東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Aftermarket, a Game Design Philosophy.

LeMieux, Patrick.

Linked to FindBook

Google Book

Amazon

博客來

Aftermarket, a Game Design Philosophy.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Aftermarket, a Game Design Philosophy./
Author:	LeMieux, Patrick.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2015,
Description:	182 p.
Notes:	Source: Dissertations Abstracts International, Volume: 77-03, Section: A.
Contained By:	Dissertations Abstracts International77-03A.
Subject:	Fine arts. -
Online resource:	https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3719548
ISBN:	9781339000718

Aftermarket, a Game Design Philosophy.
LeMieux, Patrick.

Aftermarket, a Game Design Philosophy. - Ann Arbor : ProQuest Dissertations & Theses, 2015 - 182 p.

Source: Dissertations Abstracts International, Volume: 77-03, Section: A.

Thesis (Ph.D.)--Duke University, 2015.

This item is not available from ProQuest Dissertations & Theses.

Aftermarket, a Game Design Philosophy documents the community histories and material practices of players who, over the last decade, have transformed videogames from "entertainment systems" into instruments, equipment, tools, and toys for playing, thinking, and making in the aftermarket of the videogame industry. Through a close investigation of the hardware, software, and code enabling tool-assisted speedruns, real time attacks, and ROM hacks, Aftermarket explores how play can become a form of game design located between human experience and the speeds and scales of digital media. Beyond documenting how these different groups convert packaged products into open platforms for critical making, Aftermarket both argues for and enacts a model of game design as a critical practice in which playing, making, and thinking about videogames occurs within the same act-a true game design philosophy. Focusing on the material properties, technical capacities, and social play around a single game, Nintendo's Super Mario Bros., this "close playing" and "platformer study" does not seek to reify Miyamoto, Tezuka, Kondo, and Nagako's game, but appropriates, manipulates, duplicates, perforates, aggregates, and dissipates Super Mario Bros. into a different kind of "Mario Paint"-a medium for making art.

ISBN: 9781339000718Subjects--Topical Terms:

2122690
Fine arts.
Subjects--Index Terms:

Digital media

Aftermarket, a Game Design Philosophy.
LDR:02744nmm a2200457 4500 001 2394455
005 20240422070901.5
006 m o d
007 cr#unu||||||||
008 251215s2015 ||||||||||||||||| ||eng d
020 $a 9781339000718
035 $a (MiAaPQ)AAI3719548
035 $a (MiAaPQ)duke:13109
035 $a AAI3719548
040 $a MiAaPQ $c MiAaPQ
100 1 $a LeMieux, Patrick. $3 3763930
245 1 0 $a Aftermarket, a Game Design Philosophy.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2015
300 $a 182 p.
500 $a Source: Dissertations Abstracts International, Volume: 77-03, Section: A.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Advisor: Seaman, William.
502 $a Thesis (Ph.D.)--Duke University, 2015.
506 $a This item is not available from ProQuest Dissertations & Theses.
506 $a This item must not be added to any third party search indexes.
506 $a This item must not be sold to any third party vendors.
520 $a Aftermarket, a Game Design Philosophy documents the community histories and material practices of players who, over the last decade, have transformed videogames from "entertainment systems" into instruments, equipment, tools, and toys for playing, thinking, and making in the aftermarket of the videogame industry. Through a close investigation of the hardware, software, and code enabling tool-assisted speedruns, real time attacks, and ROM hacks, Aftermarket explores how play can become a form of game design located between human experience and the speeds and scales of digital media. Beyond documenting how these different groups convert packaged products into open platforms for critical making, Aftermarket both argues for and enacts a model of game design as a critical practice in which playing, making, and thinking about videogames occurs within the same act-a true game design philosophy. Focusing on the material properties, technical capacities, and social play around a single game, Nintendo's Super Mario Bros., this "close playing" and "platformer study" does not seek to reify Miyamoto, Tezuka, Kondo, and Nagako's game, but appropriates, manipulates, duplicates, perforates, aggregates, and dissipates Super Mario Bros. into a different kind of "Mario Paint"-a medium for making art.
590 $a School code: 0066.
650 4 $a Fine arts. $3 2122690
650 4 $a Mass communications. $3 3422380
650 4 $a Computer science. $3 523869
653 $a Digital media
653 $a Game design philosophy
653 $a Human experience
653 $a Scales
653 $a Speeds
653 $a Videogame industry
690 $a 0357
690 $a 0708
690 $a 0984
710 2 $a Duke University. $b Art, Art History, and Visual Studies. $3 3185200
773 0 $t Dissertations Abstracts International $g 77-03A.
790 $a 0066
791 $a Ph.D.
792 $a 2015
793 $a English
856 4 0 $u https://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3719548