Language:
English
繁體中文
Help
回圖書館首頁
手機版館藏查詢
Login
Back
Switch To:
Labeled
|
MARC Mode
|
ISBD
The Music Professors of YouTubiversity.
~
Nypaver, Alisha C.
Linked to FindBook
Google Book
Amazon
博客來
The Music Professors of YouTubiversity.
Record Type:
Electronic resources : Monograph/item
Title/Author:
The Music Professors of YouTubiversity./
Author:
Nypaver, Alisha C.
Published:
Ann Arbor : ProQuest Dissertations & Theses, : 2023,
Description:
240 p.
Notes:
Source: Dissertations Abstracts International, Volume: 85-02, Section: A.
Contained By:
Dissertations Abstracts International85-02A.
Subject:
Music. -
Online resource:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30525158
ISBN:
9798380148665
The Music Professors of YouTubiversity.
Nypaver, Alisha C.
The Music Professors of YouTubiversity.
- Ann Arbor : ProQuest Dissertations & Theses, 2023 - 240 p.
Source: Dissertations Abstracts International, Volume: 85-02, Section: A.
Thesis (Ph.D.)--Temple University, 2023.
This dissertation explores the current use of YouTube in music studies in higher education while suggesting a reconsideration of the academic as both source and resource in the neo-information age. In it, I summarize interviews with ten current YouTube content creators who run music education channels, focusing on their role as teachers in an invisible classroom. I also share findings from a nationwide survey of instructors who teach music studies in higher education. The results illustrate how music professors use YouTube for teaching and learning in a post-pandemic world. I aim to bridge the divide between the ivory tower and cybersphere by highlighting current collaborations between traditional and YouTube academics and suggesting how the two can cooperate to maximize learning effectiveness for Generation Z. Chapter 1 serves as an introduction and provides a brief history of YouTube. Chapter 2 offers a literature review. In Chapter 3, I review the sociology of knowledge, hyperreality, and the idea of the "unacademic," all of which are philosophical concepts central to my discussion of YouTube content creators and their role as educators in relation to traditional professors in higher education. Chapter 4 describes the survey results and Chapter 5 summarizes the content creator interviews. In the conclusion, Chapter 6, I offer my thoughts on the future of music studies in the traditional university and YouTubiversity.
ISBN: 9798380148665Subjects--Topical Terms:
516178
Music.
Subjects--Index Terms:
Interviews
The Music Professors of YouTubiversity.
LDR
:02584nmm a2200409 4500
001
2398865
005
20240819061907.5
006
m o d
007
cr#unu||||||||
008
251215s2023 ||||||||||||||||| ||eng d
020
$a
9798380148665
035
$a
(MiAaPQ)AAI30525158
035
$a
AAI30525158
040
$a
MiAaPQ
$c
MiAaPQ
100
1
$a
Nypaver, Alisha C.
$0
(orcid)0000-0002-5693-9274
$3
3768812
245
1 0
$a
The Music Professors of YouTubiversity.
260
1
$a
Ann Arbor :
$b
ProQuest Dissertations & Theses,
$c
2023
300
$a
240 p.
500
$a
Source: Dissertations Abstracts International, Volume: 85-02, Section: A.
500
$a
Advisor: Klein, Michael L.
502
$a
Thesis (Ph.D.)--Temple University, 2023.
520
$a
This dissertation explores the current use of YouTube in music studies in higher education while suggesting a reconsideration of the academic as both source and resource in the neo-information age. In it, I summarize interviews with ten current YouTube content creators who run music education channels, focusing on their role as teachers in an invisible classroom. I also share findings from a nationwide survey of instructors who teach music studies in higher education. The results illustrate how music professors use YouTube for teaching and learning in a post-pandemic world. I aim to bridge the divide between the ivory tower and cybersphere by highlighting current collaborations between traditional and YouTube academics and suggesting how the two can cooperate to maximize learning effectiveness for Generation Z. Chapter 1 serves as an introduction and provides a brief history of YouTube. Chapter 2 offers a literature review. In Chapter 3, I review the sociology of knowledge, hyperreality, and the idea of the "unacademic," all of which are philosophical concepts central to my discussion of YouTube content creators and their role as educators in relation to traditional professors in higher education. Chapter 4 describes the survey results and Chapter 5 summarizes the content creator interviews. In the conclusion, Chapter 6, I offer my thoughts on the future of music studies in the traditional university and YouTubiversity.
590
$a
School code: 0225.
650
4
$a
Music.
$3
516178
650
4
$a
Higher education.
$3
641065
650
4
$a
Educational technology.
$3
517670
650
4
$a
Music education.
$3
3168367
653
$a
Interviews
653
$a
Online learning
653
$a
Pedagogy
653
$a
Public musicology
653
$a
YouTube
653
$a
Content creators
690
$a
0413
690
$a
0745
690
$a
0710
690
$a
0522
710
2
$a
Temple University.
$b
Music History.
$3
3768813
773
0
$t
Dissertations Abstracts International
$g
85-02A.
790
$a
0225
791
$a
Ph.D.
792
$a
2023
793
$a
English
856
4 0
$u
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30525158
based on 0 review(s)
Location:
ALL
電子資源
Year:
Volume Number:
Items
1 records • Pages 1 •
1
Inventory Number
Location Name
Item Class
Material type
Call number
Usage Class
Loan Status
No. of reservations
Opac note
Attachments
W9507185
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
On shelf
0
1 records • Pages 1 •
1
Multimedia
Reviews
Add a review
and share your thoughts with other readers
Export
pickup library
Processing
...
Change password
Login