東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Toward a theory of the music of Giro...

Trantham, Gene Starr.

Linked to FindBook

Google Book

Amazon

博客來

Toward a theory of the music of Girolamo Frescobaldi developed through computer-assisted analysis of selected works.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Toward a theory of the music of Girolamo Frescobaldi developed through computer-assisted analysis of selected works./
Author:	Trantham, Gene Starr.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 1991,
Description:	301 p.
Notes:	Source: Dissertations Abstracts International, Volume: 53-02, Section: A.
Contained By:	Dissertations Abstracts International53-02A.
Subject:	Music education. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9126450
ISBN:	9798207338996

Toward a theory of the music of Girolamo Frescobaldi developed through computer-assisted analysis of selected works.
Trantham, Gene Starr.

Toward a theory of the music of Girolamo Frescobaldi developed through computer-assisted analysis of selected works. - Ann Arbor : ProQuest Dissertations & Theses, 1991 - 301 p.

Source: Dissertations Abstracts International, Volume: 53-02, Section: A.

Thesis (Ph.D.)--The University of Wisconsin - Madison, 1991.

This item must not be sold to any third party vendors.

Scholars have debated the historical importance of Girolamo Frescobaldi for the past 100 years and, with the fourth centennial (1983) of Frescobaldi's birth, a number of commemorative meetings and festivals brought forth an attempt to solidify research concerning this chromatic genius. The current state of Frescobaldi research includes the publication of his complete works, a complete biographical outline of his life, and the recreation of the "sound-world" of Frescobaldi's time. However, little attempt has been made to develop an appropriate analytical approach generated through an understanding of seventeenth-century musical thought which would reveal general principles concerning compositional devices. Scholars note individual phenomena consistently found in the works of Frescobaldi; nevertheless, a detailed study of concepts and an attempt to combine them into an analytical approach is still lacking. The aim of this study is to collect and examine elements discussed by scholars and combine them into an analytical approach suitable for Frescobaldi's keyboard compositions. The process of collecting elements and analytical procedures employed by scholars involves the study of documented information and personal interview. The second and third chapters encompass an overview of analytical elements and approaches provided by Roland Jackson, Alexander Silbiger, Frederick Hammond, James Ladewig, and Anthony Newcomb through documentation, correspondence, and conversation. Once these components are combined, the resulting analytical approach (aided by computer) is illustrated through an examination of Fantasia Seconda (1608) and Toccata Prima from Book 1 (1627) in chapters four and five. The validity of these elements in an analytical approach, the theories based on these phenomena, and further postulations regarding Frescobaldi's compositional style are addressed in concluding remarks in the final chapter.

ISBN: 9798207338996Subjects--Topical Terms:

3168367
Music education.
Subjects--Index Terms:

Frescobaldi, Girolamo

Toward a theory of the music of Girolamo Frescobaldi developed through computer-assisted analysis of selected works.
LDR:03228nmm a2200373 4500 001 2396632
005 20240611104348.5
006 m o d
007 cr#unu||||||||
008 251215s1991 ||||||||||||||||| ||eng d
020 $a 9798207338996
035 $a (MiAaPQ)AAI9126450
035 $a AAI9126450
040 $a MiAaPQ $c MiAaPQ
100 1 $a Trantham, Gene Starr. $3 3766334
245 1 0 $a Toward a theory of the music of Girolamo Frescobaldi developed through computer-assisted analysis of selected works.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 1991
300 $a 301 p.
500 $a Source: Dissertations Abstracts International, Volume: 53-02, Section: A.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Advisor: Benward, Bruce Charles.
502 $a Thesis (Ph.D.)--The University of Wisconsin - Madison, 1991.
506 $a This item must not be sold to any third party vendors.
506 $a This item must not be added to any third party search indexes.
520 $a Scholars have debated the historical importance of Girolamo Frescobaldi for the past 100 years and, with the fourth centennial (1983) of Frescobaldi's birth, a number of commemorative meetings and festivals brought forth an attempt to solidify research concerning this chromatic genius. The current state of Frescobaldi research includes the publication of his complete works, a complete biographical outline of his life, and the recreation of the "sound-world" of Frescobaldi's time. However, little attempt has been made to develop an appropriate analytical approach generated through an understanding of seventeenth-century musical thought which would reveal general principles concerning compositional devices. Scholars note individual phenomena consistently found in the works of Frescobaldi; nevertheless, a detailed study of concepts and an attempt to combine them into an analytical approach is still lacking. The aim of this study is to collect and examine elements discussed by scholars and combine them into an analytical approach suitable for Frescobaldi's keyboard compositions. The process of collecting elements and analytical procedures employed by scholars involves the study of documented information and personal interview. The second and third chapters encompass an overview of analytical elements and approaches provided by Roland Jackson, Alexander Silbiger, Frederick Hammond, James Ladewig, and Anthony Newcomb through documentation, correspondence, and conversation. Once these components are combined, the resulting analytical approach (aided by computer) is illustrated through an examination of Fantasia Seconda (1608) and Toccata Prima from Book 1 (1627) in chapters four and five. The validity of these elements in an analytical approach, the theories based on these phenomena, and further postulations regarding Frescobaldi's compositional style are addressed in concluding remarks in the final chapter.
590 $a School code: 0262.
650 4 $a Music education. $3 3168367
650 4 $a Educational technology. $3 517670
653 $a Frescobaldi, Girolamo
653 $a Italy
690 $a 0522
690 $a 0710
710 2 $a The University of Wisconsin - Madison. $3 626640
773 0 $t Dissertations Abstracts International $g 53-02A.
790 $a 0262
791 $a Ph.D.
792 $a 1991
793 $a English
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9126450