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Vikram Seth's poetics of pastiche
~
Heydari, Mélanie.
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Vikram Seth's poetics of pastiche
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Vikram Seth's poetics of pastiche/ by Mélanie Heydari.
作者:
Heydari, Mélanie.
出版者:
Cham :Springer Nature Switzerland : : 2024.,
面頁冊數:
xi, 282 p. :ill., digital ;24 cm.
內容註:
Chapter 1 Introduction -- Chapter 2 "A sort of literary untouchable" -- Chapter 3 A poetics of reprise -- Chapter 4 The historicity of language -- Chapter 5 Critical overview and conclusion.
Contained By:
Springer Nature eBook
標題:
World Literature. -
電子資源:
https://doi.org/10.1007/978-3-031-67229-3
ISBN:
9783031672293
Vikram Seth's poetics of pastiche
Heydari, Mélanie.
Vikram Seth's poetics of pastiche
[electronic resource] /by Mélanie Heydari. - Cham :Springer Nature Switzerland :2024. - xi, 282 p. :ill., digital ;24 cm.
Chapter 1 Introduction -- Chapter 2 "A sort of literary untouchable" -- Chapter 3 A poetics of reprise -- Chapter 4 The historicity of language -- Chapter 5 Critical overview and conclusion.
Vikram Seth is a critical enigma. He is recognized as one of the most important Indian Anglophone authors of his generation; his individual works have been widely reviewed, yet his work has rarely been approached as a whole and remains surprisingly understudied. Perhaps the chief reason for the paucity of critical response to the full compass of Seth's work is his disregard for intellectual fashion. Indeed, Seth is at once very popular and deliberately unfashionable. His literary affiliations are conservative; seemingly uninterested in any revisionary narrative, he is equally unconcerned by the interpenetration of cultures in our globalized world, representing assimilation rather than cultural difference. He defies the expectations of both postcolonial and world literature; therefore, to discuss his critical neglect is to shed light on the limitations of these labels. As the most thorough attempt to map a general poetics in Seth's work, this study - the first of its kind on this writer- develops a new critical methodology to capture the nuances of Seth's literary strategies. It provides scholars and students insight into the key features of Seth's work and uncovers a consistent authorial strategy running through his seemingly disconnected body of work, namely a systematic use of intertextual practices. Mélanie Heydari is a lecturer in the Department of French and Comparative Literature of Barnard College, Columbia University, USA.
ISBN: 9783031672293
Standard No.: 10.1007/978-3-031-67229-3doiSubjects--Personal Names:
3724661
Seth, Vikram,
1952---Criticism and interpretation.Subjects--Topical Terms:
3599303
World Literature.
LC Class. No.: PR9499.3.S38
Dewey Class. No.: 823.914
Vikram Seth's poetics of pastiche
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Vikram Seth is a critical enigma. He is recognized as one of the most important Indian Anglophone authors of his generation; his individual works have been widely reviewed, yet his work has rarely been approached as a whole and remains surprisingly understudied. Perhaps the chief reason for the paucity of critical response to the full compass of Seth's work is his disregard for intellectual fashion. Indeed, Seth is at once very popular and deliberately unfashionable. His literary affiliations are conservative; seemingly uninterested in any revisionary narrative, he is equally unconcerned by the interpenetration of cultures in our globalized world, representing assimilation rather than cultural difference. He defies the expectations of both postcolonial and world literature; therefore, to discuss his critical neglect is to shed light on the limitations of these labels. As the most thorough attempt to map a general poetics in Seth's work, this study - the first of its kind on this writer- develops a new critical methodology to capture the nuances of Seth's literary strategies. It provides scholars and students insight into the key features of Seth's work and uncovers a consistent authorial strategy running through his seemingly disconnected body of work, namely a systematic use of intertextual practices. Mélanie Heydari is a lecturer in the Department of French and Comparative Literature of Barnard College, Columbia University, USA.
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