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The politics of laughter: A study of...
~
Malick, Neeraj.
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The politics of laughter: A study of Sean O'Casey's drama.
Record Type:
Electronic resources : Monograph/item
Title/Author:
The politics of laughter: A study of Sean O'Casey's drama./
Author:
Malick, Neeraj.
Published:
Ann Arbor : ProQuest Dissertations & Theses, : 1992,
Description:
242 p.
Notes:
Source: Dissertations Abstracts International, Volume: 56-04, Section: A.
Contained By:
Dissertations Abstracts International56-04A.
Subject:
British and Irish literature. -
Online resource:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=NN87568
ISBN:
9780315875685
The politics of laughter: A study of Sean O'Casey's drama.
Malick, Neeraj.
The politics of laughter: A study of Sean O'Casey's drama.
- Ann Arbor : ProQuest Dissertations & Theses, 1992 - 242 p.
Source: Dissertations Abstracts International, Volume: 56-04, Section: A.
Thesis (Ph.D.)--McGill University (Canada), 1992.
This is a study of popular festive laughter in Sean O'Casey's drama. It argues that O'Casey's use of the strategies of laughter is an integral part of his political vision. The concept of festive laughter is derived from the theory of Mikhail Bakhtin, and is related, in this thesis, to the culture of low life in O'Casey's Dublin. Through a detailed analysis of O'Casey's plays, this study shows how the forms of laughter function to interrogate the hegemonic political, economic, and cultural discourses of the Irish society of his time. The Dublin trilogy counters the nationalist ideology and its constructions of history, while the later comedies focus on the issues of cultural domination and religious authoritarianism. This negative critique of the dominant order is accompanied, in these plays, by a celebration of the rich energy of popular, collective life, and its capacity to resist domination and to create an alternative society. The study concludes by focusing on the festive nature of O'Casey's theatre.
ISBN: 9780315875685Subjects--Topical Terms:
3433225
British and Irish literature.
Subjects--Index Terms:
O'Casey, Sean
The politics of laughter: A study of Sean O'Casey's drama.
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This is a study of popular festive laughter in Sean O'Casey's drama. It argues that O'Casey's use of the strategies of laughter is an integral part of his political vision. The concept of festive laughter is derived from the theory of Mikhail Bakhtin, and is related, in this thesis, to the culture of low life in O'Casey's Dublin. Through a detailed analysis of O'Casey's plays, this study shows how the forms of laughter function to interrogate the hegemonic political, economic, and cultural discourses of the Irish society of his time. The Dublin trilogy counters the nationalist ideology and its constructions of history, while the later comedies focus on the issues of cultural domination and religious authoritarianism. This negative critique of the dominant order is accompanied, in these plays, by a celebration of the rich energy of popular, collective life, and its capacity to resist domination and to create an alternative society. The study concludes by focusing on the festive nature of O'Casey's theatre.
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School code: 0781.
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https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=NN87568
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