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Contemporary art and capitalist modernization = a transregional perspective /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Contemporary art and capitalist modernization/ edited by Octavian Esanu.
其他題名:	a transregional perspective /
其他作者:	Esanu, Octavian.
出版者:	New York, NY :Routledge, : 2021.,
面頁冊數:	1 online resource (xv, 287 p.) :ill., maps.
內容註:	Towards a historical understanding of post-Soviet presentism / Angela Harutyunyan -- Rabinec Studio : the commodification of art in late socialist Hungary, 1982-83 / Kristóf Nagyart -- Al-Nitaq festival of art, Cairo 2000 and 2001 / Dina A. Mohamed.
標題:	Art, Modern - 20th century. -
電子資源:	https://www.taylorfrancis.com/books/9781003044345
ISBN:	9781003044345

Contemporary art and capitalist modernization = a transregional perspective /
Contemporary art and capitalist modernizationa transregional perspective /[electronic resource] :edited by Octavian Esanu. - New York, NY :Routledge,2021. - 1 online resource (xv, 287 p.) :ill., maps. - Routledge advances in art and visual studies.

Includes bibliographical references and index.

Towards a historical understanding of post-Soviet presentism / Angela Harutyunyan -- Rabinec Studio : the commodification of art in late socialist Hungary, 1982-83 / Kristóf Nagyart -- Al-Nitaq festival of art, Cairo 2000 and 2001 / Dina A. Mohamed.

"This book addresses the art historical category of "contemporary art" from a transregional perspective, but unlike other volumes of its kind, it focuses in on non-Western instantiations of "the contemporary." The book concerns itself with the historical conditions in which a radically new mode of artistic production, distribution, and consumption - called "contemporary art" - emerged in some countries of Eastern Europe, the post-Soviet republics of the USSR, India, Latin America, and the Middle East, following both local and broader sociopolitical processes of modernization and neoliberalization. Its main argument is that one cannot fully engage with the idea of the "global contemporary" without also paying careful attention to the particular, local, and/or national symptoms of the contemporary condition. Part One is methodological and theoretical in scope, while Part Two is historical and documentary. For the latter, a number of case studies address the emergence of the category "contemporary art" in the context of Lebanon, Egypt, India, Hungary, Slovenia, Croatia, Bosnia and Herzegovina, Armenia, and Moldova. The book will be of interest to scholars working in art history, globalism, cultural studies, and postcolonial studies"--

ISBN: 9781003044345Subjects--Topical Terms:

522959
Art, Modern
--20th century.Index Terms--Genre/Form:

542853
Electronic books.

LC Class. No.: N6490 / .C65667 2021

Dewey Class. No.: 709.04

Contemporary art and capitalist modernization = a transregional perspective /
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245 0 0 $a Contemporary art and capitalist modernization $h [electronic resource] : $b a transregional perspective / $c edited by Octavian Esanu.
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300 $a 1 online resource (xv, 287 p.) : $b ill., maps.
490 1 $a Routledge advances in art and visual studies
504 $a Includes bibliographical references and index.
505 2 $a Towards a historical understanding of post-Soviet presentism / Angela Harutyunyan -- Rabinec Studio : the commodification of art in late socialist Hungary, 1982-83 / Kristóf Nagyart -- Al-Nitaq festival of art, Cairo 2000 and 2001 / Dina A. Mohamed.
520 $a "This book addresses the art historical category of "contemporary art" from a transregional perspective, but unlike other volumes of its kind, it focuses in on non-Western instantiations of "the contemporary." The book concerns itself with the historical conditions in which a radically new mode of artistic production, distribution, and consumption - called "contemporary art" - emerged in some countries of Eastern Europe, the post-Soviet republics of the USSR, India, Latin America, and the Middle East, following both local and broader sociopolitical processes of modernization and neoliberalization. Its main argument is that one cannot fully engage with the idea of the "global contemporary" without also paying careful attention to the particular, local, and/or national symptoms of the contemporary condition. Part One is methodological and theoretical in scope, while Part Two is historical and documentary. For the latter, a number of case studies address the emergence of the category "contemporary art" in the context of Lebanon, Egypt, India, Hungary, Slovenia, Croatia, Bosnia and Herzegovina, Armenia, and Moldova. The book will be of interest to scholars working in art history, globalism, cultural studies, and postcolonial studies"-- $c Provided by publisher.
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