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Television studies and research on s...
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Newiak, Denis.
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Television studies and research on series = theory, history and present of (post-)televisual seriality /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Television studies and research on series/ edited by Denis Newiak, Dominik Maeder, Herbert Schwaab.
其他題名:
theory, history and present of (post-)televisual seriality /
其他作者:
Newiak, Denis.
出版者:
Wiesbaden :Springer Fachmedien Wiesbaden : : 2024.,
面頁冊數:
vi, 311 p. :ill., digital ;24 cm.
內容註:
Contributions on: Television as a plural and transmedial concept? -- Spatialized transmediality - processual seriality -- Historical perspectives in the 'quality series' discourse of the television industry -- Television series against late modern loneliness: Forms of telemedial communion exemplified by 13 Reasons Why -- On expelling television from the television series: reality TV and staggered seriality -- Evidence in series? Time and reality references of serial television formats in the digital transformation -- Game in series - Black Mirror: Bandersnatch.
Contained By:
Springer Nature eBook
標題:
Television series. -
電子資源:
https://doi.org/10.1007/978-3-658-42915-7
ISBN:
9783658429157
Television studies and research on series = theory, history and present of (post-)televisual seriality /
Fernsehwissenschaft und Serienforschung.English
Television studies and research on series
theory, history and present of (post-)televisual seriality /[electronic resource] :edited by Denis Newiak, Dominik Maeder, Herbert Schwaab. - Wiesbaden :Springer Fachmedien Wiesbaden :2024. - vi, 311 p. :ill., digital ;24 cm.
Contributions on: Television as a plural and transmedial concept? -- Spatialized transmediality - processual seriality -- Historical perspectives in the 'quality series' discourse of the television industry -- Television series against late modern loneliness: Forms of telemedial communion exemplified by 13 Reasons Why -- On expelling television from the television series: reality TV and staggered seriality -- Evidence in series? Time and reality references of serial television formats in the digital transformation -- Game in series - Black Mirror: Bandersnatch.
Television series enjoy an unbroken - popular as well as scholarly - attention. It is surprising, however, that in works on seriality in media and cultural studies, approaches to television studies and television history still play a rather minor role. Yet seriality must always be thought of in terms of television, since the two have always been indissolubly interwoven - economically, technically, and aesthetically. But what else constitutes the serial in television and how does it change its face in times of digitalization, streaming and interactivity? Is it possible to think of a genuine serial theory of the televisual - and what, in turn, can be learned from this for seriality beyond television? The essays in this volume shed new light on the serial as a core principle of television, thus providing new impulses for a television theory of the serial on the basis of examples from the current range of television series. The Editors Dr. Denis Newiak is a research associate at the Chair of Applied Media Studies at the Brandenburg University of Technology Cottbus-Senftenberg. Dr. Dominik Maeder is an independent researcher. Dr. Herbert Schwaab is a senior academic councillor at the Institute for Information and Media, Language and Culture at the University of Regensburg. This book is a translation of an original German edition. The translation was done with the help of artificial intelligence (machine translation by the service DeepL. com) A subsequent human revision was done primarily in terms of content, so that the book will read stylistically differently from a conventional translation.
ISBN: 9783658429157
Standard No.: 10.1007/978-3-658-42915-7doiSubjects--Topical Terms:
1404372
Television series.
LC Class. No.: PN1992.8.S4
Dewey Class. No.: 791.45
Television studies and research on series = theory, history and present of (post-)televisual seriality /
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Contributions on: Television as a plural and transmedial concept? -- Spatialized transmediality - processual seriality -- Historical perspectives in the 'quality series' discourse of the television industry -- Television series against late modern loneliness: Forms of telemedial communion exemplified by 13 Reasons Why -- On expelling television from the television series: reality TV and staggered seriality -- Evidence in series? Time and reality references of serial television formats in the digital transformation -- Game in series - Black Mirror: Bandersnatch.
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Television series enjoy an unbroken - popular as well as scholarly - attention. It is surprising, however, that in works on seriality in media and cultural studies, approaches to television studies and television history still play a rather minor role. Yet seriality must always be thought of in terms of television, since the two have always been indissolubly interwoven - economically, technically, and aesthetically. But what else constitutes the serial in television and how does it change its face in times of digitalization, streaming and interactivity? Is it possible to think of a genuine serial theory of the televisual - and what, in turn, can be learned from this for seriality beyond television? The essays in this volume shed new light on the serial as a core principle of television, thus providing new impulses for a television theory of the serial on the basis of examples from the current range of television series. The Editors Dr. Denis Newiak is a research associate at the Chair of Applied Media Studies at the Brandenburg University of Technology Cottbus-Senftenberg. Dr. Dominik Maeder is an independent researcher. Dr. Herbert Schwaab is a senior academic councillor at the Institute for Information and Media, Language and Culture at the University of Regensburg. This book is a translation of an original German edition. The translation was done with the help of artificial intelligence (machine translation by the service DeepL. com) A subsequent human revision was done primarily in terms of content, so that the book will read stylistically differently from a conventional translation.
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