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Towards an understanding of Kurdista...

Majid, Bareez.

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Towards an understanding of Kurdistani memory culture = apostrophic and phantomic approaches to a violent past /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Towards an understanding of Kurdistani memory culture/ by Bareez Majid.
其他題名:	apostrophic and phantomic approaches to a violent past /
作者:	Majid, Bareez.
出版者:	Cham :Springer International Publishing : : 2023.,
面頁冊數:	xviii, 308 p. :ill., digital ;24 cm.
內容註:	1. Introduction: Kurdistani Memory Culture -- 2. Master Narratives: Kurdistani Memory Culture and Educational Textbooks -- 3. Resisting Master Narratives: Kurdistani Memory Culture and Two Literary Texts by Bachtyar Ali -- 4. The Apostrophic: Amna Suraka, In Order Not to Forget -- 5. The Phantomic: The Halabja Monument and Peace Museum -- 6. Conclusion: Memory as an Agent of Change.
Contained By:	Springer Nature eBook
標題:	Collective memory - Iraq -
Subject:	Kurdistan (Iraq) - History. -
Online resource:	https://doi.org/10.1007/978-3-031-37514-9
ISBN:	9783031375149

Towards an understanding of Kurdistani memory culture = apostrophic and phantomic approaches to a violent past /
Majid, Bareez.

Towards an understanding of Kurdistani memory cultureapostrophic and phantomic approaches to a violent past /[electronic resource] :by Bareez Majid. - Cham :Springer International Publishing :2023. - xviii, 308 p. :ill., digital ;24 cm. - Palgrave studies in cultural heritage and conflict,2634-6427. - Palgrave studies in cultural heritage and conflict..

1. Introduction: Kurdistani Memory Culture -- 2. Master Narratives: Kurdistani Memory Culture and Educational Textbooks -- 3. Resisting Master Narratives: Kurdistani Memory Culture and Two Literary Texts by Bachtyar Ali -- 4. The Apostrophic: Amna Suraka, In Order Not to Forget -- 5. The Phantomic: The Halabja Monument and Peace Museum -- 6. Conclusion: Memory as an Agent of Change.

This book presents a thorough analysis of the Kurdistan Region of Iraq's memory culture, focusing particularly on commemorations and representations of the Anfal and Halabja atrocities. The author employs a transdisciplinary approach that draws on Memory Studies, Postcolonial Studies, Heritage Studies, Kurdish Studies, Literary Studies and Trauma Studies, to analyze cultural objects such as Kurdistani literary novels, museums, and school curricula. The book introduces two key concepts: the "phantomic museum" and the "apostrophic museum." The former explores the fragile and politicized nature of memories of missing individuals who disappeared during Saddam Hussein's genocidal campaigns and who have never been found, primarily as they return in the Halabja Monument and Peace Museum. The latter examines how the addressing - apostrophizing - of Kurdistan, in and by the Amna Suraka museum in the city of Sulaymaniyah, institutionalizes "official" and highly politicized versions of the past.

ISBN: 9783031375149

Standard No.: 10.1007/978-3-031-37514-9doiSubjects--Topical Terms:

3756227
Collective memory
--IraqSubjects--Geographical Terms:

3756226
Kurdistan (Iraq)
--History.

LC Class. No.: DS59.K86

Dewey Class. No.: 956.72

Towards an understanding of Kurdistani memory culture = apostrophic and phantomic approaches to a violent past /
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520 $a This book presents a thorough analysis of the Kurdistan Region of Iraq's memory culture, focusing particularly on commemorations and representations of the Anfal and Halabja atrocities. The author employs a transdisciplinary approach that draws on Memory Studies, Postcolonial Studies, Heritage Studies, Kurdish Studies, Literary Studies and Trauma Studies, to analyze cultural objects such as Kurdistani literary novels, museums, and school curricula. The book introduces two key concepts: the "phantomic museum" and the "apostrophic museum." The former explores the fragile and politicized nature of memories of missing individuals who disappeared during Saddam Hussein's genocidal campaigns and who have never been found, primarily as they return in the Halabja Monument and Peace Museum. The latter examines how the addressing - apostrophizing - of Kurdistan, in and by the Amna Suraka museum in the city of Sulaymaniyah, institutionalizes "official" and highly politicized versions of the past.
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