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Shakespeare's original stage conditi...

Ko, Yu Jin.

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Shakespeare's original stage conditions and their afterlives across the globe = from the wooden O to the yards of Seoul /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Shakespeare's original stage conditions and their afterlives across the globe/ by Yu Jin Ko.
Reminder of title:	from the wooden O to the yards of Seoul /
Author:	Ko, Yu Jin.
Published:	Cham :Springer Nature Switzerland : : 2024.,
Description:	xi, 270 p. :ill., digital ;24 cm.
[NT 15003449]:	Introduction. -Chapter 1: -- A Little Touch of Harry in the Light: Henry V at the New Globe. -Chapter 2:. -Consent and Animation in A Midsummer Night's Dream: The Korean Madang as a New Green World. -Chapter 3: -- From the Wooden O to Tim Blake Nelson's O: The Boy Actor's voice and the Performance of Gender and Race. -Chapter 4: -- Dance and Deception in Othello: Desdemona's 'Turn' in Omkara and Huapango. -Chapter 5: -- Observing Shakespeare's Lighting Effects in Romeo and Juliet. -Chapter 6: -- The Winter's Tale and Privileged Spectatorship: At the Globe and in Tokyo. -Chapter 7: -- Authenticity through Intermedial Liveness: Throne of Blood and The King and the Clown. -Chapter 8: -- Youth and Authenticity in Hamlet: Burbage in his 30s and a Sexagenarian Hamlet in Seoul.
Contained By:	Springer Nature eBook
Subject:	Theater - Production and direction. -
Online resource:	https://doi.org/10.1007/978-3-031-65510-4
ISBN:	9783031655104

Shakespeare's original stage conditions and their afterlives across the globe = from the wooden O to the yards of Seoul /
Ko, Yu Jin.

Shakespeare's original stage conditions and their afterlives across the globefrom the wooden O to the yards of Seoul /[electronic resource] :by Yu Jin Ko. - Cham :Springer Nature Switzerland :2024. - xi, 270 p. :ill., digital ;24 cm. - Global Shakespeares,2947-891X. - Global Shakespeares..

Introduction. -Chapter 1: -- A Little Touch of Harry in the Light: Henry V at the New Globe. -Chapter 2:. -Consent and Animation in A Midsummer Night's Dream: The Korean Madang as a New Green World. -Chapter 3: -- From the Wooden O to Tim Blake Nelson's O: The Boy Actor's voice and the Performance of Gender and Race. -Chapter 4: -- Dance and Deception in Othello: Desdemona's 'Turn' in Omkara and Huapango. -Chapter 5: -- Observing Shakespeare's Lighting Effects in Romeo and Juliet. -Chapter 6: -- The Winter's Tale and Privileged Spectatorship: At the Globe and in Tokyo. -Chapter 7: -- Authenticity through Intermedial Liveness: Throne of Blood and The King and the Clown. -Chapter 8: -- Youth and Authenticity in Hamlet: Burbage in his 30s and a Sexagenarian Hamlet in Seoul.

This book brings together two separate fields by combining a study of Shakespeare's original stage conditions with an exploration of his plays in performance across the globe. The book contributes new insights into how early-modern stage conditions shaped the writing, production, and reception of Shakespeare's plays, but takes the further step of examining how original stage conditions re-emerge, not only in Globe replicas like the London Globe, but in unexpected and sometimes unconscious reconfigurations in adaptations and productions from around the world: film versions of Othello from Mexico to India that take dancing cues and anxieties about dance from the play and centralize dance; Korean adaptations for the madang (or yard) that reimagine Shakespeare's theatrical spaces and their relationships to audiences; Noh re-imaginings on film and onstage that foreground the theatrical; a teen film remake of Othello that raises questions about how blackness is figured today and on Shakespeare's stage, among others. By studying original stage conditions and their global afterlives, the book illuminates how global productions negotiate historical and cultural differences and thereby, paradoxically, engage with the cultural specificities of the present. Yu Jin Ko is Professor of English at Wellesley College, USA. His research centers on Shakespeare, with a focus on performance, and a more recent emphasis on Shakespeare in production across the globe, especially in the East. Previous publications include Mutability and Division on Shakespeare's Stage (2004), and the co-edited collection Shakespeare's Sense of Character: On the Page and From the Stage (2012)

ISBN: 9783031655104

Standard No.: 10.1007/978-3-031-65510-4doiSubjects--Personal Names:

522922
Shakespeare, William,
1564-1616--Dramatic production.Subjects--Topical Terms:

522923
Theater
--Production and direction.

LC Class. No.: PR3091

Dewey Class. No.: 792.9

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505 0 $a Introduction. -Chapter 1: -- A Little Touch of Harry in the Light: Henry V at the New Globe. -Chapter 2:. -Consent and Animation in A Midsummer Night's Dream: The Korean Madang as a New Green World. -Chapter 3: -- From the Wooden O to Tim Blake Nelson's O: The Boy Actor's voice and the Performance of Gender and Race. -Chapter 4: -- Dance and Deception in Othello: Desdemona's 'Turn' in Omkara and Huapango. -Chapter 5: -- Observing Shakespeare's Lighting Effects in Romeo and Juliet. -Chapter 6: -- The Winter's Tale and Privileged Spectatorship: At the Globe and in Tokyo. -Chapter 7: -- Authenticity through Intermedial Liveness: Throne of Blood and The King and the Clown. -Chapter 8: -- Youth and Authenticity in Hamlet: Burbage in his 30s and a Sexagenarian Hamlet in Seoul.
520 $a This book brings together two separate fields by combining a study of Shakespeare's original stage conditions with an exploration of his plays in performance across the globe. The book contributes new insights into how early-modern stage conditions shaped the writing, production, and reception of Shakespeare's plays, but takes the further step of examining how original stage conditions re-emerge, not only in Globe replicas like the London Globe, but in unexpected and sometimes unconscious reconfigurations in adaptations and productions from around the world: film versions of Othello from Mexico to India that take dancing cues and anxieties about dance from the play and centralize dance; Korean adaptations for the madang (or yard) that reimagine Shakespeare's theatrical spaces and their relationships to audiences; Noh re-imaginings on film and onstage that foreground the theatrical; a teen film remake of Othello that raises questions about how blackness is figured today and on Shakespeare's stage, among others. By studying original stage conditions and their global afterlives, the book illuminates how global productions negotiate historical and cultural differences and thereby, paradoxically, engage with the cultural specificities of the present. Yu Jin Ko is Professor of English at Wellesley College, USA. His research centers on Shakespeare, with a focus on performance, and a more recent emphasis on Shakespeare in production across the globe, especially in the East. Previous publications include Mutability and Division on Shakespeare's Stage (2004), and the co-edited collection Shakespeare's Sense of Character: On the Page and From the Stage (2012)
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