 p.
500 $a Source: Masters Abstracts International, Volume: 84-08.
500 $a Advisor: Pape, Dave.
502 $a Thesis (M.F.A.)--State University of New York at Buffalo, 2023.
520 $a The end goal of my research was to come up with and test out a workflow that leverages as much technology as possible in order to make the storytelling creation process as a solo independent filmmaker as time-efficient and affordable as possible. Essentially I wanted to gain the skills necessary to become a one-person animation storyteller for online platforms such as YouTube. Even though technology is always changing I still needed this method of storytelling to be easily and quickly repeatable, and any substantial financial investments into this project to be highly beneficial towards my future animation storytelling projects. I went through the painstaking process of researching the tools and workflows utilized by the highest quality independent animation studios and independent animators. To achieve this, I researched and tested many methodologies that could be used to develop comparable results. I settled on using 3D characters that were controlled by a motion-capture animation suit. My character creation process went through many iterations. I had to frequently abandon most of the methodologies that I had refined in favor of instituting more time-effective methods of character creation. Eventually, I met the primary goals I set out to achieve through the use of a high-quality procedural character generator, a video game engine, and a multipass motion capture animation workflow.
590 $a School code: 0656.
650 4 $a Cinematography. $3 546522
650 4 $a Film studies. $3 2122736
650 4 $a Computer science. $3 523869
653 $a Animation
653 $a Machinima
653 $a Motion capture
653 $a Storytelling
653 $a Virtual production
653 $a Online platforms
690 $a 0435
690 $a 0900
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