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The Aesthetics of Nature, Harmony, and Pentatonicism in Chinese Culture and Its Influence on Selected Piano Works of Claude Debussy.
Record Type:
Electronic resources : Monograph/item
Title/Author:
The Aesthetics of Nature, Harmony, and Pentatonicism in Chinese Culture and Its Influence on Selected Piano Works of Claude Debussy./
Author:
Xia, Xin.
Description:
1 online resource (83 pages)
Notes:
Source: Dissertations Abstracts International, Volume: 82-08, Section: A.
Contained By:
Dissertations Abstracts International82-08A.
Subject:
Musical composition. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28314951click for full text (PQDT)
ISBN:
9798569999880
The Aesthetics of Nature, Harmony, and Pentatonicism in Chinese Culture and Its Influence on Selected Piano Works of Claude Debussy.
Xia, Xin.
The Aesthetics of Nature, Harmony, and Pentatonicism in Chinese Culture and Its Influence on Selected Piano Works of Claude Debussy.
- 1 online resource (83 pages)
Source: Dissertations Abstracts International, Volume: 82-08, Section: A.
Thesis (D.M.A.)--Shenandoah University, 2017.
Includes bibliographical references
This lecture-recital document traces the lineage of pentatonicism, Chinese music theory, and Chinese philosophy from Ancient China to the Jesuits, to Rameau, to Laloy, and finally to Debussy. The Jesuits wrote treatises on Chinese music theory and culture, which they brought back to the West. These treatises were studied by Western musicians, eventually leading to Debussy's use of the pentatonic scale. After exploring this history, one can find the ways in which Debussy's philosophy on "Nature" and "Harmony" in fact parallels those same philosophical concepts in Chinese culture. Both Debussy and the ancient Chinese believed in spiritual interconnections between the Earth, the heavens, humankind, and the arts. These connections impacted the way they wrote and performed music. Once the historical, philosophical, and cultural interconnections are understood, one may understand Debussy's music in a new light. This lecture-recital document reinterprets a selection of Debussy's piano music based on these philosophical and aesthetic parallels.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2023
Mode of access: World Wide Web
ISBN: 9798569999880Subjects--Topical Terms:
3289630
Musical composition.
Subjects--Index Terms:
ChinaIndex Terms--Genre/Form:
542853
Electronic books.
The Aesthetics of Nature, Harmony, and Pentatonicism in Chinese Culture and Its Influence on Selected Piano Works of Claude Debussy.
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The Aesthetics of Nature, Harmony, and Pentatonicism in Chinese Culture and Its Influence on Selected Piano Works of Claude Debussy.
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Source: Dissertations Abstracts International, Volume: 82-08, Section: A.
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Advisor: Caluda, Elizabeth.
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Thesis (D.M.A.)--Shenandoah University, 2017.
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This lecture-recital document traces the lineage of pentatonicism, Chinese music theory, and Chinese philosophy from Ancient China to the Jesuits, to Rameau, to Laloy, and finally to Debussy. The Jesuits wrote treatises on Chinese music theory and culture, which they brought back to the West. These treatises were studied by Western musicians, eventually leading to Debussy's use of the pentatonic scale. After exploring this history, one can find the ways in which Debussy's philosophy on "Nature" and "Harmony" in fact parallels those same philosophical concepts in Chinese culture. Both Debussy and the ancient Chinese believed in spiritual interconnections between the Earth, the heavens, humankind, and the arts. These connections impacted the way they wrote and performed music. Once the historical, philosophical, and cultural interconnections are understood, one may understand Debussy's music in a new light. This lecture-recital document reinterprets a selection of Debussy's piano music based on these philosophical and aesthetic parallels.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=28314951
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click for full text (PQDT)
based on 0 review(s)
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