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Louise Rosler's Die Strasse: Subject...

Katzenbach, Katrina.

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Louise Rosler's Die Strasse: Subjectivity as Existential Debate in 1950s West German Art.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Louise Rosler's Die Strasse: Subjectivity as Existential Debate in 1950s West German Art./
Author:	Katzenbach, Katrina.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2023,
Description:	93 p.
Notes:	Source: Masters Abstracts International, Volume: 85-03.
Contained By:	Masters Abstracts International85-03.
Subject:	Art history. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30522325
ISBN:	9798380359160

Louise Rosler's Die Strasse: Subjectivity as Existential Debate in 1950s West German Art.
Katzenbach, Katrina.

Louise Rosler's Die Strasse: Subjectivity as Existential Debate in 1950s West German Art. - Ann Arbor : ProQuest Dissertations & Theses, 2023 - 93 p.

Source: Masters Abstracts International, Volume: 85-03.

Thesis (M.A.)--University of California, Davis, 2023.

The end of National Socialism and the Second World War created a vacuum for German cultural identity in West Germany, leading to a philosophical discourse regarding the nature and future of that identity, a discourse in which visual aesthetics played a vital part. Hoping to create and reinforce the idea of a fundamental reshaping of society, philosophers, art critics, artists, and historians gathered in Darmstadt in July of 1950 to discuss "Das Menschenbild in unserer Zeit", "The Image of Man in Our Time". Seemingly only focused on aesthetic formalism, the Darmstadter Gesprache posed deeper existential questions about how a future, post-National Socialist identity would be shaped and reflected in visual art. The following thesis argues that such works as Louise Rosler's 1951 collage, Die Strasse, rather than evincing the indecision and lack of direction typically assigned to this period of West German art, show a pivotal and much needed grappling with the existential issues of the time, and form a vital part of how West Germany perceived itself and the path forward.

ISBN: 9798380359160Subjects--Topical Terms:

2122701
Art history.
Subjects--Index Terms:

Existential debate

Louise Rosler's Die Strasse: Subjectivity as Existential Debate in 1950s West German Art.
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245 1 0 $a Louise Rosler's Die Strasse: Subjectivity as Existential Debate in 1950s West German Art.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2023
300 $a 93 p.
500 $a Source: Masters Abstracts International, Volume: 85-03.
500 $a Advisor: Fisher, Jaimey;Yonan, Michael.
502 $a Thesis (M.A.)--University of California, Davis, 2023.
520 $a The end of National Socialism and the Second World War created a vacuum for German cultural identity in West Germany, leading to a philosophical discourse regarding the nature and future of that identity, a discourse in which visual aesthetics played a vital part. Hoping to create and reinforce the idea of a fundamental reshaping of society, philosophers, art critics, artists, and historians gathered in Darmstadt in July of 1950 to discuss "Das Menschenbild in unserer Zeit", "The Image of Man in Our Time". Seemingly only focused on aesthetic formalism, the Darmstadter Gesprache posed deeper existential questions about how a future, post-National Socialist identity would be shaped and reflected in visual art. The following thesis argues that such works as Louise Rosler's 1951 collage, Die Strasse, rather than evincing the indecision and lack of direction typically assigned to this period of West German art, show a pivotal and much needed grappling with the existential issues of the time, and form a vital part of how West Germany perceived itself and the path forward.
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650 4 $a Art history. $3 2122701
650 4 $a German literature. $3 699188
650 4 $a Aesthetics. $3 523036
653 $a Existential debate
653 $a Subjectivity
653 $a West German art
653 $a National Socialism
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690 $a 0311
690 $a 0650
710 2 $a University of California, Davis. $b German. $3 1679506
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