Language:
English
繁體中文
Help
回圖書館首頁
手機版館藏查詢
Login
Back
Switch To:
Labeled
|
MARC Mode
|
ISBD
Psychological subjectivity and the a...
~
Silvers, Lauren J.
Linked to FindBook
Google Book
Amazon
博客來
Psychological subjectivity and the aesthetics of reading in the symbolist literary era (1880-1905).
Record Type:
Electronic resources : Monograph/item
Title/Author:
Psychological subjectivity and the aesthetics of reading in the symbolist literary era (1880-1905)./
Author:
Silvers, Lauren J.
Published:
Ann Arbor : ProQuest Dissertations & Theses, : 2010,
Description:
301 p.
Notes:
Source: Dissertations Abstracts International, Volume: 72-01, Section: A.
Contained By:
Dissertations Abstracts International72-01A.
Subject:
Comparative literature. -
Online resource:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3408600
ISBN:
9781124049380
Psychological subjectivity and the aesthetics of reading in the symbolist literary era (1880-1905).
Silvers, Lauren J.
Psychological subjectivity and the aesthetics of reading in the symbolist literary era (1880-1905).
- Ann Arbor : ProQuest Dissertations & Theses, 2010 - 301 p.
Source: Dissertations Abstracts International, Volume: 72-01, Section: A.
Thesis (Ph.D.)--The University of Chicago, 2010.
This dissertation investigates the discourse of "suggestion" in the fields of literary practice and experimental psychology at the French fin-de-siecle. Both fields, I argue, used language in a highly rhetorical manner to produce specific and intended effects in the body. I show how ideas about language and subjectivity popularized by the field of experimental psychology enabled writers to think about readers' bodies in formal aesthetic terms. This study thus re-examines the proliferating literary movements of the French fin-de-siecle, often considered heterogeneous and reactionary by scholars, as progressive attempts to re-imagine the relationship between text and reader. I trace the development of this relationship from the decadents' address of the reader's body as a source of poetic inspiration, to the more central role of the body as a site of aesthetic experimentation in works by writers and critics associated with symbolism, free verse, and scientific aesthetics. Studies that have explored the link between psychology and literature of this period tend to focus primarily on literary representations of hysteria and other pathologies. In contrast, my study shows that writers' preoccupations with the suggestive dimensions of language were shaped by the techniques and findings of normal psychology. Psychologists deployed suggestive language in their experiments to produce the embodied states of "cerebral exaltation," "hyperesthesia," and "hyper-receptivity," and they published relevant work in literary journals alongside poems and reviews. I show how this discourse on the workings of the normal, functioning mind inspired writers such as Stephane Mallarme, Rene Ghil, and Remy de Gourmont to re-imagine the implications of their practice by experimenting with and writing about the suggestive properties of language. The discursive intersection of literary practice and experimental psychology, I argue, allows us to see that literary practitioners embraced a horizontal model of "communicability" that differed radically from the vertical model of geniuscritic-public that mediated literary reception throughout the Romantic era. This shift essentially changed what it meant to read literature, for this new premium on literary communicability inspired writers and critics to shun the task of interpretation and to privilege instead the experience of reading as a dynamic encounter between author, text, and reader.
ISBN: 9781124049380Subjects--Topical Terms:
570001
Comparative literature.
Subjects--Index Terms:
Aesthetics
Psychological subjectivity and the aesthetics of reading in the symbolist literary era (1880-1905).
LDR
:03882nmm a2200481 4500
001
2402431
005
20241028051832.5
006
m o d
007
cr#unu||||||||
008
251215s2010 ||||||||||||||||| ||eng d
020
$a
9781124049380
035
$a
(MiAaPQ)AAI3408600
035
$a
(MiAaPQ)uchicago:10432
035
$a
AAI3408600
035
$a
2402431
040
$a
MiAaPQ
$c
MiAaPQ
100
1
$a
Silvers, Lauren J.
$3
3772662
245
1 0
$a
Psychological subjectivity and the aesthetics of reading in the symbolist literary era (1880-1905).
260
1
$a
Ann Arbor :
$b
ProQuest Dissertations & Theses,
$c
2010
300
$a
301 p.
500
$a
Source: Dissertations Abstracts International, Volume: 72-01, Section: A.
500
$a
Publisher info.: Dissertation/Thesis.
500
$a
Advisor: Meltzer, Francoise.
502
$a
Thesis (Ph.D.)--The University of Chicago, 2010.
520
$a
This dissertation investigates the discourse of "suggestion" in the fields of literary practice and experimental psychology at the French fin-de-siecle. Both fields, I argue, used language in a highly rhetorical manner to produce specific and intended effects in the body. I show how ideas about language and subjectivity popularized by the field of experimental psychology enabled writers to think about readers' bodies in formal aesthetic terms. This study thus re-examines the proliferating literary movements of the French fin-de-siecle, often considered heterogeneous and reactionary by scholars, as progressive attempts to re-imagine the relationship between text and reader. I trace the development of this relationship from the decadents' address of the reader's body as a source of poetic inspiration, to the more central role of the body as a site of aesthetic experimentation in works by writers and critics associated with symbolism, free verse, and scientific aesthetics. Studies that have explored the link between psychology and literature of this period tend to focus primarily on literary representations of hysteria and other pathologies. In contrast, my study shows that writers' preoccupations with the suggestive dimensions of language were shaped by the techniques and findings of normal psychology. Psychologists deployed suggestive language in their experiments to produce the embodied states of "cerebral exaltation," "hyperesthesia," and "hyper-receptivity," and they published relevant work in literary journals alongside poems and reviews. I show how this discourse on the workings of the normal, functioning mind inspired writers such as Stephane Mallarme, Rene Ghil, and Remy de Gourmont to re-imagine the implications of their practice by experimenting with and writing about the suggestive properties of language. The discursive intersection of literary practice and experimental psychology, I argue, allows us to see that literary practitioners embraced a horizontal model of "communicability" that differed radically from the vertical model of geniuscritic-public that mediated literary reception throughout the Romantic era. This shift essentially changed what it meant to read literature, for this new premium on literary communicability inspired writers and critics to shun the task of interpretation and to privilege instead the experience of reading as a dynamic encounter between author, text, and reader.
590
$a
School code: 0330.
650
4
$a
Comparative literature.
$3
570001
650
4
$a
Romance literature.
$3
2144781
650
4
$a
Psychology.
$3
519075
653
$a
Aesthetics
653
$a
France
653
$a
French symbolism
653
$a
Ghil, Rene
653
$a
Gourmont, Remy de
653
$a
History of psychology
653
$a
Literary aesthetics
653
$a
Mallarme, Stephane
653
$a
Subjectivity
653
$a
Symbolist
690
$a
0295
690
$a
0313
690
$a
0621
710
2
$a
The University of Chicago.
$b
Comparative Literature.
$3
1670301
773
0
$t
Dissertations Abstracts International
$g
72-01A.
790
$a
0330
791
$a
Ph.D.
792
$a
2010
793
$a
English
856
4 0
$u
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3408600
based on 0 review(s)
Location:
ALL
電子資源
Year:
Volume Number:
Items
1 records • Pages 1 •
1
Inventory Number
Location Name
Item Class
Material type
Call number
Usage Class
Loan Status
No. of reservations
Opac note
Attachments
W9510751
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
On shelf
0
1 records • Pages 1 •
1
Multimedia
Reviews
Add a review
and share your thoughts with other readers
Export
pickup library
Processing
...
Change password
Login