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Galaxies Like Islands, Islands Like ...

Furtado, Nicole Ku{CA}{BB}uleinapuananioliko{CA}{BB}awapuhimelemeleolani Parubrub.

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Galaxies Like Islands, Islands Like Galaxies: Envisioning Futurity in Seascape Technologies.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Galaxies Like Islands, Islands Like Galaxies: Envisioning Futurity in Seascape Technologies./
作者:	Furtado, Nicole Ku{CA}{BB}uleinapuananioliko{CA}{BB}awapuhimelemeleolani Parubrub.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2023,
面頁冊數:	181 p.
附註:	Source: Dissertations Abstracts International, Volume: 85-02, Section: A.
Contained By:	Dissertations Abstracts International85-02A.
標題:	History of Oceania. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30525720
ISBN:	9798379957995

Galaxies Like Islands, Islands Like Galaxies: Envisioning Futurity in Seascape Technologies.
Furtado, Nicole Ku{CA}{BB}uleinapuananioliko{CA}{BB}awapuhimelemeleolani Parubrub.

Galaxies Like Islands, Islands Like Galaxies: Envisioning Futurity in Seascape Technologies. - Ann Arbor : ProQuest Dissertations & Theses, 2023 - 181 p.

Source: Dissertations Abstracts International, Volume: 85-02, Section: A.

Thesis (Ph.D.)--University of California, Riverside, 2023.

Galaxies like Islands, Islands like Galaxies: Envisioning Futurity in Seascape Technologies examines Indigenous Futurisms as a political and aesthetic movement that bridges art-forms (literature, performance, comics, media) to combat "settler futurity." Indigenous conceptions of temporality, contact, alternative worlds, apocalypse, and revolution are all themes/tenets of Indigenous Futurism and can be expressed artistically through multimedia forms. My project's methodology is dened by its engagement with mo{CA}{BB}olelo, Kanaka Maoli storytelling. Mo{CA}{BB}olelo as methodology envisions alternative futures that are liberated from a colonial matrix and challenge western epistemological conceptions of temporal progress. This dissertation features Native artists creating projects of cultural expression that reimagine uses for technology that are not predicated upon continued modes of capitalism and settler logics. Therefore, I develop a theoretical framework that employs anti-colonial/decolonial future-making actions and discourses or "futurities," at the intersections between Indigenous aesthetics and science and technology studies. I engage spatio-temporal Kanaka frameworks by outlining the sections of my dissertation not in chapters-but in wa. The term Wa or Ta-Va (space-time) resonates throughout Oceania and is similar but dierent between cultures. In the Native Hawaiian context, wa means period of time, epoch, era, time, occasion, season, or age. It can also mean space, interval, or as between objects or time. Material, ephemeral, and aective registers are engaged: it can be thought of as the space between things or a rolling interval. Wa speaks to complex temporal overlays between engaging the space of the past, present, and future within this dissertation. As sea-voyaging in Oceanic cultures is central to life, I am outlining my chapters as wa as to signify movement between ideas-like traversing between mini-theoretical islands of thought. Similar to how the ocean is complex with immense depth and secret go-ons beneath the surface, I use the theoretical concept of wa to understand and critically unpack the theories, art, and ideas within this dissertation.{A0}

ISBN: 9798379957995Subjects--Topical Terms:

2122807
History of Oceania.
Subjects--Index Terms:

Indigenous Futurism

Galaxies Like Islands, Islands Like Galaxies: Envisioning Futurity in Seascape Technologies.
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500 $a Source: Dissertations Abstracts International, Volume: 85-02, Section: A.
500 $a Advisor: Raheja, Michelle;Minch-de Leon, Mark.
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520 $a Galaxies like Islands, Islands like Galaxies: Envisioning Futurity in Seascape Technologies examines Indigenous Futurisms as a political and aesthetic movement that bridges art-forms (literature, performance, comics, media) to combat "settler futurity." Indigenous conceptions of temporality, contact, alternative worlds, apocalypse, and revolution are all themes/tenets of Indigenous Futurism and can be expressed artistically through multimedia forms. My project's methodology is dened by its engagement with mo{CA}{BB}olelo, Kanaka Maoli storytelling. Mo{CA}{BB}olelo as methodology envisions alternative futures that are liberated from a colonial matrix and challenge western epistemological conceptions of temporal progress. This dissertation features Native artists creating projects of cultural expression that reimagine uses for technology that are not predicated upon continued modes of capitalism and settler logics. Therefore, I develop a theoretical framework that employs anti-colonial/decolonial future-making actions and discourses or "futurities," at the intersections between Indigenous aesthetics and science and technology studies. I engage spatio-temporal Kanaka frameworks by outlining the sections of my dissertation not in chapters-but in wa. The term Wa or Ta-Va (space-time) resonates throughout Oceania and is similar but dierent between cultures. In the Native Hawaiian context, wa means period of time, epoch, era, time, occasion, season, or age. It can also mean space, interval, or as between objects or time. Material, ephemeral, and aective registers are engaged: it can be thought of as the space between things or a rolling interval. Wa speaks to complex temporal overlays between engaging the space of the past, present, and future within this dissertation. As sea-voyaging in Oceanic cultures is central to life, I am outlining my chapters as wa as to signify movement between ideas-like traversing between mini-theoretical islands of thought. Similar to how the ocean is complex with immense depth and secret go-ons beneath the surface, I use the theoretical concept of wa to understand and critically unpack the theories, art, and ideas within this dissertation.{A0}
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650 4 $a Museum studies. $3 2122775
650 4 $a Native American studies. $3 2122730
650 4 $a Native studies. $3 3642179
653 $a Indigenous Futurism
653 $a Native Hawaiian
653 $a Speculative Fiction
653 $a Virtual Reality
653 $a Visual art
690 $a 0504
690 $a 0730
690 $a 0740
690 $a 0741
710 2 $a University of California, Riverside. $b English. $3 1670053
773 0 $t Dissertations Abstracts International $g 85-02A.
790 $a 0032
791 $a Ph.D.
792 $a 2023
793 $a English
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