東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

The hyperorchestra = screen music an...

Casanelles Abella, Sergi.

Linked to FindBook

Google Book

Amazon

博客來

The hyperorchestra = screen music and virtual musical ensembles /

Record Type:	Electronic resources : Monograph/item
Title/Author:	The hyperorchestra/ by Sergi Casanelles.
Reminder of title:	screen music and virtual musical ensembles /
Author:	Casanelles Abella, Sergi.
Published:	Cham :Springer Nature Switzerland : : 2024.,
Description:	xvi, 328 p. :ill., digital ;24 cm.
[NT 15003449]:	1. Introduction -- PART I: Theoretical and Practical Foundations -- 2. From Hyperreality to Digital Cinema: A Theoretical Overview -- 3. Conceptualizing the Hyperorchestra -- 4. The Digital Tools for the Hyperorchestra: MIDI, Virtual Instruments, and Digital Music -- PART II: The Hyperorchestra and the contemporary aesthetics for screen music -- 5. Hyperorchestral Aesthetic Frameworks for the Screen Music Composer -- 6. Hyperorchestration: Sonic Strategies for the Creation of Meaning -- 7. Conclusion.
Contained By:	Springer Nature eBook
Subject:	Motion picture music - Philosophy. -
Online resource:	https://doi.org/10.1007/978-3-031-75193-6
ISBN:	9783031751936

The hyperorchestra = screen music and virtual musical ensembles /
Casanelles Abella, Sergi.

The hyperorchestrascreen music and virtual musical ensembles /[electronic resource] :by Sergi Casanelles. - Cham :Springer Nature Switzerland :2024. - xvi, 328 p. :ill., digital ;24 cm.

1. Introduction -- PART I: Theoretical and Practical Foundations -- 2. From Hyperreality to Digital Cinema: A Theoretical Overview -- 3. Conceptualizing the Hyperorchestra -- 4. The Digital Tools for the Hyperorchestra: MIDI, Virtual Instruments, and Digital Music -- PART II: The Hyperorchestra and the contemporary aesthetics for screen music -- 5. Hyperorchestral Aesthetic Frameworks for the Screen Music Composer -- 6. Hyperorchestration: Sonic Strategies for the Creation of Meaning -- 7. Conclusion.

The term hyperorchestra derives from hyperreality, a postmodern philosophical concept coined by Jean Baudrillard; the hyperorchestra is a virtual ensemble that inhabits hyperreality, capable of producing music that has the capacity to sound realistic and connected to our world, but that could never be produced by physical means only. This book studies the hyperorchestra as used in music for the screen and draws from the intersection of practice and theory. From the theory's side, the book adopts concepts from postmodern philosophy such as hyperreality and Marshall McLuhan's theory of media. They serve to provide a philosophical ground from which to define the hyperorchestra. From the practice's side, the book describes contemporary processes, current software tools, orchestration and instrumentation principles, and contemporary approaches to music composition (such as spectral music). In doing so, the book proposes a new perspective for analyzing contemporary film music that pinpoints the importance of the relationship between timbre, meaning, and the different narrative levels within an audiovisual piece. Sergi Casanelles teaches composition at New York University. He has published several articles and chapters on screen music, and he has an active composition practice. He has written concert music for piano, chamber ensembles, orchestra, electronics, as well as music for the screen. He won the COM Radio Tutto Award for his solo piano piece Postlude to Chopin's F minor Fantasy, and the III Orchestral Composition Competition Evaristo Fernández Blanco for his work From Hell: 4 scenes of Dante's Divine Comedy.

ISBN: 9783031751936

Standard No.: 10.1007/978-3-031-75193-6doiSubjects--Topical Terms:

3754695
Motion picture music
--Philosophy.

LC Class. No.: M1527

Dewey Class. No.: 781.54201

The hyperorchestra = screen music and virtual musical ensembles /
LDR:03165nmm a2200337 a 4500 001 2389143
003 DE-He213
005 20241220115549.0
006 m d
007 cr nn 008maaau
008 250916s2024 sz s 0 eng d
020 $a 9783031751936 $q (electronic bk.)
020 $a 9783031751929 $q (paper)
024 7 $a 10.1007/978-3-031-75193-6 $2 doi
035 $a 978-3-031-75193-6
040 $a GP $c GP
041 0 $a eng
050 4 $a M1527
072 7 $a AV $2 bicssc
072 7 $a HBT $2 bicssc
072 7 $a MUS020000 $2 bisacsh
072 7 $a AVM $2 thema
082 0 4 $a 781.54201 $2 23
090 $a M1527 $b .C335 2024
100 1 $a Casanelles Abella, Sergi. $3 3754694
245 1 4 $a The hyperorchestra $h [electronic resource] : $b screen music and virtual musical ensembles / $c by Sergi Casanelles.
260 $a Cham : $b Springer Nature Switzerland : $b Imprint: Palgrave Macmillan, $c 2024.
300 $a xvi, 328 p. : $b ill., digital ; $c 24 cm.
505 0 $a 1. Introduction -- PART I: Theoretical and Practical Foundations -- 2. From Hyperreality to Digital Cinema: A Theoretical Overview -- 3. Conceptualizing the Hyperorchestra -- 4. The Digital Tools for the Hyperorchestra: MIDI, Virtual Instruments, and Digital Music -- PART II: The Hyperorchestra and the contemporary aesthetics for screen music -- 5. Hyperorchestral Aesthetic Frameworks for the Screen Music Composer -- 6. Hyperorchestration: Sonic Strategies for the Creation of Meaning -- 7. Conclusion.
520 $a The term hyperorchestra derives from hyperreality, a postmodern philosophical concept coined by Jean Baudrillard; the hyperorchestra is a virtual ensemble that inhabits hyperreality, capable of producing music that has the capacity to sound realistic and connected to our world, but that could never be produced by physical means only. This book studies the hyperorchestra as used in music for the screen and draws from the intersection of practice and theory. From the theory's side, the book adopts concepts from postmodern philosophy such as hyperreality and Marshall McLuhan's theory of media. They serve to provide a philosophical ground from which to define the hyperorchestra. From the practice's side, the book describes contemporary processes, current software tools, orchestration and instrumentation principles, and contemporary approaches to music composition (such as spectral music). In doing so, the book proposes a new perspective for analyzing contemporary film music that pinpoints the importance of the relationship between timbre, meaning, and the different narrative levels within an audiovisual piece. Sergi Casanelles teaches composition at New York University. He has published several articles and chapters on screen music, and he has an active composition practice. He has written concert music for piano, chamber ensembles, orchestra, electronics, as well as music for the screen. He won the COM Radio Tutto Award for his solo piano piece Postlude to Chopin's F minor Fantasy, and the III Orchestral Composition Competition Evaristo Fernández Blanco for his work From Hell: 4 scenes of Dante's Divine Comedy.
650 0 $a Motion picture music $x Philosophy. $3 3754695
650 1 4 $a History of Music. $3 3538599
650 2 4 $a Theory of Music. $3 3603280
650 2 4 $a Contemporary Music. $3 3538699
650 2 4 $a Film and Television Studies. $3 2182158
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-3-031-75193-6
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)