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Reading Verbal and Visual Insurrecti...
~
Pegram, Trevon A. .
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Reading Verbal and Visual Insurrections: Towards a Hip Hop Theory of Literary and Visual Criticism.
Record Type:
Electronic resources : Monograph/item
Title/Author:
Reading Verbal and Visual Insurrections: Towards a Hip Hop Theory of Literary and Visual Criticism./
Author:
Pegram, Trevon A. .
Published:
Ann Arbor : ProQuest Dissertations & Theses, : 2022,
Description:
191 p.
Notes:
Source: Dissertations Abstracts International, Volume: 84-10, Section: A.
Contained By:
Dissertations Abstracts International84-10A.
Subject:
Literature. -
Online resource:
https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30243192
ISBN:
9798379426903
Reading Verbal and Visual Insurrections: Towards a Hip Hop Theory of Literary and Visual Criticism.
Pegram, Trevon A. .
Reading Verbal and Visual Insurrections: Towards a Hip Hop Theory of Literary and Visual Criticism.
- Ann Arbor : ProQuest Dissertations & Theses, 2022 - 191 p.
Source: Dissertations Abstracts International, Volume: 84-10, Section: A.
Thesis (Ph.D.)--Howard University, 2022.
This item must not be sold to any third party vendors.
This dissertation uses hip hop aesthetics to theorize a critical reading practice for African American literary and visual texts. This approach fuses Hip Hop Studies and Black Geographies to examine how black cultural productions rewrite the spaces and symbols of slavery in antebellum and contemporary narratives. Reading across slave narratives, novels, graphic novels, and films, I chart how black cultural producers remix and reconceptualize our understanding of two defining spatial formations of slavery: the plantation and the slave ship. To do this, I employ the terms "verbal insurrection" and "visual insurrection" as theoretical concepts that identify how black creatives (writers, artists, filmmakers) use language (oral, written, and visual) and spatial practices to reject dominant narratives and confinement; in doing so, black cultural producers are able to attain a sense of autonomy that transcends the boundaries that displace and marginalize blackness in various textual and spatial contexts.
ISBN: 9798379426903Subjects--Topical Terms:
537498
Literature.
Subjects--Index Terms:
African American literature
Reading Verbal and Visual Insurrections: Towards a Hip Hop Theory of Literary and Visual Criticism.
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Source: Dissertations Abstracts International, Volume: 84-10, Section: A.
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Advisor: Green, David F. .
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This dissertation uses hip hop aesthetics to theorize a critical reading practice for African American literary and visual texts. This approach fuses Hip Hop Studies and Black Geographies to examine how black cultural productions rewrite the spaces and symbols of slavery in antebellum and contemporary narratives. Reading across slave narratives, novels, graphic novels, and films, I chart how black cultural producers remix and reconceptualize our understanding of two defining spatial formations of slavery: the plantation and the slave ship. To do this, I employ the terms "verbal insurrection" and "visual insurrection" as theoretical concepts that identify how black creatives (writers, artists, filmmakers) use language (oral, written, and visual) and spatial practices to reject dominant narratives and confinement; in doing so, black cultural producers are able to attain a sense of autonomy that transcends the boundaries that displace and marginalize blackness in various textual and spatial contexts.
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https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30243192
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