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Audience participation in theatre = ...
~
White, Gareth.
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Audience participation in theatre = evolutions of the invitation /
Record Type:
Electronic resources : Monograph/item
Title/Author:
Audience participation in theatre/ by Gareth White.
Reminder of title:
evolutions of the invitation /
Author:
White, Gareth.
Published:
Cham :Springer Nature Switzerland : : 2024.,
Description:
xi, 257 p. :ill., digital ;24 cm.
Contained By:
Springer Nature eBook
Subject:
Participatory theater. -
Online resource:
https://doi.org/10.1007/978-3-031-69888-0
ISBN:
9783031698880
Audience participation in theatre = evolutions of the invitation /
White, Gareth.
Audience participation in theatre
evolutions of the invitation /[electronic resource] :by Gareth White. - Second edition. - Cham :Springer Nature Switzerland :2024. - xi, 257 p. :ill., digital ;24 cm.
This new textbook edition of Audience Participation in Theatre: Evolutions of the Invitation situates the text in evolving theory, emerging practice, and changing contexts, re-establishing itself as the key reference point in its field. An updated review of the literature and a new chapter develops its original argument with respect to historical change in how audiences and their expectations are constituted, and changes to how participation is invited, mediated and valued. Gareth White is Reader in Theatre and Performance at Royal Central School of Speech and Drama, UK. His publications include Applied Theatre: Aesthetics, exploring the idea of the aesthetic in performance practice with social aims, and Meaning in the Midst of Performance: Contradictions of Participation, examining how performance that situates the audience participant within difficult or impossible dilemmas creates complex embodied meaning.
ISBN: 9783031698880
Standard No.: 10.1007/978-3-031-69888-0doiSubjects--Topical Terms:
2004499
Participatory theater.
LC Class. No.: PN2049
Dewey Class. No.: 792
Audience participation in theatre = evolutions of the invitation /
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This new textbook edition of Audience Participation in Theatre: Evolutions of the Invitation situates the text in evolving theory, emerging practice, and changing contexts, re-establishing itself as the key reference point in its field. An updated review of the literature and a new chapter develops its original argument with respect to historical change in how audiences and their expectations are constituted, and changes to how participation is invited, mediated and valued. Gareth White is Reader in Theatre and Performance at Royal Central School of Speech and Drama, UK. His publications include Applied Theatre: Aesthetics, exploring the idea of the aesthetic in performance practice with social aims, and Meaning in the Midst of Performance: Contradictions of Participation, examining how performance that situates the audience participant within difficult or impossible dilemmas creates complex embodied meaning.
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W9500262
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11.線上閱覽_V
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EB PN2049
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