東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Prophecy and persuasion: Tiresias in...

MacInnes, Deborah,

FindBook

Google Book

Amazon

博客來

Prophecy and persuasion: Tiresias in Greek tragedy /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Prophecy and persuasion: Tiresias in Greek tragedy // Deborah MacInnes.
作者:	MacInnes, Deborah,
面頁冊數:	1 electronic resource (303 pages)
附註:	Source: Dissertations Abstracts International, Volume: 57-09, Section: A.
Contained By:	Dissertations Abstracts International57-09A.
標題:	Classical studies. -
電子資源:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9612468
ISBN:	9798208878644

Prophecy and persuasion: Tiresias in Greek tragedy /
MacInnes, Deborah,

Prophecy and persuasion: Tiresias in Greek tragedy /Deborah MacInnes. - 1 electronic resource (303 pages)

Source: Dissertations Abstracts International, Volume: 57-09, Section: A.

Tiresias appears in Sophocles' Antigone and Oedipus Tyrannus and in Euripides' Phoenician Women and Bacchants. The old, blind mantis always tells the truth, yet is always disbelieved. Because these attributes are consistent in each play, critics treat him as a stock character. But surely the advantage of a character with fixed attributes is the effect of alteration. This dissertation examines how the tragedians use the attributes to shape Tiresias' ethos, how their individual portraits illuminate themes and comment on the efficacy of prophecy, and how their manipulation of his attributes fulfill or deny the audience's expectations. Chapter one discusses the differences between literary and historical prophecy. Chapter two focuses on the liminal Tiresias in pre-tragic literature, after examining the attributes of other Homeric prophets. Chapter three discusses Aeschylus' Cassandra. In Antigone (chapter four), Tiresias plays a dual role; at first he is a warner-prophet come to offer advice. Insulted and defied, he becomes the inspired prophet, whose liminality qualifies him to condemn Creon's transgression. In the Oedipus (chapter five), Tiresias surprises the audience by being vindictive. His utterance of the truth does not enlighten Oedipus; rather it becomes a weapon in the struggle between the liminal prophet and the liminal king. A more accomplished rhetorician than prophet, Tiresias in the Phoenician Women (chapter six) has new props, which suggest that he does not speak the will of the gods, but rather his own when he argues for the sacrifice of Menoeceus. Since the sacrifice was Euripides' innovation, the audience has no way of knowing whether Tiresias tells the truth. For the first time, it is invited to disbelieve the prophet. The Tiresias of the Bacchants (chapter seven) at first seems patterned on that of Antigone. Yet he never becomes the inspired prophet. Liminal in appearance only, he can no longer prophesy; he has sacrificed his gift to rhetoric. The conclusion argues that Sophocles uses Tiresias to convey the idea that man's truth is a facade of false assumptions fabricated out of his ignorance and pride. Euripides uses him to illustrate that truth is unknowable.

English

ISBN: 9798208878644Subjects--Topical Terms:

2122826
Classical studies.
Subjects--Index Terms:

Aeschylus

Prophecy and persuasion: Tiresias in Greek tragedy /
LDR:03554nmm a22004333i 4500 001 2396265
005 20250522083220.5
006 m o d
007 cr|nu||||||||
008 251215s1995 miu||||||m |||||||eng d
020 $a 9798208878644
035 $a (MiAaPQD)AAI9612468
035 $a AAI9612468
040 $a MiAaPQD $b eng $c MiAaPQD $e rda
100 1 $a MacInnes, Deborah, $e author. $3 3765940
245 1 0 $a Prophecy and persuasion: Tiresias in Greek tragedy / $c Deborah MacInnes.
264 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 1995
300 $a 1 electronic resource (303 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Dissertations Abstracts International, Volume: 57-09, Section: A.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Advisors: Burian, Peter.
502 $b Ph.D. $c Duke University $d 1995.
520 $a Tiresias appears in Sophocles' Antigone and Oedipus Tyrannus and in Euripides' Phoenician Women and Bacchants. The old, blind mantis always tells the truth, yet is always disbelieved. Because these attributes are consistent in each play, critics treat him as a stock character. But surely the advantage of a character with fixed attributes is the effect of alteration. This dissertation examines how the tragedians use the attributes to shape Tiresias' ethos, how their individual portraits illuminate themes and comment on the efficacy of prophecy, and how their manipulation of his attributes fulfill or deny the audience's expectations. Chapter one discusses the differences between literary and historical prophecy. Chapter two focuses on the liminal Tiresias in pre-tragic literature, after examining the attributes of other Homeric prophets. Chapter three discusses Aeschylus' Cassandra. In Antigone (chapter four), Tiresias plays a dual role; at first he is a warner-prophet come to offer advice. Insulted and defied, he becomes the inspired prophet, whose liminality qualifies him to condemn Creon's transgression. In the Oedipus (chapter five), Tiresias surprises the audience by being vindictive. His utterance of the truth does not enlighten Oedipus; rather it becomes a weapon in the struggle between the liminal prophet and the liminal king. A more accomplished rhetorician than prophet, Tiresias in the Phoenician Women (chapter six) has new props, which suggest that he does not speak the will of the gods, but rather his own when he argues for the sacrifice of Menoeceus. Since the sacrifice was Euripides' innovation, the audience has no way of knowing whether Tiresias tells the truth. For the first time, it is invited to disbelieve the prophet. The Tiresias of the Bacchants (chapter seven) at first seems patterned on that of Antigone. Yet he never becomes the inspired prophet. Liminal in appearance only, he can no longer prophesy; he has sacrificed his gift to rhetoric. The conclusion argues that Sophocles uses Tiresias to convey the idea that man's truth is a facade of false assumptions fabricated out of his ignorance and pride. Euripides uses him to illustrate that truth is unknowable.
546 $a English
590 $a School code: 0066
650 4 $a Classical studies. $3 2122826
650 4 $a Theater. $3 522973
650 4 $a Religious history. $3 2122824
650 4 $a Classical literature. $3 595959
653 $a Aeschylus
653 $a Euripides
653 $a Sophocles
690 $a 0294
690 $a 0465
690 $a 0320
690 $a 0434
710 2 $a Duke University. $e degree granting institution. $3 3765904
720 1 $a Burian, Peter $e degree supervisor.
773 0 $t Dissertations Abstracts International $g 57-09A.
790 $a 0066
791 $a Ph.D.
792 $a 1995
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9612468