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Sense and Nonsense: Time, Space, and...

Bierdz, Brad.

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Sense and Nonsense: Time, Space, and Causality.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Sense and Nonsense: Time, Space, and Causality./
Author:	Bierdz, Brad.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2024,
Description:	304 p.
Notes:	Source: Dissertations Abstracts International, Volume: 85-11, Section: A.
Contained By:	Dissertations Abstracts International85-11A.
Subject:	Disability studies. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=31298855
ISBN:	9798382612171

Sense and Nonsense: Time, Space, and Causality.
Bierdz, Brad.

Sense and Nonsense: Time, Space, and Causality. - Ann Arbor : ProQuest Dissertations & Theses, 2024 - 304 p.

Source: Dissertations Abstracts International, Volume: 85-11, Section: A.

Thesis (Ph.D.)--The University of Wisconsin - Madison, 2024.

This dissertation critically examines the normative concepts of time, space, and causality. I posit that these constructs of sense/sensation are not only built on the othereding of aberrant mindbodies but also constitutively dehumanize and limit the possibilities of more aberrant/othered thoughts/non-thoughts/un-thoughts, beings/nonbeings/unbeings/becomings, and realities/un-realities/non-realities/de-realities. After introducing the work, Chapter 2 delves into the conceptionings of time/temporalizations. The initial section critiques how normative temporal frameworks and philosophical/theoretical works exclude/violate othered and aberrant livabilities. The following section employs William S. Burroughs' Naked Lunch to challenge these temporal norms and introduces aberrant/cripped conceptions/non-conceptions of temporality/atemporality such as 'junkie time' and 'naked time.' The final section utilizes my own interrogation of self(s)-theory to challenge Deleuze and Guattari's becomings as temporally re-normative and suggest embodiments/enfleshments of crippedness as invocations/evocations of cripped livabilities as atemporal, aberrantly temporal, and multiplicitous. Chapter 3 addresses the constructions of space/spatializations as conceptual assemblages. It begins by similarly questioning spatial normativizations within theoretical and philosophical works and then moves to analyze some of Marcel Duchamp's conceptual artworks, utilizing them to complement my contestation against/from D&G's body without organs (BwO). I suggest concepts/non-concepts such as bodies without bodies (BwB) and bodies without space (BwS) as challenges via crippedness/aberrance alongside Duchamp and my self(s)-theoretical sections. Chapter 4 interrogates the constructions of causality/causations. Beginning again with a theoretical critique, I transition to an analysis of Ted Chiang's short story, "A Story of Your Life," thereby attempting ever-partially to disrupt normative notions of causality/causation. Finally, the chapter culminates in a self(s)-theoretical discussion, interrogating crippedness and acausal notions/non-notions of thought/non-thought/un-thought. Within the chapter, I question D&G's assemblages and advocate for a more cripped concept/non-concept of dissemblages and dissemblances. The dissertation concludes with an interregnum of thought/non-thought/un-thought. I advocate and gesture toward multiplicitousness and nonsense as means of challenging normative attenuations of sense qua time, space, and causality within the realms of curriculum studies, disability studies, and philosophy. Moreover, rather than offering a conclusion or future directions for research, I juxtapose an interregnum (an atemporal jump, a dissociative/cripped invocation/evocation) that gestures outside of the determinative dimensions of academic research as processes of limiting being, thought, and reality.

ISBN: 9798382612171Subjects--Topical Terms:

543687
Disability studies.
Subjects--Index Terms:

Crip studies

Sense and Nonsense: Time, Space, and Causality.
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520 $a This dissertation critically examines the normative concepts of time, space, and causality. I posit that these constructs of sense/sensation are not only built on the othereding of aberrant mindbodies but also constitutively dehumanize and limit the possibilities of more aberrant/othered thoughts/non-thoughts/un-thoughts, beings/nonbeings/unbeings/becomings, and realities/un-realities/non-realities/de-realities. After introducing the work, Chapter 2 delves into the conceptionings of time/temporalizations. The initial section critiques how normative temporal frameworks and philosophical/theoretical works exclude/violate othered and aberrant livabilities. The following section employs William S. Burroughs' Naked Lunch to challenge these temporal norms and introduces aberrant/cripped conceptions/non-conceptions of temporality/atemporality such as 'junkie time' and 'naked time.' The final section utilizes my own interrogation of self(s)-theory to challenge Deleuze and Guattari's becomings as temporally re-normative and suggest embodiments/enfleshments of crippedness as invocations/evocations of cripped livabilities as atemporal, aberrantly temporal, and multiplicitous. Chapter 3 addresses the constructions of space/spatializations as conceptual assemblages. It begins by similarly questioning spatial normativizations within theoretical and philosophical works and then moves to analyze some of Marcel Duchamp's conceptual artworks, utilizing them to complement my contestation against/from D&G's body without organs (BwO). I suggest concepts/non-concepts such as bodies without bodies (BwB) and bodies without space (BwS) as challenges via crippedness/aberrance alongside Duchamp and my self(s)-theoretical sections. Chapter 4 interrogates the constructions of causality/causations. Beginning again with a theoretical critique, I transition to an analysis of Ted Chiang's short story, "A Story of Your Life," thereby attempting ever-partially to disrupt normative notions of causality/causation. Finally, the chapter culminates in a self(s)-theoretical discussion, interrogating crippedness and acausal notions/non-notions of thought/non-thought/un-thought. Within the chapter, I question D&G's assemblages and advocate for a more cripped concept/non-concept of dissemblages and dissemblances. The dissertation concludes with an interregnum of thought/non-thought/un-thought. I advocate and gesture toward multiplicitousness and nonsense as means of challenging normative attenuations of sense qua time, space, and causality within the realms of curriculum studies, disability studies, and philosophy. Moreover, rather than offering a conclusion or future directions for research, I juxtapose an interregnum (an atemporal jump, a dissociative/cripped invocation/evocation) that gestures outside of the determinative dimensions of academic research as processes of limiting being, thought, and reality.
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