東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

The application of contemporary doub...

Hilgenstieler, Eric.

Linked to FindBook

Google Book

Amazon

博客來

The application of contemporary double bass left hand techniques applied in the orchestra repertoire.

Record Type:	Electronic resources : Monograph/item
Title/Author:	The application of contemporary double bass left hand techniques applied in the orchestra repertoire./
Author:	Hilgenstieler, Eric.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2014,
Description:	90 p.
Notes:	Source: Dissertations Abstracts International, Volume: 75-12, Section: A.
Contained By:	Dissertations Abstracts International75-12A.
Subject:	Music. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3584519
ISBN:	9781303882241

The application of contemporary double bass left hand techniques applied in the orchestra repertoire.
Hilgenstieler, Eric.

The application of contemporary double bass left hand techniques applied in the orchestra repertoire. - Ann Arbor : ProQuest Dissertations & Theses, 2014 - 90 p.

Source: Dissertations Abstracts International, Volume: 75-12, Section: A.

Thesis (D.M.A.)--The University of Southern Mississippi, 2014.

This item must not be added to any third party search indexes.

The uses of contemporary left hand techniques are related to solo playing in many ways. In fact, most of these techniques were arguably developed for this kind of repertoire. Generally the original solo repertoire is idiomatic for the double bass. The same cannot be said for the orchestral repertoire, which presents many technical problems too difficult to solve using the traditional technique. Historically, the double bass passed through several transformations in its shape, structure, and tuning system. Only in the late 19th century did the instrument begin to have its own standard pedagogy and experiments with the tuning system diminished. Consequently, the orchestra literature is challenging to master, since many works were composed during this transition period. This research will discuss the use of modern approaches of double bass pedagogues, especially those used by Francois Rabbath. Techniques such as pivot, four-finger, low-thumb, and crab will be demonstrated using orchestral excerpts. A further objective of this investigation is to demonstrate the possible advantages and disadvantages of the modern approaches to traditional techniques. Consequently, a study and analysis of the traditional left-hand technique will be important in order to provide evidence of the benefits of contemporary techniques. This investigation will also provide contemporary solutions for the most famous excerpts, often requested in auditions.

ISBN: 9781303882241Subjects--Topical Terms:

516178
Music.
Subjects--Index Terms:

Double bass

The application of contemporary double bass left hand techniques applied in the orchestra repertoire.
LDR:02850nmm a2200433 4500 001 2396444
005 20240611104252.5
006 m o d
007 cr#unu||||||||
008 251215s2014 ||||||||||||||||| ||eng d
020 $a 9781303882241
035 $a (MiAaPQ)AAI3584519
035 $a AAI3584519
040 $a MiAaPQ $c MiAaPQ
100 1 $a Hilgenstieler, Eric. $3 3766137
245 1 0 $a The application of contemporary double bass left hand techniques applied in the orchestra repertoire.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2014
300 $a 90 p.
500 $a Source: Dissertations Abstracts International, Volume: 75-12, Section: A.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Advisor: Machado, Marcos.
502 $a Thesis (D.M.A.)--The University of Southern Mississippi, 2014.
506 $a This item must not be added to any third party search indexes.
506 $a This item must not be sold to any third party vendors.
520 $a The uses of contemporary left hand techniques are related to solo playing in many ways. In fact, most of these techniques were arguably developed for this kind of repertoire. Generally the original solo repertoire is idiomatic for the double bass. The same cannot be said for the orchestral repertoire, which presents many technical problems too difficult to solve using the traditional technique. Historically, the double bass passed through several transformations in its shape, structure, and tuning system. Only in the late 19th century did the instrument begin to have its own standard pedagogy and experiments with the tuning system diminished. Consequently, the orchestra literature is challenging to master, since many works were composed during this transition period. This research will discuss the use of modern approaches of double bass pedagogues, especially those used by Francois Rabbath. Techniques such as pivot, four-finger, low-thumb, and crab will be demonstrated using orchestral excerpts. A further objective of this investigation is to demonstrate the possible advantages and disadvantages of the modern approaches to traditional techniques. Consequently, a study and analysis of the traditional left-hand technique will be important in order to provide evidence of the benefits of contemporary techniques. This investigation will also provide contemporary solutions for the most famous excerpts, often requested in auditions.
590 $a School code: 0211.
650 4 $a Music. $3 516178
650 4 $a Music education. $3 3168367
650 4 $a Performing arts. $3 523119
653 $a Double bass
653 $a Left hand technique
653 $a Music
653 $a Orchestra
653 $a Pivot technique
653 $a String bass
690 $a 0413
690 $a 0522
690 $a 0641
710 2 $a The University of Southern Mississippi. $b Music. $3 3171804
773 0 $t Dissertations Abstracts International $g 75-12A.
790 $a 0211
791 $a D.M.A.
792 $a 2014
793 $a English
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3584519