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Franz Liszt's Sonetti di Petrarca : = An eclectic analysis and performance guide.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Franz Liszt's Sonetti di Petrarca :/
Reminder of title:	An eclectic analysis and performance guide.
Author:	Brett, Douglas James.
Description:	1 online resource (334 pages)
Notes:	Source: Dissertations Abstracts International, Volume: 61-04, Section: A.
Contained By:	Dissertations Abstracts International61-04A.
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9935631click for full text (PQDT)
ISBN:	9780599366688

Franz Liszt's Sonetti di Petrarca : = An eclectic analysis and performance guide.
Brett, Douglas James.

Franz Liszt's Sonetti di Petrarca :An eclectic analysis and performance guide. - 1 online resource (334 pages)

Source: Dissertations Abstracts International, Volume: 61-04, Section: A.

Thesis (Ph.D.)--New York University, 1999.

Includes bibliographical references

The revised piano version of Franz Liszt's three Sonetti di Petrarca, as published in the Annees de Pelerinage : Deuxieme Anne, Italie, constitute free transcriptions of his song settings of three sonnets by the medieval Italian poet Francesco Petrarca and are among his most poetically inspired compositions for solo piano. The main body of this study consists of the analysis of Sonetto 104 using Lawrence Ferrara's eclectic method for the analysis of musical sound, form, and reference. In addition, a performance guide of Sonetto 104 is presented. Sonetto 47 and Sonetto 123 are analyzed using a freely adapted, less formalized version of the eclectic approach. An adapted form of Grosvenor Cooper and Leonard B. Meyer's approach to the analysis of rhythm is used in this study as a way of evaluating the degree of congruence between the meter of Petrarch's "Sonnet 104" and the rhythmic structure of the piano version of Sonetto 104 del Petrarca. The rhythmic analysis revealed that the rhythm of the piano version and the meter of Petrarch's poem are highly congruent. A linear-reductive analysis identified structural harmonies and revealed a coherent formal plan that conformed to tonal models. Liszt's use of mediant relationships on several structural levels identifies the harmonic language of Sonetto 104 as representative of the middle nineteenth century and his distinct reliance on the conventional dominant-tonic relationship to achieve closure separates the harmonic language of this work from that of the latter part of the century. A referential correlation between three triadic harmonies-major, minor, and augmented-and feelings is discussed. Italian operatic vocal quality is manifest in declamatory, recitative, and lyrical aria-like passages with inspired bravura passages that create a rich and full range of passionate emotional outpourings. The sanctity of Petrarch's solemn blessing and fervid emotional state suggested in Sonetto 47, the contrary states of being and powerfully opposed emotions manifest in Sonetto 104, and the celestial qualities, dream-like states, intense stillness, and sweetness suggested in Sonetto 123, are successfully evoked in Liszt's settings.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023

Mode of access: World Wide Web

ISBN: 9780599366688Subjects--Topical Terms:

516178
Music.
Subjects--Index Terms:

Francesco PetrarcaIndex Terms--Genre/Form:

542853
Electronic books.

Franz Liszt's Sonetti di Petrarca : = An eclectic analysis and performance guide.
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500 $a Source: Dissertations Abstracts International, Volume: 61-04, Section: A.
500 $a Publisher info.: Dissertation/Thesis.
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502 $a Thesis (Ph.D.)--New York University, 1999.
504 $a Includes bibliographical references
520 $a The revised piano version of Franz Liszt's three Sonetti di Petrarca, as published in the Annees de Pelerinage : Deuxieme Anne, Italie, constitute free transcriptions of his song settings of three sonnets by the medieval Italian poet Francesco Petrarca and are among his most poetically inspired compositions for solo piano. The main body of this study consists of the analysis of Sonetto 104 using Lawrence Ferrara's eclectic method for the analysis of musical sound, form, and reference. In addition, a performance guide of Sonetto 104 is presented. Sonetto 47 and Sonetto 123 are analyzed using a freely adapted, less formalized version of the eclectic approach. An adapted form of Grosvenor Cooper and Leonard B. Meyer's approach to the analysis of rhythm is used in this study as a way of evaluating the degree of congruence between the meter of Petrarch's "Sonnet 104" and the rhythmic structure of the piano version of Sonetto 104 del Petrarca. The rhythmic analysis revealed that the rhythm of the piano version and the meter of Petrarch's poem are highly congruent. A linear-reductive analysis identified structural harmonies and revealed a coherent formal plan that conformed to tonal models. Liszt's use of mediant relationships on several structural levels identifies the harmonic language of Sonetto 104 as representative of the middle nineteenth century and his distinct reliance on the conventional dominant-tonic relationship to achieve closure separates the harmonic language of this work from that of the latter part of the century. A referential correlation between three triadic harmonies-major, minor, and augmented-and feelings is discussed. Italian operatic vocal quality is manifest in declamatory, recitative, and lyrical aria-like passages with inspired bravura passages that create a rich and full range of passionate emotional outpourings. The sanctity of Petrarch's solemn blessing and fervid emotional state suggested in Sonetto 47, the contrary states of being and powerfully opposed emotions manifest in Sonetto 104, and the celestial qualities, dream-like states, intense stillness, and sweetness suggested in Sonetto 123, are successfully evoked in Liszt's settings.
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653 $a Francesco Petrarca
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653 $a Liszt, Franz
653 $a Performance guide
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653 $a Sonetti di Petrarca
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