東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Linked to FindBook

Google Book

Amazon

博客來

The Oscillation of Things a Composition Portfolio.

Record Type:	Electronic resources : Monograph/item
Title/Author:	The Oscillation of Things a Composition Portfolio./
Author:	Troiani, Lorenzo.
Description:	1 online resource (155 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 84-12, Section: A.
Contained By:	Dissertations Abstracts International84-12A.
Subject:	Musical composition. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30486175click for full text (PQDT)
ISBN:	9798379615925

The Oscillation of Things a Composition Portfolio.
Troiani, Lorenzo.

The Oscillation of Things a Composition Portfolio. - 1 online resource (155 pages)

Source: Dissertations Abstracts International, Volume: 84-12, Section: A.

Thesis (Ph.D.)--Harvard University, 2023.

Includes bibliographical references

This portfolio dissertation brings together a selection of the musical work I produced over the course of five years (2018-2023). During this time I had the chance to compose for different instrumentations and contexts: from solo instrument, to opera, from chamber music to electronic music. The reflection and work on these pieces of music lead me to expand my interests and my aesthetics, approaching a new world of sonic possibilities. At the beginning of my doctoral research, in fact, I was mostly focused on the representation of the inner world, a very intimate approach to sound, vibrations, pulsations. In other words, I was interested in music composition as a tool to magnify the secluded sound world hidden inside my body. The world outside was, at this stage, just a mere representation of the inner world. During my Ph.D., the core of my research shifted gradually from the inside world to the outside world, questioning the role of the composer and of the reality in front of me along the way. During this five years period, in fact, my attention and interest focused more and more on the close observation and deep listening of natural and acoustic phenomena. Music composition became a tool to freeze time and magnify the reality in front of me, in order to understand it better, to learn its structure, and to see all the small details and differentiations on its surface. Following this process and thanks to this close observation (and "deep listening") I started to look at things in a different way: they felt alive, pulsating and oscillating in front of my very eyes. The discovery of this instability hidden within every phenomenon reshaped my aesthetics and my approach to music composition.The eight scores included represent the range of approaches, the various steps within this gradual shift. They can be seen and analyzed as part of a journey, various stops of a path. My approach to each new work of music, in fact, moves from the ruins of the previous one and carries on the reflection started there. In this way I can tackle the same topic, the same problem from different angles, offering multiple solutions or strategies to the same issue. Because of this approach most of my work is organized in cycles of pieces. Every cycle is then connected to the next one.In detail the scores included are the result of reflections on notation, form, of experimentation with instruments, electronics, space, lights and different performative settings. From L'abisso intorno (2019) to Studio sulla risacca (2022) passing through Chronicles of the after bomb (2019) and Haut (2021) took place many experimentations and failures alongside discussions with colleagues, musicians, performers and artists who helped me focusing more and more on my field of interest: the instability hidden within every object as an existential "ground zero" of the human experience.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798379615925Subjects--Topical Terms:

3289630
Musical composition.
Subjects--Index Terms:

OscillationIndex Terms--Genre/Form:

542853
Electronic books.

The Oscillation of Things a Composition Portfolio.
LDR:04261nmm a2200397K 4500 001 2365790
005 20231218204711.5
006 m o d
007 cr mn ---uuuuu
008 241011s2023 xx obm 000 0 eng d
020 $a 9798379615925
035 $a (MiAaPQ)AAI30486175
035 $a AAI30486175
040 $a MiAaPQ $b eng $c MiAaPQ $d NTU
100 1 $a Troiani, Lorenzo. $3 3706662
245 1 4 $a The Oscillation of Things a Composition Portfolio.
264 0 $c 2023
300 $a 1 online resource (155 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Dissertations Abstracts International, Volume: 84-12, Section: A.
500 $a Includes supplementary digital materials.
500 $a Advisor: Czernowin, Chaya;Tutschku, Hans.
502 $a Thesis (Ph.D.)--Harvard University, 2023.
504 $a Includes bibliographical references
520 $a This portfolio dissertation brings together a selection of the musical work I produced over the course of five years (2018-2023). During this time I had the chance to compose for different instrumentations and contexts: from solo instrument, to opera, from chamber music to electronic music. The reflection and work on these pieces of music lead me to expand my interests and my aesthetics, approaching a new world of sonic possibilities. At the beginning of my doctoral research, in fact, I was mostly focused on the representation of the inner world, a very intimate approach to sound, vibrations, pulsations. In other words, I was interested in music composition as a tool to magnify the secluded sound world hidden inside my body. The world outside was, at this stage, just a mere representation of the inner world. During my Ph.D., the core of my research shifted gradually from the inside world to the outside world, questioning the role of the composer and of the reality in front of me along the way. During this five years period, in fact, my attention and interest focused more and more on the close observation and deep listening of natural and acoustic phenomena. Music composition became a tool to freeze time and magnify the reality in front of me, in order to understand it better, to learn its structure, and to see all the small details and differentiations on its surface. Following this process and thanks to this close observation (and "deep listening") I started to look at things in a different way: they felt alive, pulsating and oscillating in front of my very eyes. The discovery of this instability hidden within every phenomenon reshaped my aesthetics and my approach to music composition.The eight scores included represent the range of approaches, the various steps within this gradual shift. They can be seen and analyzed as part of a journey, various stops of a path. My approach to each new work of music, in fact, moves from the ruins of the previous one and carries on the reflection started there. In this way I can tackle the same topic, the same problem from different angles, offering multiple solutions or strategies to the same issue. Because of this approach most of my work is organized in cycles of pieces. Every cycle is then connected to the next one.In detail the scores included are the result of reflections on notation, form, of experimentation with instruments, electronics, space, lights and different performative settings. From L'abisso intorno (2019) to Studio sulla risacca (2022) passing through Chronicles of the after bomb (2019) and Haut (2021) took place many experimentations and failures alongside discussions with colleagues, musicians, performers and artists who helped me focusing more and more on my field of interest: the instability hidden within every object as an existential "ground zero" of the human experience.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2023
538 $a Mode of access: World Wide Web
650 4 $a Musical composition. $3 3289630
650 4 $a Music. $3 516178
650 4 $a Aesthetics. $3 523036
653 $a Oscillation
653 $a Musical work
653 $a Chamber music
653 $a Electronic music
655 7 $a Electronic books. $2 lcsh $3 542853
690 $a 0214
690 $a 0413
690 $a 0650
710 2 $a ProQuest Information and Learning Co. $3 783688
710 2 $a Harvard University. $b Music. $3 2093389
773 0 $t Dissertations Abstracts International $g 84-12A.
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=30486175 $z click for full text (PQDT)