東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Psychology of RASA, Emotions and Exp...

Tiwari, Garima Hariniwas.

Linked to FindBook

Google Book

Amazon

博客來

Psychology of RASA, Emotions and Experience in the Stage Plays of Mahesh Dattani.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Psychology of RASA, Emotions and Experience in the Stage Plays of Mahesh Dattani./
Author:	Tiwari, Garima Hariniwas.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2023,
Description:	477 p.
Notes:	Source: Dissertations Abstracts International, Volume: 85-09, Section: B.
Contained By:	Dissertations Abstracts International85-09B.
Subject:	Asian literature. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30996567
ISBN:	9798381947236

Psychology of RASA, Emotions and Experience in the Stage Plays of Mahesh Dattani.
Tiwari, Garima Hariniwas.

Psychology of RASA, Emotions and Experience in the Stage Plays of Mahesh Dattani. - Ann Arbor : ProQuest Dissertations & Theses, 2023 - 477 p.

Source: Dissertations Abstracts International, Volume: 85-09, Section: B.

Thesis (Ph.D.)--Maharaja Sayajirao University of Baroda (India), 2023.

According to Kalidasa, the primary purpose of theatrical productions is to offer amusement and gratification to those with a wide range of interests. The genre of drama has seen significant evolution and has transcended its origins in ancient times. The theatrical domain serves as a dynamic platform for artists to depict and explore Rasa, as well as the intricacies of human experiences and emotions. The writer Mahesh Dattani, who is widely recognized in India, has achieved a notable standing within the industry by crafting dramatic works that evoke a deep resonance among audiences and offer perceptive insights into the intricacies of the human psyche.This research project "Psychology of Rasa, Emotions and Experience in the Stage Plays of Mahesh Dattani" provides a critical examination and analysis of the stage plays of Mahesh Dattani, specifically focusing on the psychology of Rasa, Western and Indian views on emotions and experience. The plays that will be scrutinized include Where There's a Will (1988), Dance Like a Man (1989), Tara (1990), Bravely Fought the Queen(1991), Final Solutions (1993), Seven Steps around the Fire (1998), On a Muggy Night in Mumbai (1998), Thirty Days in September (2001), The Big Fat City (2012), and Where Did I Leave My Purdah? (2012).One of the first extant treatises on the field of dramaturgy is the Natyashstra, authored by Bharata Muni where he propounded, "वस्तुनेतासुसेत[तेटेतेत] भुदकः।" "The plot, characters, and Rasa serve as the foundational elements of the literary composition." (Unni, 2014).Based on the aforementioned principle, the present research aims to establish the potential, importance, and extent of psychological investigations into Rasa, encompassing the constituents of Vibhava, Anubhava, Vyabhicharibhava, Sthayibhava, and sadharnikarana, as well as their interaction with psychological studies and their interpretive implications. This investigation specifically focuses on the emotions associated with Rasa and their manifestation in the stage plays of Mahesh Dattani who is widely recognized in India, has achieved a notable standing within the industry by crafting dramatic works that evoke a deep resonance among audiences and offer perceptive insights into the intricacies of the human psyche. This study utilizes a psychological framework to substantiate the significance of the title by investigating the psychological underpinnings of character analysis, the impact of Rasa, the portrayal of emotions, and the experiential elements found in Dattani's plays. This study highlights the importance of integrating psychological analysis into the examination of stage plays, particularly in the context of Dattani's artistic achievements. This study seeks to deepen our understanding of the complex aspects of human behaviour, motivations, and emotional landscapes portrayed in theatrical performances by integrating the fields of Rasa psychology and theatrical studies. This study demonstrates the contemporary significance of the Rasa theory in the 21st century, focusing on its psychological aspects and its use in Modern Indian English plays.

