東華大學圖書館 |

European cinema in the streaming era = policy, platforms, and production /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	European cinema in the streaming era/ edited by Christopher Meir, Roderik Smits.
其他題名:	policy, platforms, and production /
其他作者:	Meir, Christopher.
出版者:	Cham :Springer International Publishing : : 2024.,
面頁冊數:	xlix, 304 p. :ill., digital ;24 cm.
內容註:	Section I: European Policy and Streaming Cinema -- 1.Is the European Film Co-production as We know It in Peril?: The Cases for and against Article 13 of the Revised EU's Audiovisual Media Service Directive (AVMSD) Petar Mitric, University of Copenhagen -- 2. Integrating Global SVOD Platforms into the French Regulation System Ana Vinuela, Associate professor, Université Sorbonne Nouvelle -- 3.New AVMSD, Old Purpose: EU Film Policy and the Portuguese Case Mariana Liz, University of Lisbon -- 4.The Process of Becoming Non-European: The Online Distribution of UK Film in the EU Post-Brexit Virginia Crisp, King's College, London Section II: SVOD platforms and the Circulation of European Films -- 5. Researching Online Film Circulation: Netflix and Other SVOD platforms Roderik Smits, Universidad Carlos III de Madrid -- 6. Algorithm vs. Curation: The Logics of Recommendation and the Realities of Discoverability and Availability in the European VOD Experience Mattias Frey, University of Kent -- 7.Researching Online Film Circulation: Netflix and Other SVOD platforms Roderik Smits, Universidad Carlos III de Madrid -- 8.Researching Online Film Circulation: Netflix and Other SVOD platforms Roderik Smits, Universidad Carlos III de Madrid -- Section III: SVOD-Financed European Production -- 9. Producing Spanish Cinema (and Television) in the Streaming Era: Morena Films and the Global SVOD Platforms Christopher Meir, Universidad Carlos III de Madrid -- 10.Transnational SVOD Production in the European Periphery Petr Szczepanik, Charles University in Prague -- 11. Accidental Films Inside a Bigger Strategy: Investigating the Film CoProduction Agreement between Mediaset and Netflix Luca Barra (Università di Bologna) and Paolo Noto (Università di Bologna) -- 12.Particularising the Universal in Aléxandre Aja's Oxygène Reece Goodall (University of Warwick) and Mary Harrod (University of Warwick) -- 13.Undercovering. An Analysis of the Production and Textual Strategies of Local(ized) Transmedia Storytelling: The Case of Netflix's Series Undercover and its Film Spin-Off Ferry Eduard Cuelenaere (University of Ghent) and Stijn Joye (University of Ghent)
Contained By:	Springer Nature eBook
標題:	Motion pictures - Technological innovations - Europe. -
電子資源:	https://doi.org/10.1007/978-3-031-42182-2
ISBN:	9783031421822

European cinema in the streaming era = policy, platforms, and production /
European cinema in the streaming erapolicy, platforms, and production /[electronic resource] :edited by Christopher Meir, Roderik Smits. - Cham :Springer International Publishing :2024. - xlix, 304 p. :ill., digital ;24 cm. - Palgrave European film and media studies,2634-6168. - Palgrave European film and media studies..

