東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Linked to FindBook

Google Book

Amazon

博客來

Staging interspaces in contemporary British theatre = environment and fluidity /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Staging interspaces in contemporary British theatre/ by Vicky Angelaki.
Reminder of title:	environment and fluidity /
Author:	Angelaki, Vicky.
Published:	Cham :Springer International Publishing : : 2024.,
Description:	xiv, 304 p. :ill., digital ;24 cm.
[NT 15003449]:	1. Introduction: environments and interspaces -- 2. Theorising interspaces: creative and critical intersections -- 3. The room: intimate microcosms and world formation -- 4. The transient: palindromic nomadisms and invisile transports -- 5. The limbo: liminal loci and timeless travels -- 6. The deviant: unruly spaces and errant experiences -- 7. The virtual: hybrid environments and deepfake realities -- 8. Afterword.
Contained By:	Springer Nature eBook
Subject:	Theaters - Stage-setting and scenery - Great Britain. -
Online resource:	https://doi.org/10.1007/978-3-031-54892-5
ISBN:	9783031548925

Staging interspaces in contemporary British theatre = environment and fluidity /
Angelaki, Vicky.

Staging interspaces in contemporary British theatreenvironment and fluidity /[electronic resource] :by Vicky Angelaki. - Cham :Springer International Publishing :2024. - xiv, 304 p. :ill., digital ;24 cm.

1. Introduction: environments and interspaces -- 2. Theorising interspaces: creative and critical intersections -- 3. The room: intimate microcosms and world formation -- 4. The transient: palindromic nomadisms and invisile transports -- 5. The limbo: liminal loci and timeless travels -- 6. The deviant: unruly spaces and errant experiences -- 7. The virtual: hybrid environments and deepfake realities -- 8. Afterword.

Open access.

"This is a compelling, passionately argued, and critically incisive study of the environments and dynamic 'interspaces' of contemporary British theatre and performance. Focusing on the work of key playwrights, Angelaki identifies the kinds of space that feature on stage - domestic, transient, liminal, 'deviant', and/or virtual - and, in so doing, explores theatrical responses to a range of urgent socio-political issues, including human trafficking, migration, the climate emergency, and ubiquitous digital culture. This is an ambitious and thought-provoking book; it is also a testament to the politics, possibilities, and profound significance of spatial world-building in contemporary theatre." - Chris Megson, Reader in Drama and Theatre, Royal Holloway, University of London, UK This open access book considers how relationships to place and spatial ecologies more broadly are becoming redefined in light of intersecting climate, health, identity and care crises. Through an interdisciplinary, intersectional discourse it investigates how spaces of liminality frame contemporary human conditions in their interactional modes with both human and non-human ecologies. The interspace grounds the discussion, indicating states of flux and transience, where the in-between is the defining characteristic. This open access monograph, then, takes up the new complexity in one's relationship(s) to their surrounding spaces through a rigorous discussion of texts and performance contexts in cutting-edge contemporary British theatre on a national and international scale. It seeks to address how in-betweenness spatially, temporally, environmentally, geographically and socially conceived has been emerging as the primary state for the unmoored individual of our time - and how it might serve as catalyst for performing one's agency in modes more empathetic not only to other humans, but, also, and equally, to the non-human world. Vicky Angelaki is Professor in the Department of Humanities and Social Sciences, Mid Sweden University / Mittuniversitetet, Sundsvall, Sweden. She is the recipient of a sabbatical grant for the project "Performing Interspaces: Social Fluidities in Contemporary Theatre", Riksbankens Jubileumsfond (2022) Vicky's previous publications include The Plays of Martin Crimp: Making Theatre Strange (2012), Social and Political Theatre in 21st-Century Britain: Staging Crisis (2017), Theatre and Environment (2019), Martin Crimp's Power Plays: Intertextuality, Sexuality, Desire (2022) Vicky is also the co-editor of the series 'Adaptation in Theatre and Performance' (Palgrave Macmillan)

ISBN: 9783031548925

Standard No.: 10.1007/978-3-031-54892-5doiSubjects--Topical Terms:

