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"To Him, We Are Just Things" : = A Feminist Critique on the Evolution of Women's Representation in the Marvel Cinematic Universe.

Record Type:	Electronic resources : Monograph/item
Title/Author:	"To Him, We Are Just Things" :/
Reminder of title:	A Feminist Critique on the Evolution of Women's Representation in the Marvel Cinematic Universe.
Author:	Lambert, Katelyn N.
Description:	1 online resource (125 pages)
Notes:	Source: Masters Abstracts International, Volume: 84-04.
Contained By:	Masters Abstracts International84-04.
Subject:	Communication. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29322568click for full text (PQDT)
ISBN:	9798351441436

"To Him, We Are Just Things" : = A Feminist Critique on the Evolution of Women's Representation in the Marvel Cinematic Universe.
Lambert, Katelyn N.

"To Him, We Are Just Things" :A Feminist Critique on the Evolution of Women's Representation in the Marvel Cinematic Universe. - 1 online resource (125 pages)

Source: Masters Abstracts International, Volume: 84-04.

Thesis (M.A.)--University of Nebraska at Omaha, 2022.

Includes bibliographical references

The Marvel Cinematic Universe is a superhero film franchise that has a sizeable following and proven financial success (Chmielweski, 2021; Navarro, 2022). Since 2008, the MCU has incorporated various female characters into the franchise, with these early constructions of women being hypersexualized, eventually shifting to be less sexualized and more authentic. This project critiques the MCU from Phase One through early Phase Four to illustrate a shift in visual and narrative representation of female characters, from women who exist solely as objects for desire and catalysts for male character development, to women becoming protagonists and key characters in driving the MCU's narrative arc. Using Laura Mulvey's work within feminist film theory and the concept of the male gaze, this project critiques the evolution of female representation in the MCU throughout the various phases of film and television production, from Phase One with the introduction of the original Avengers until Black Widow (Shortland, 2021), one of the films in early Phase Four. This critique serves to show where the MCU began and its current state regarding the construction of female characters.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798351441436Subjects--Topical Terms:

524709
Communication.
Subjects--Index Terms:

CommunicationIndex Terms--Genre/Form:

542853
Electronic books.

"To Him, We Are Just Things" : = A Feminist Critique on the Evolution of Women's Representation in the Marvel Cinematic Universe.
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500 $a Source: Masters Abstracts International, Volume: 84-04.
500 $a Advisor: Tyma, Adam W.
502 $a Thesis (M.A.)--University of Nebraska at Omaha, 2022.
504 $a Includes bibliographical references
520 $a The Marvel Cinematic Universe is a superhero film franchise that has a sizeable following and proven financial success (Chmielweski, 2021; Navarro, 2022). Since 2008, the MCU has incorporated various female characters into the franchise, with these early constructions of women being hypersexualized, eventually shifting to be less sexualized and more authentic. This project critiques the MCU from Phase One through early Phase Four to illustrate a shift in visual and narrative representation of female characters, from women who exist solely as objects for desire and catalysts for male character development, to women becoming protagonists and key characters in driving the MCU's narrative arc. Using Laura Mulvey's work within feminist film theory and the concept of the male gaze, this project critiques the evolution of female representation in the MCU throughout the various phases of film and television production, from Phase One with the introduction of the original Avengers until Black Widow (Shortland, 2021), one of the films in early Phase Four. This critique serves to show where the MCU began and its current state regarding the construction of female characters.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2023
538 $a Mode of access: World Wide Web
650 4 $a Communication. $3 524709
650 4 $a Film studies. $3 2122736
650 4 $a Womens studies. $3 2122688
653 $a Communication
653 $a Feminist critique
653 $a Feminist film theory
653 $a Marvel Cinematic Universe
653 $a MCU
653 $a Superhero
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710 2 $a University of Nebraska at Omaha. $b Communication. $3 1024675
773 0 $t Masters Abstracts International $g 84-04.
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