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The Digital Performer : = Performance, Technology and New Performance Paradigms.

Record Type:	Electronic resources : Monograph/item
Title/Author:	The Digital Performer :/
Reminder of title:	Performance, Technology and New Performance Paradigms.
Author:	Oliver, Mary Lyon.
Description:	1 online resource (258 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 83-03, Section: B.
Contained By:	Dissertations Abstracts International83-03B.
Subject:	Innovations. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28465058click for full text (PQDT)
ISBN:	9798515242152

The Digital Performer : = Performance, Technology and New Performance Paradigms.
Oliver, Mary Lyon.

The Digital Performer :Performance, Technology and New Performance Paradigms. - 1 online resource (258 pages)

Source: Dissertations Abstracts International, Volume: 83-03, Section: B.

Thesis (Ph.D.)--University of Salford (United Kingdom), 2013.

Includes bibliographical references

This thesis, portfolio of published original performances and texts examines the extent to which one can create an equitable and convincing 'live' performance presence when creating performances that incorporate mediatised performers. The experimental process forefronts the dialogic relationship of the onstage to the on-screen performer, as such the devising methodology has primarily been focused on experimentation with the scripted narrative. The research illustrates significant technological and formal transitions during the research period, which has also seen the development from analogue to digital formats. In a systematic series of test-bed performances the author has created work exploring the qualitative interface between the onstage and digitally produced performer. Each new undertaking has articulated a different sub-set of research questions, but these have all been explored within the overarching framework. The argument presented here is that this research has contributed new knowledge to interpretations of our understanding of liveness and performer presence in contemporary performance. The critical contextual analysis examines twelve selected outputs. These are a combination of original performances and selected publications, where the author has reflexively discussed the findings of her practice. The critical contextual study is presented in four sections: Liveness revisited; The impact of the digital performer on our understanding of performer presence; Experiments with narrative; The actor slave and the diabolical digital performer.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9798515242152Subjects--Topical Terms:

754112
Innovations.
Index Terms--Genre/Form:

542853
Electronic books.

The Digital Performer : = Performance, Technology and New Performance Paradigms.
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245 1 4 $a The Digital Performer : $b Performance, Technology and New Performance Paradigms.
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500 $a Source: Dissertations Abstracts International, Volume: 83-03, Section: B.
500 $a Advisor: McKay, George A.
502 $a Thesis (Ph.D.)--University of Salford (United Kingdom), 2013.
504 $a Includes bibliographical references
520 $a This thesis, portfolio of published original performances and texts examines the extent to which one can create an equitable and convincing 'live' performance presence when creating performances that incorporate mediatised performers. The experimental process forefronts the dialogic relationship of the onstage to the on-screen performer, as such the devising methodology has primarily been focused on experimentation with the scripted narrative. The research illustrates significant technological and formal transitions during the research period, which has also seen the development from analogue to digital formats. In a systematic series of test-bed performances the author has created work exploring the qualitative interface between the onstage and digitally produced performer. Each new undertaking has articulated a different sub-set of research questions, but these have all been explored within the overarching framework. The argument presented here is that this research has contributed new knowledge to interpretations of our understanding of liveness and performer presence in contemporary performance. The critical contextual analysis examines twelve selected outputs. These are a combination of original performances and selected publications, where the author has reflexively discussed the findings of her practice. The critical contextual study is presented in four sections: Liveness revisited; The impact of the digital performer on our understanding of performer presence; Experiments with narrative; The actor slave and the diabolical digital performer.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2023
538 $a Mode of access: World Wide Web
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