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Skin crafts = affect, violence and materiality in global contemporary art /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Skin crafts/ Julia Skelly.
Reminder of title:	affect, violence and materiality in global contemporary art /
Author:	Skelly, Julia.
Published:	London :Bloomsbury Visual Arts, : 2022.,
Description:	1 online resource (vi, 214 p.) :ill.
[NT 15003449]:	Cover -- Half Title -- Series -- Title -- Copyright -- Dedication -- Contents -- Plates -- Figures -- Introduction -- 1. Narco-violence, femicide and gore capitalism: Teresa Margolles's piercing textile works -- 2. Facing slavery and survival: Lubaina Himid's overpainted ceramics -- 3. 'A skin for a skin': Sherry Farrell Racette's textile paintings -- 4. Festering wounds and stitched scars in works by Rebecca Belmore and Nadia Myre -- 5. Concrete and caresses: The case of Doris Salcedo -- Afterword -- Bibliography -- Index.
Subject:	Human beings in art. -
Online resource:	https://doi.org/10.5040/9781350123007?locatt=label:secondary_bloomsburyCollections
ISBN:	9781350123007

Skin crafts = affect, violence and materiality in global contemporary art /
Skelly, Julia.

Skin craftsaffect, violence and materiality in global contemporary art /[electronic resource] :Julia Skelly. - London :Bloomsbury Visual Arts,2022. - 1 online resource (vi, 214 p.) :ill.

Includes bibliographical references and index.

Cover -- Half Title -- Series -- Title -- Copyright -- Dedication -- Contents -- Plates -- Figures -- Introduction -- 1. Narco-violence, femicide and gore capitalism: Teresa Margolles's piercing textile works -- 2. Facing slavery and survival: Lubaina Himid's overpainted ceramics -- 3. 'A skin for a skin': Sherry Farrell Racette's textile paintings -- 4. Festering wounds and stitched scars in works by Rebecca Belmore and Nadia Myre -- 5. Concrete and caresses: The case of Doris Salcedo -- Afterword -- Bibliography -- Index.

"Skin Crafts discusses multiple artists from global contexts who employ craft materials in works that address historical and contemporary violence. These artists are deliberately embracing the fragility of textiles and ceramics to evoke the vulnerability of human skin and - in so doing - are demanding visceral responses from viewers. Drawing on a range of theories including affect theory, material feminism, skin studies, phenomenology and global art history, the book illuminates the various ways in which artists are harnessing the affective power of craft materials to address and cope with violence. Artists from Mexico, Africa, China, the Netherlands and Indigenous artists based in the unceded territory known as Canada are examined in relation to one another to illuminate the connections and differences across their bodies of work. Skin Crafts interrogates ongoing material violence towards women and marginalized others, and demonstrates the power of contemporary art to force viewers and scholars into facing their ethical responsibilities as human beings."--

ISBN: 9781350123007Subjects--Topical Terms:

1323169
Human beings in art.
Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: N8243.S56 / .S54 2022eb

Dewey Class. No.: 700/.4561

Skin crafts = affect, violence and materiality in global contemporary art /
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300 $a 1 online resource (vi, 214 p.) : $b ill.
504 $a Includes bibliographical references and index.
505 0 $a Cover -- Half Title -- Series -- Title -- Copyright -- Dedication -- Contents -- Plates -- Figures -- Introduction -- 1. Narco-violence, femicide and gore capitalism: Teresa Margolles's piercing textile works -- 2. Facing slavery and survival: Lubaina Himid's overpainted ceramics -- 3. 'A skin for a skin': Sherry Farrell Racette's textile paintings -- 4. Festering wounds and stitched scars in works by Rebecca Belmore and Nadia Myre -- 5. Concrete and caresses: The case of Doris Salcedo -- Afterword -- Bibliography -- Index.
520 $a "Skin Crafts discusses multiple artists from global contexts who employ craft materials in works that address historical and contemporary violence. These artists are deliberately embracing the fragility of textiles and ceramics to evoke the vulnerability of human skin and - in so doing - are demanding visceral responses from viewers. Drawing on a range of theories including affect theory, material feminism, skin studies, phenomenology and global art history, the book illuminates the various ways in which artists are harnessing the affective power of craft materials to address and cope with violence. Artists from Mexico, Africa, China, the Netherlands and Indigenous artists based in the unceded territory known as Canada are examined in relation to one another to illuminate the connections and differences across their bodies of work. Skin Crafts interrogates ongoing material violence towards women and marginalized others, and demonstrates the power of contemporary art to force viewers and scholars into facing their ethical responsibilities as human beings."-- $c Provided by publisher.
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