東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

FindBook

Google Book

Amazon

博客來

The nineteenth-century novel and the pre-cinematic imagination = fragmentation, animated movement and the modern episteme /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The nineteenth-century novel and the pre-cinematic imagination/ by Alberto Gabriele.
其他題名:	fragmentation, animated movement and the modern episteme /
作者:	Gabriele, Alberto.
出版者:	New York :Palgrave Macmillan US : : 2024.,
面頁冊數:	ix, 246 p. :ill. (some col.), digital ;24 cm.
內容註:	1: Introduction -- 2: Traces and Origins, Signs and Meanings: Analogy and the Thaumatrope in Melville's Pierre, or, the Ambiguities -- 3: The Portraiture of Modern Life: Dioramas, Phantasmagorias, Daguerrotypes and the Unweaving of Narrative and Textuality in Hawthorne's House of the Seven Gables -- 4: Precinema and the Visualization of Nineteenth-Century Realism: Balzac -- Precinema and the Visualization of Nineteenth-Century Realism: Eliot -- 5: Conclusion.
Contained By:	Springer Nature eBook
標題:	Fiction - History and criticism. - 19th century -
電子資源:	https://doi.org/10.1057/978-1-137-56131-2
ISBN:	9781137561312

The nineteenth-century novel and the pre-cinematic imagination = fragmentation, animated movement and the modern episteme /
Gabriele, Alberto.

The nineteenth-century novel and the pre-cinematic imaginationfragmentation, animated movement and the modern episteme /[electronic resource] :by Alberto Gabriele. - New York :Palgrave Macmillan US :2024. - ix, 246 p. :ill. (some col.), digital ;24 cm.

1: Introduction -- 2: Traces and Origins, Signs and Meanings: Analogy and the Thaumatrope in Melville's Pierre, or, the Ambiguities -- 3: The Portraiture of Modern Life: Dioramas, Phantasmagorias, Daguerrotypes and the Unweaving of Narrative and Textuality in Hawthorne's House of the Seven Gables -- 4: Precinema and the Visualization of Nineteenth-Century Realism: Balzac -- Precinema and the Visualization of Nineteenth-Century Realism: Eliot -- 5: Conclusion.

This book fills a gap in existing scholarship on the history of the novel in relation to visual culture by discussing the visual fascination that novelists such as Nathaniel Hawthorne, Herman Melville, Honoré de Balzac and George Eliot show for several types of pre-cinematic spectacle. It also identifies a so far neglected aspect of novel theory that nineteenth-century authors elaborated by incorporating suggestions from pre-cinematic visual spectacles. By shedding light on forms of visuality that were not entertained by the dominant aesthetic modes of painting and photography, The Nineteenth-Century Novel and the Pre-Cinematic Imagination argues that the presence of nineteenth century pre-cinematic optical illusions in works of fiction redefines the notion of mimesis as animated movement and points to a continuity between pre-cinema, the literary imagination and the structures of knowledge production of the modern episteme. Alberto Gabriele is the author of Reading Popular Culture in Victorian Print: Belgravia and Sensationalism (2009) and The Emergence of Pre-Cinema: Print Culture and the Optical Toy of the Literary Imagination (2016). He also edited Sensationalism and the Genealogy of Modernity: A Global Nineteenth-Century Perspective (2017). He has previously been a Macgeorge fellow at the University of Melbourne, Australia.

ISBN: 9781137561312

Standard No.: 10.1057/978-1-137-56131-2doiSubjects--Topical Terms:

689313
Fiction
--History and criticism.--19th century

LC Class. No.: PN3499 / .G33 2024

Dewey Class. No.: 809.3034

The nineteenth-century novel and the pre-cinematic imagination = fragmentation, animated movement and the modern episteme /
LDR:02897nmm a2200325 a 4500 001 2381084
003 DE-He213
005 20241126102239.0
006 m d
007 cr nn 008maaau
008 250418s2024 nyu s 0 eng d
020 $a 9781137561312 $q (electronic bk.)
020 $a 9781349961160 $q (paper)
024 7 $a 10.1057/978-1-137-56131-2 $2 doi
035 $a 978-1-137-56131-2
040 $a GP $c GP
041 0 $a eng
050 4 $a PN3499 $b .G33 2024
072 7 $a DSBF $2 bicssc
072 7 $a LIT024040 $2 bisacsh
072 7 $a DSBF $2 thema
082 0 4 $a 809.3034 $2 23
090 $a PN3499 $b .G118 2024
100 1 $a Gabriele, Alberto. $3 1920016
245 1 4 $a The nineteenth-century novel and the pre-cinematic imagination $h [electronic resource] : $b fragmentation, animated movement and the modern episteme / $c by Alberto Gabriele.
260 $a New York : $b Palgrave Macmillan US : $b Imprint: Palgrave Macmillan, $c 2024.
300 $a ix, 246 p. : $b ill. (some col.), digital ; $c 24 cm.
505 0 $a 1: Introduction -- 2: Traces and Origins, Signs and Meanings: Analogy and the Thaumatrope in Melville's Pierre, or, the Ambiguities -- 3: The Portraiture of Modern Life: Dioramas, Phantasmagorias, Daguerrotypes and the Unweaving of Narrative and Textuality in Hawthorne's House of the Seven Gables -- 4: Precinema and the Visualization of Nineteenth-Century Realism: Balzac -- Precinema and the Visualization of Nineteenth-Century Realism: Eliot -- 5: Conclusion.
520 $a This book fills a gap in existing scholarship on the history of the novel in relation to visual culture by discussing the visual fascination that novelists such as Nathaniel Hawthorne, Herman Melville, Honoré de Balzac and George Eliot show for several types of pre-cinematic spectacle. It also identifies a so far neglected aspect of novel theory that nineteenth-century authors elaborated by incorporating suggestions from pre-cinematic visual spectacles. By shedding light on forms of visuality that were not entertained by the dominant aesthetic modes of painting and photography, The Nineteenth-Century Novel and the Pre-Cinematic Imagination argues that the presence of nineteenth century pre-cinematic optical illusions in works of fiction redefines the notion of mimesis as animated movement and points to a continuity between pre-cinema, the literary imagination and the structures of knowledge production of the modern episteme. Alberto Gabriele is the author of Reading Popular Culture in Victorian Print: Belgravia and Sensationalism (2009) and The Emergence of Pre-Cinema: Print Culture and the Optical Toy of the Literary Imagination (2016). He also edited Sensationalism and the Genealogy of Modernity: A Global Nineteenth-Century Perspective (2017). He has previously been a Macgeorge fellow at the University of Melbourne, Australia.
650 0 $a Fiction $y 19th century $x History and criticism. $3 689313
650 0 $a Art and literature. $3 710954
650 0 $a Visualization in literature. $3 788990
650 1 4 $a Nineteenth-Century Literature. $3 2182369
650 2 4 $a Literary Theory. $3 2182071
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1057/978-1-137-56131-2
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)