ISBN: 9798381947236Subjects--Topical Terms:

2122707
Asian literature.
Subjects--Index Terms:

Emotion

Psychology of RASA, Emotions and Experience in the Stage Plays of Mahesh Dattani.
LDR:04322nmm a2200385 4500 001 2401577
005 20241022110526.5
006 m o d
007 cr#unu||||||||
008 251215s2023 ||||||||||||||||| ||eng d
020 $a 9798381947236
035 $a (MiAaPQ)AAI30996567
035 $a AAI30996567
035 $a 2401577
040 $a MiAaPQ $c MiAaPQ
100 1 $a Tiwari, Garima Hariniwas. $3 3771676
245 1 0 $a Psychology of RASA, Emotions and Experience in the Stage Plays of Mahesh Dattani.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2023
300 $a 477 p.
500 $a Source: Dissertations Abstracts International, Volume: 85-09, Section: B.
500 $a Advisor: Surve, Anshu.
502 $a Thesis (Ph.D.)--Maharaja Sayajirao University of Baroda (India), 2023.
520 $a According to Kalidasa, the primary purpose of theatrical productions is to offer amusement and gratification to those with a wide range of interests. The genre of drama has seen significant evolution and has transcended its origins in ancient times. The theatrical domain serves as a dynamic platform for artists to depict and explore Rasa, as well as the intricacies of human experiences and emotions. The writer Mahesh Dattani, who is widely recognized in India, has achieved a notable standing within the industry by crafting dramatic works that evoke a deep resonance among audiences and offer perceptive insights into the intricacies of the human psyche.This research project "Psychology of Rasa, Emotions and Experience in the Stage Plays of Mahesh Dattani" provides a critical examination and analysis of the stage plays of Mahesh Dattani, specifically focusing on the psychology of Rasa, Western and Indian views on emotions and experience. The plays that will be scrutinized include Where There's a Will (1988), Dance Like a Man (1989), Tara (1990), Bravely Fought the Queen(1991), Final Solutions (1993), Seven Steps around the Fire (1998), On a Muggy Night in Mumbai (1998), Thirty Days in September (2001), The Big Fat City (2012), and Where Did I Leave My Purdah? (2012).One of the first extant treatises on the field of dramaturgy is the Natyashstra, authored by Bharata Muni where he propounded, "वस्तुनेतासुसेत[तेटेतेत] भुदकः।" "The plot, characters, and Rasa serve as the foundational elements of the literary composition." (Unni, 2014).Based on the aforementioned principle, the present research aims to establish the potential, importance, and extent of psychological investigations into Rasa, encompassing the constituents of Vibhava, Anubhava, Vyabhicharibhava, Sthayibhava, and sadharnikarana, as well as their interaction with psychological studies and their interpretive implications. This investigation specifically focuses on the emotions associated with Rasa and their manifestation in the stage plays of Mahesh Dattani who is widely recognized in India, has achieved a notable standing within the industry by crafting dramatic works that evoke a deep resonance among audiences and offer perceptive insights into the intricacies of the human psyche. This study utilizes a psychological framework to substantiate the significance of the title by investigating the psychological underpinnings of character analysis, the impact of Rasa, the portrayal of emotions, and the experiential elements found in Dattani's plays. This study highlights the importance of integrating psychological analysis into the examination of stage plays, particularly in the context of Dattani's artistic achievements. This study seeks to deepen our understanding of the complex aspects of human behaviour, motivations, and emotional landscapes portrayed in theatrical performances by integrating the fields of Rasa psychology and theatrical studies. This study demonstrates the contemporary significance of the Rasa theory in the 21st century, focusing on its psychological aspects and its use in Modern Indian English plays.
590 $a School code: 1011.
650 4 $a Asian literature. $3 2122707
650 4 $a Psychology. $3 519075
650 4 $a Aesthetics. $3 523036
653 $a Emotion
653 $a English
653 $a Rasa
653 $a Psychology of Rasa
690 $a 0305
690 $a 0621
690 $a 0650
710 2 $a Maharaja Sayajirao University of Baroda (India). $b Department of English. $3 3771677
773 0 $t Dissertations Abstracts International $g 85-09B.
790 $a 1011
791 $a Ph.D.
792 $a 2023
793 $a English
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30996567