3717913
Theaters
--Stage-setting and scenery--Great Britain.

LC Class. No.: PN2091.S8 / A54 2024

Dewey Class. No.: 792.025

Staging interspaces in contemporary British theatre = environment and fluidity /
LDR:04083nmm a2200337 a 4500 001 2371689
003 DE-He213
005 20240604104020.0
006 m d
007 cr nn 008maaau
008 241127s2024 sz s 0 eng d
020 $a 9783031548925 $q (electronic bk.)
020 $a 9783031548918 $q (paper)
024 7 $a 10.1007/978-3-031-54892-5 $2 doi
035 $a 978-3-031-54892-5
040 $a GP $c GP
041 0 $a eng
050 4 $a PN2091.S8 $b A54 2024
072 7 $a AN $2 bicssc
072 7 $a PER011000 $2 bisacsh
072 7 $a ATD $2 thema
082 0 4 $a 792.025 $2 23
090 $a PN2091.S8 $b A581 2024
100 1 $a Angelaki, Vicky. $3 3717912
245 1 0 $a Staging interspaces in contemporary British theatre $h [electronic resource] : $b environment and fluidity / $c by Vicky Angelaki.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2024.
300 $a xiv, 304 p. : $b ill., digital ; $c 24 cm.
505 0 $a 1. Introduction: environments and interspaces -- 2. Theorising interspaces: creative and critical intersections -- 3. The room: intimate microcosms and world formation -- 4. The transient: palindromic nomadisms and invisile transports -- 5. The limbo: liminal loci and timeless travels -- 6. The deviant: unruly spaces and errant experiences -- 7. The virtual: hybrid environments and deepfake realities -- 8. Afterword.
506 $a Open access.
520 $a "This is a compelling, passionately argued, and critically incisive study of the environments and dynamic 'interspaces' of contemporary British theatre and performance. Focusing on the work of key playwrights, Angelaki identifies the kinds of space that feature on stage - domestic, transient, liminal, 'deviant', and/or virtual - and, in so doing, explores theatrical responses to a range of urgent socio-political issues, including human trafficking, migration, the climate emergency, and ubiquitous digital culture. This is an ambitious and thought-provoking book; it is also a testament to the politics, possibilities, and profound significance of spatial world-building in contemporary theatre." - Chris Megson, Reader in Drama and Theatre, Royal Holloway, University of London, UK This open access book considers how relationships to place and spatial ecologies more broadly are becoming redefined in light of intersecting climate, health, identity and care crises. Through an interdisciplinary, intersectional discourse it investigates how spaces of liminality frame contemporary human conditions in their interactional modes with both human and non-human ecologies. The interspace grounds the discussion, indicating states of flux and transience, where the in-between is the defining characteristic. This open access monograph, then, takes up the new complexity in one's relationship(s) to their surrounding spaces through a rigorous discussion of texts and performance contexts in cutting-edge contemporary British theatre on a national and international scale. It seeks to address how in-betweenness spatially, temporally, environmentally, geographically and socially conceived has been emerging as the primary state for the unmoored individual of our time - and how it might serve as catalyst for performing one's agency in modes more empathetic not only to other humans, but, also, and equally, to the non-human world. Vicky Angelaki is Professor in the Department of Humanities and Social Sciences, Mid Sweden University / Mittuniversitetet, Sundsvall, Sweden. She is the recipient of a sabbatical grant for the project "Performing Interspaces: Social Fluidities in Contemporary Theatre", Riksbankens Jubileumsfond (2022) Vicky's previous publications include The Plays of Martin Crimp: Making Theatre Strange (2012), Social and Political Theatre in 21st-Century Britain: Staging Crisis (2017), Theatre and Environment (2019), Martin Crimp's Power Plays: Intertextuality, Sexuality, Desire (2022) Vicky is also the co-editor of the series 'Adaptation in Theatre and Performance' (Palgrave Macmillan)
650 0 $a Theaters $x Stage-setting and scenery $z Great Britain. $3 3717913
650 1 4 $a Contemporary Theatre and Performance. $3 3599286
650 2 4 $a Theatre and Performance Arts. $3 3538692
650 2 4 $a Human Geography. $3 896266
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-3-031-54892-5
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)