Section I: European Policy and Streaming Cinema -- 1.Is the European Film Co-production as We know It in Peril?: The Cases for and against Article 13 of the Revised EU's Audiovisual Media Service Directive (AVMSD) Petar Mitric, University of Copenhagen -- 2. Integrating Global SVOD Platforms into the French Regulation System Ana Vinuela, Associate professor, Université Sorbonne Nouvelle -- 3.New AVMSD, Old Purpose: EU Film Policy and the Portuguese Case Mariana Liz, University of Lisbon -- 4.The Process of Becoming Non-European: The Online Distribution of UK Film in the EU Post-Brexit Virginia Crisp, King's College, London Section II: SVOD platforms and the Circulation of European Films -- 5. Researching Online Film Circulation: Netflix and Other SVOD platforms Roderik Smits, Universidad Carlos III de Madrid -- 6. Algorithm vs. Curation: The Logics of Recommendation and the Realities of Discoverability and Availability in the European VOD Experience Mattias Frey, University of Kent -- 7.Researching Online Film Circulation: Netflix and Other SVOD platforms Roderik Smits, Universidad Carlos III de Madrid -- 8.Researching Online Film Circulation: Netflix and Other SVOD platforms Roderik Smits, Universidad Carlos III de Madrid -- Section III: SVOD-Financed European Production -- 9. Producing Spanish Cinema (and Television) in the Streaming Era: Morena Films and the Global SVOD Platforms Christopher Meir, Universidad Carlos III de Madrid -- 10.Transnational SVOD Production in the European Periphery Petr Szczepanik, Charles University in Prague -- 11. Accidental Films Inside a Bigger Strategy: Investigating the Film CoProduction Agreement between Mediaset and Netflix Luca Barra (Università di Bologna) and Paolo Noto (Università di Bologna) -- 12.Particularising the Universal in Aléxandre Aja's Oxygène Reece Goodall (University of Warwick) and Mary Harrod (University of Warwick) -- 13.Undercovering. An Analysis of the Production and Textual Strategies of Local(ized) Transmedia Storytelling: The Case of Netflix's Series Undercover and its Film Spin-Off Ferry Eduard Cuelenaere (University of Ghent) and Stijn Joye (University of Ghent)

'Timely and wide-ranging, this is a lucid and essential read. It offers a telling account of the far-reaching impacts of the global streaming revolution on all facets of today's European film industries, as they transition from the recent sweeping changes to a still evolving future.' Laura Rascaroli, Professor of Film and Media at University College Cork 'This excellent collection demonstrates how European producers, distributors and exhibitors have found various ways of engaging with the streaming platforms - oppositional, evasive or integrational. What constitutes "Europeanness" is being revised and redefined through the work of numerous important scholars in the field.' Andrew Spicer, Professor of Cultural Production, University of the West of England This collection examines the impact of streaming platforms on European cinema. It is structured from three distinct points-of-view: the policy issues related to streaming platforms, equally at the European level and in individual countries; the impact of platforms on the circulation of European films, including some of the global players, multi-national and single-nation platforms operating in Europe; and the production activities of the platforms in the form of specific 'original' films. By bringing together scholars working on various national cinemas, including those of France, Spain, Britain and other countries, this collection illuminates the many ways in which the European film industry is responding to the digital revolution. Christopher Meir is Assistant Professor of Communication at the Universidad Carlos III de Madrid. Roderik Smits is Research Fellow in Film and Media Studies at the Universidad Carlos III de Madrid. Chapter 5 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

ISBN: 9783031421822

Standard No.: 10.1007/978-3-031-42182-2doiSubjects--Topical Terms:

3716007
Motion pictures
--Technological innovations--Europe.

LC Class. No.: PN1993.5.E85

Dewey Class. No.: 791.43094

European cinema in the streaming era = policy, platforms, and production /
LDR:05136nmm a22003495a 4500 001 2370556
003 DE-He213
005 20240425170330.0
006 m d
007 cr nn 008maaau
008 241127s2024 sz s 0 eng d
020 $a 9783031421822 $q (electronic bk.)
020 $a 9783031421815 $q (paper)
024 7 $a 10.1007/978-3-031-42182-2 $2 doi
035 $a 978-3-031-42182-2
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1993.5.E85
072 7 $a AP $2 bicssc
072 7 $a 1D $2 bicssc
072 7 $a PER004000 $2 bisacsh
072 7 $a AT $x 1D $2 thema
082 0 4 $a 791.43094 $2 23
090 $a PN1993.5.E85 $b E89 2024
245 0 0 $a European cinema in the streaming era $h [electronic resource] : $b policy, platforms, and production / $c edited by Christopher Meir, Roderik Smits.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2024.
300 $a xlix, 304 p. : $b ill., digital ; $c 24 cm.
490 1 $a Palgrave European film and media studies, $x 2634-6168
505 0 $a Section I: European Policy and Streaming Cinema -- 1.Is the European Film Co-production as We know It in Peril?: The Cases for and against Article 13 of the Revised EU's Audiovisual Media Service Directive (AVMSD) Petar Mitric, University of Copenhagen -- 2. Integrating Global SVOD Platforms into the French Regulation System Ana Vinuela, Associate professor, Université Sorbonne Nouvelle -- 3.New AVMSD, Old Purpose: EU Film Policy and the Portuguese Case Mariana Liz, University of Lisbon -- 4.The Process of Becoming Non-European: The Online Distribution of UK Film in the EU Post-Brexit Virginia Crisp, King's College, London Section II: SVOD platforms and the Circulation of European Films -- 5. Researching Online Film Circulation: Netflix and Other SVOD platforms Roderik Smits, Universidad Carlos III de Madrid -- 6. Algorithm vs. Curation: The Logics of Recommendation and the Realities of Discoverability and Availability in the European VOD Experience Mattias Frey, University of Kent -- 7.Researching Online Film Circulation: Netflix and Other SVOD platforms Roderik Smits, Universidad Carlos III de Madrid -- 8.Researching Online Film Circulation: Netflix and Other SVOD platforms Roderik Smits, Universidad Carlos III de Madrid -- Section III: SVOD-Financed European Production -- 9. Producing Spanish Cinema (and Television) in the Streaming Era: Morena Films and the Global SVOD Platforms Christopher Meir, Universidad Carlos III de Madrid -- 10.Transnational SVOD Production in the European Periphery Petr Szczepanik, Charles University in Prague -- 11. Accidental Films Inside a Bigger Strategy: Investigating the Film CoProduction Agreement between Mediaset and Netflix Luca Barra (Università di Bologna) and Paolo Noto (Università di Bologna) -- 12.Particularising the Universal in Aléxandre Aja's Oxygène Reece Goodall (University of Warwick) and Mary Harrod (University of Warwick) -- 13.Undercovering. An Analysis of the Production and Textual Strategies of Local(ized) Transmedia Storytelling: The Case of Netflix's Series Undercover and its Film Spin-Off Ferry Eduard Cuelenaere (University of Ghent) and Stijn Joye (University of Ghent)
520 $a 'Timely and wide-ranging, this is a lucid and essential read. It offers a telling account of the far-reaching impacts of the global streaming revolution on all facets of today's European film industries, as they transition from the recent sweeping changes to a still evolving future.' Laura Rascaroli, Professor of Film and Media at University College Cork 'This excellent collection demonstrates how European producers, distributors and exhibitors have found various ways of engaging with the streaming platforms - oppositional, evasive or integrational. What constitutes "Europeanness" is being revised and redefined through the work of numerous important scholars in the field.' Andrew Spicer, Professor of Cultural Production, University of the West of England This collection examines the impact of streaming platforms on European cinema. It is structured from three distinct points-of-view: the policy issues related to streaming platforms, equally at the European level and in individual countries; the impact of platforms on the circulation of European films, including some of the global players, multi-national and single-nation platforms operating in Europe; and the production activities of the platforms in the form of specific 'original' films. By bringing together scholars working on various national cinemas, including those of France, Spain, Britain and other countries, this collection illuminates the many ways in which the European film industry is responding to the digital revolution. Christopher Meir is Assistant Professor of Communication at the Universidad Carlos III de Madrid. Roderik Smits is Research Fellow in Film and Media Studies at the Universidad Carlos III de Madrid. Chapter 5 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
650 0 $a Motion pictures $x Technological innovations $z Europe. $3 3716007
650 0 $a Streaming technology (Telecommunications) $3 603808
650 1 4 $a European Film and TV. $3 3599307
650 2 4 $a Film and Television Industry. $3 3599347
700 1 $a Meir, Christopher. $3 3716005
700 1 $a Smits, Roderik. $3 3716006
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer Nature eBook
830 0 $a Palgrave European film and media studies. $3 2203561
856 4 0 $u https://doi.org/10.1007/978-3-031-42182-2
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)